The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Anything Can Happen In Riverdale

Fiona Staples

I never expected to be reading Archie comics. Archie Andrews’ irresistible appeal to ladies mystified me and I came late to an appreciation for soap operas and straight melodrama. Then there was residual stuff around romance, a punk rock hostility towards the wholesome squares, a dash of internalized sexism mixed with gender dysphoria and a […]

Archie Meets KISS Preview

Comic Book Resources has a preview of Archie Meets KISS, another creative comic from Archie, which recently announced Kevin Keller’s wedding to Clay Walker and published an ambitious parallel timeline story where Archie was married to Betty in one life and Veronica in another. For their part, KISS has been in comic storylines since the […]

Marvel’s Kings of the Night Time World

kiss ace face 80.jpg

In 1977, the most powerful band on earth was KISS with their pyrotechnics, monster boots and the largest army a band had ever fielded, the KISS Army, fully prepared to rock and roll all nite, party every day and read comics in between. Marvel had their ever-lovin’ fingers on the pulse of the youth and […]

Lordi’s Deadache

Latex Metal menace and 2006 Eurovision song contest winner Lordi talk KISS and costumes with Artisan News Service.  (Mr. Lordi was held up in traffic). Here’s Lordi at Eurovision. Like this:Like Loading…

Detroit Metal City: No Music, No Dream

dmc krauser 80.jpg

We live in a time of film adaptations of comic books massive and tiny, from Iron Man and The Dark Knight to Wanted and The Surrogates. But I don’t need to see any more. I have seen Detroit Metal City and it is a testament to awesomeness. Like this:Like Loading…

2008 Madness Begins

The 2008 Midnight Madness films have been announced.  If you’re in Toronto then, you’ll have a chance to see movies like Chocolate, Detroit Metal City, JCVD and The Burrowers (no trailer) on the big screen. I’ma be there. Like this:Like Loading…

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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    At Vox, Alex Abad-Santos interviews Kelly Sue DeConnick about feminism, raising girls and her new comic, Bitch Planet. “DeConnick says Bitch Planet, which debuted late last year, is her take on the exploitation films she loved as a kid. The sci-fi prison saga is confident, slick, and hilarious on multiple levels. But it also vibrates with frustration over the sexism still alive today and the impatience in wanting to eliminate it.”

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