The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Archie Meets KISS Preview

Comic Book Resources has a preview of Archie Meets KISS, another creative comic from Archie, which recently announced Kevin Keller’s wedding to Clay Walker and published an ambitious parallel timeline story where Archie was married to Betty in one life and Veronica in another. For their part, KISS has been in comic storylines since the […]

Marvel’s Kings of the Night Time World

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In 1977, the most powerful band on earth was KISS with their pyrotechnics, monster boots and the largest army a band had ever fielded, the KISS Army, fully prepared to rock and roll all nite, party every day and read comics in between. Marvel had their ever-lovin’ fingers on the pulse of the youth and […]

Lordi’s Deadache

Latex Metal menace and 2006 Eurovision song contest winner Lordi talk KISS and costumes with Artisan News Service.  (Mr. Lordi was held up in traffic). Here’s Lordi at Eurovision.

Detroit Metal City: No Music, No Dream

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We live in a time of film adaptations of comic books massive and tiny, from Iron Man and The Dark Knight to Wanted and The Surrogates. But I don’t need to see any more. I have seen Detroit Metal City and it is a testament to awesomeness.

2008 Madness Begins

The 2008 Midnight Madness films have been announced.  If you’re in Toronto then, you’ll have a chance to see movies like Chocolate, Detroit Metal City, JCVD and The Burrowers (no trailer) on the big screen. I’ma be there.

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  • Of Note Elsewhere

    A gallery of Fan Ho’s photos of Hong Kong from the book, Fan Ho: A Hong Kong Memoir. (Thanks, Clarice!)

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    A gallery of Medieval European beasts and creatures who can’t even.

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    At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”

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    Jenn Frank writes about horror, games, “Tropes vs Women In Video Games” and “consuming media responsibly”: “I think what I’m getting at is, especially with the horror genre, it’s less important what a movie says and more important that you, the viewer, understand why you’re enjoying it. I believe in judicious self-awareness; a director like Nicolas Winding Refn knows exactly why he makes the directorial choices he makes, and he works those kinks right out onscreen.

    Or, if you aren’t enjoying a piece of work—if ultraviolence isn’t your thing, or if you’re suffering a visceral reaction—it’s every bit as important that you identify what about the piece is making you uncomfortable.”

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    In  Tropes vs. Women in Video Games, “Women As Background Decoration: Part 2,” Anita Sarkeesian discusses “how sexualized female bodies often occupy a dual role as both sexual playthings and the perpetual victims of male violence.” It is quite graphic in terms of violence and sexual violence.

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    Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).

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