The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Bunta Sugawara

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Actor Bunta Sugawara has died. Sugawara is probably best known for his work in Kinji Fukasaku’s The Yakuza Papers/Battles Without Honor And Humanity film series. Sugawara also appeared in Norifumi Suzuki’s Trucker Yaro series, Spirited Away (2001), Tales From Earthsea (2006), Wolf Children (2012) and Kon Ichikawa’s Actress (1987) . The Asahi Shimbun, The Japan […]

RIP, Isuzu Yamada

Actress Isuzu Yamada has died. Yamada worked with a range of directors including, Akira Kurosawa, Kenji Mizoguchi, Mikio Naruse, Yasujiro Ozu and Kinji Fukasaku. The New York Times has an obituary.  The Gutter remembers her with a scene of her performances as Lady Washizu in Throne of Blood.   Like this:Like Loading…

RIP, Kaneto Shindo

Director and screenwriter Kaneto Shindo has died. He lived past 100 and made masterpieces including Onibaba, Kuroneko, Children of Hiroshima, Lucky Dragon No. 5 and The Naked Island. He also wrote the screenplays for Seijun Suzuki’s Fighting Elegy, Yasuzo Masumura Irezumi, Kinji Fukasaku’s Under the Flag of the Rising Sun, Seijiro Koyama’s Hachi / Hachiko […]

“Battle Royale and Japanese Nationalism”

This Japanese Life provides some historical context for Kinji Fukasaku’s film, Battle Royale–including an incident from Fukasaku‘s own life as a student drafted into a munitions factory, writer Yukio Mishima and the Hagakure: “Since the film deliberately omits much of the novel’s WW2-inspired alternative reality, I look at Kitano and see a modern-era Japanese glorification of […]

Happy Birthday, Akira Kurosawa!

Gutter Comics Editor Carol wrote a little piece on Akira Kurosawa and action films over at the ActionFest Blog in honor of Kurosawa’s 102nd birthday. Like this:Like Loading…

Saturday Morning Happy Hour

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Racial epithets. Topless women. Speeches interrupted by blowjobs. Steve Guttenberg. Doesn’t seem like fodder for a Saturday morning cartoon show. But in the late 80s the film Police Academy, which subjected viewers to such adult situations, spawned an animated series of the same name. Running for two seasons, the series featured the original franchise’s characters–Mahoney, […]

Vampire, Or Maybe, Werewolf

When’s a vampire really more of a werewolf? When it’s Toppei from Osamu Tezuka’s Vampire. Todd from 4DK writes about the mostly live-action television adaptation, starring Tezuka as himself, beret and all, and they remind him of both Kurosawa’s High and Low and Fukasaku’s Black Lizard. Like this:Like Loading…

So Many Fukasaku Kinji Soundtracks!

Don’t have enough soundtracks by Japanese composers? Wild Grounds will help you out with “The 5 Japanese Film Composers You Must Know” and a whole section of downloadable soundtracks and excerpts from Yojimbo to Battle Without Honor or Humanity. Like this:Like Loading…

Life is Better Underground

My obsession with below-ground parking lots

Since the first Cro-Magnon man set foot in the limestone caves of Lascaux, we have has a bittersweet relationship with cool, dank places. They provided mankind with much needed shelter from the elements, yet in their dark recesses they also supplied material for our nightmares — whether they materialised as a flesh-ripping cave bear or […]

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  • Of Note Elsewhere

    NPR interviews Hank Willis Thomas on his exhibition showcasing images of white women in advertizing. It’s a follow up to his 2008 exhibition, “Unbranded: Reflections in Black by Corporate America.” “I think what happens with ads — when we put text and logos on them, we do all the heavy lifting of making them make sense to us. But when you see the image naked, or unbranded, you start to really ask questions.”

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    Our friends at Pornokitsch share a 1898 Philadelphia Press article on ghosts of the Capitol in Washington, D.C.

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    The Journal of Popular Romance Studies interviewed author Joanna Russ in 2007 about slash fiction: “Her 1985 essay, ‘Pornography By Women For Women, With Love’ helped to set the terms of the discussion for feminist scholars who followed, and it is widely cited in fan studies. Russ argues that fantasy has to be read in more complex ways than simply seeing it as an effort at one-dimensional wish fulfillment. She posits fantasy as something rich and metaphorical. She reads slash as a genre that tells us new things about women’s sexuality and sexual desire, things that—in 1985—weren’t being talked about except in the very divided feminist ‘sex wars,’ where ‘pro-sex’ and ‘anti-porn’ feminists created ever more polarized stances.”

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    At Hyperallergic, Jeremy Polacek writes about the history of Afrofuturism and the Brooklyn Academy of Music’s exhibit, “Space Is The Place: AfroFuturism On Film”:  “Afrofuturism is an empowering rubric, an approach and aesthetic that clarifies and connects history and the hope, creativity, and pain there within. Afrofuturism is wry, wise, and leveling — it believes that a brighter, more equal, funkier future is within the realm of possibility. You can be different; this world can be different — self-invention commingles with worldly reinvention; Africa is both glorious past and technocratic future.

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    Sweet Jane shares a 1967 fashion editorial shoot mixing mod fashion and the work of illustrator Aubrey Beardsley. (via arabellesicardi.com)

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    BBC Radio 4 is presenting an adaptation of Ursula Le Guin’s The Left Hand Of Darkness. You can listen to the first episode here. There are also other features, including an interview with Le Guin. (via Pornokitsch)

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