The Cultural Gutter

unashamed geekery

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Anything Can Happen In Riverdale

Fiona Staples

I never expected to be reading Archie comics. Archie Andrews’ irresistible appeal to ladies mystified me and I came late to an appreciation for soap operas and straight melodrama. Then there was residual stuff around romance, a punk rock hostility towards the wholesome squares, a dash of internalized sexism mixed with gender dysphoria and a […]

Archie Meets KISS Preview

Comic Book Resources has a preview of Archie Meets KISS, another creative comic from Archie, which recently announced Kevin Keller’s wedding to Clay Walker and published an ambitious parallel timeline story where Archie was married to Betty in one life and Veronica in another. For their part, KISS has been in comic storylines since the […]

Marvel’s Kings of the Night Time World

kiss ace face 80.jpg

In 1977, the most powerful band on earth was KISS with their pyrotechnics, monster boots and the largest army a band had ever fielded, the KISS Army, fully prepared to rock and roll all nite, party every day and read comics in between. Marvel had their ever-lovin’ fingers on the pulse of the youth and […]

Lordi’s Deadache

Latex Metal menace and 2006 Eurovision song contest winner Lordi talk KISS and costumes with Artisan News Service.  (Mr. Lordi was held up in traffic). Here’s Lordi at Eurovision.

Detroit Metal City: No Music, No Dream

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We live in a time of film adaptations of comic books massive and tiny, from Iron Man and The Dark Knight to Wanted and The Surrogates. But I don’t need to see any more. I have seen Detroit Metal City and it is a testament to awesomeness.

2008 Madness Begins

The 2008 Midnight Madness films have been announced.  If you’re in Toronto then, you’ll have a chance to see movies like Chocolate, Detroit Metal City, JCVD and The Burrowers (no trailer) on the big screen. I’ma be there.

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  • Of Note Elsewhere

    The Bowery Boys Podcast dedicates an episode to New York City in the history of comic books. “In the 1890s a newspaper rivalry between William Randolph Hearst and Joseph Pulitzer helped bring about the birth of the comic strip and, a few decades later, the comic book.  Today, comic book superheroes are bigger than ever — in blockbuster summer movies and television shows — and most of them still have an inseparable bond with New York City.”

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    Pornokitsch’s One Comic Podcast looks at Red Sonja #10: “To everyone’s surprise, despite some of the covers and the character’s reputation, this isn’t the exploitative boobs’n’swordplay production it could have been. How did it achieve that? Listen and find out.”

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    Los Angeles Magazine has a gallery of self-portraits of Bunny Yeager and a bit about the career of a model and photographer most famous for her pin-up photographs of Bettie Page. “Having dedicated her life to photography and modeling, not to mention publishing 30 books on the subject (one of which shares a name with the Gavlak exhibition), Yeager had an influence on a generation of artist-photographers including Diane Arbus and Cindy Sherman. Arbus even went as far to call her ‘The world’s greatest pin-up photographer.'” (Thanks, Stephanie!)

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    Arch Daily has a gallery of images of remarkable sandcastles built by Calvin Seibert. Smithsonian Magazine has more, including a 2012 interview with Seibert about his work. (via @lordwoolamaloo)

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    While playing Batman: Arkham Knight, Austin Walker wants to walk the streets of Gotham. “There are lots of different kinds of Batman fantasies–and I’m not looking to invalidate any of them–but throughout this four game series, the developers have largely given me the same one over and over. For once, I want a Batman game where I’m compelled to save the day not because of abstract threats, damsels in distress, or a desire for personal vengeance, but because the beauty of Gotham City compels me to protect it. Instead, I’m left for the fourth time with Batman and his playground.”

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    At Die Die Danger Die Kill, Todd thinks about Karel Zeman’s Vynalez Zkasy. “Vynalez Zkasy (released in the U.S. as The Fabulous World of Jules Verne) may represent Czech FX pioneer Karel Zeman’s quest to emulate the style of 19th century fantasy illustration—to the end of presenting the future through a Victorian lens—at its most extreme. That does not mean that it is any less fascinating than, nor nearly enchanting as, films like The Stolen Airship and Cesta do Praveku/Journey to the Beginning of Time. It only means that there is a vague miasma of obsession that threads through the movie’s general air of wonderment.” (The Gutter’s own Keith has posted images from Karel Zeman’s work here).

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