The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

So Much Art

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So much art available for your browsing pleasure as the Smithsonian puts 40,000 pieces of Asian art from the Freer and Saeckler Collection online. Like this:Like Loading…

Free Oline Korean Film

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The Korean Film Archive has been uploading classics of Korean cinema to their YouTube channel, Korean Classic Film Theater. Modern Korean Cinema reports on the latest 15 films uploaded. Like this:Like Loading…

“The Five Best North Korean Films”

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Simon Fowler shares “The Five Best North Korean Films” at The Guardian. Did Pulgasari make the cut? Is the list Pulgasari five times? Click through to find out. (Thanks, Earl!) Like this:Like Loading…

Interview with Park Joon-Hung

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Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung. Like this:Like Loading…

Revenge In South Korean Cinema

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Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film. Like this:Like Loading…

Kaiju Shakedown: Redemption

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Driven from its village by cruel Ch’ing officials, Kaiju Shakedown has spent years righting wrongs and secretly training in the world of martial arts. Now Kaiju Shakedown returns to us, using an improved No Shadow Fist to write about Asian cinema at Film Comment. Like this:Like Loading…

Best Korean Movies of 2013

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At Modern Korean Cinema, Pierce Conran shares his list of top ten Korean movies in 2013. Like this:Like Loading…

Interview with Simon Yam Tat-Wah

PaikJiyeon’s People Inside features Simon Yam in all his sartorial splendor. “Simple, that is the best.” (First of multipart interview) Like this:Like Loading…

Clip from The Host 2 / Gwoemul 2

Here’s a clip from Bong Joon-ho’s The Host 2/ Gwoemul 2 (sequel to the 2007 film, The Host / Gwoemul). More river monster + a little behind the scenes look. Like this:Like Loading…

Cloud Atlas, Racebending and Racism

Racebending and Hyperallergic discuss the racism and lack of critical response to racism in Cloud Atlas‘ use of “colorblind casting.”  Mike Le responds to the trailer: Ultimately…my belief is that Cloud Atlas will eventually be viewed through the same lens as films like The Good Earth, Birth of a Nation, or even Dumbo. These are films […]

FantAsia Film Festival 2012

The FantAsia site is up and running with many, many trailers to get you ready for the festival. (Or at least, what films to keep an eye out for). Like this:Like Loading…

NYAFF 2012!

Who will dare face the New York Asian Film Festival?! Who will dare not to after seeing the festival trailer and reading, “Grady’s Guide to NYAFF 2012?!”  The full festival schedule and ticket information are here. Like this:Like Loading…

Discovering Korean Cinema

At Modern Korean Cinema, Pierce Conran writes of discovering Korean film and, in particular, Jang Joon-hwan’s genre-blending, Save The Green Planet. Like this:Like Loading…

Interview with Ryoo Seung-Wan

Hangul Cellulloid interviews director, writer and actor, Ryoo Seung-Wan about his earlier films, including Die Bad; his current film, The Unjust; his upcoming, The Berlin File; and whether Korean films are inherently violent. Like this:Like Loading…

100 Years of Manhwa

An excellent gallery of images and collections, as well as historical context on 100 years of Korean comics. Like this:Like Loading…

Ballerinas Watch Black Swan

The New York Times has a piece on dancers’ reaction to Black Swan. Meanwhile, Jonathan Romney interviews Darren Aronofsky and writes: “There’s much steamy weirdness that you don’t normally associate with ballet fictions: hallucinations, horror, lesbian clinches with doppelgängers.” Which is exactly what I associate with them. I’d like to see dancers respond to other […]

Most Anticipated Asian Films of 2011

Wildgrounds breaks down their most anticipated films of 2011. Like this:Like Loading…

Let The Bullets Fly

The bullets fly in Weng Jiang’s new Asian Western set in 1920s China:  Let the Bullets Fly.  It stars Chow Yun-Fat, Carina Lau and Weng Jiang himself. And though that sure sounds like Chow Yun-Fat, word is Mr. Chow has been dubbed. It would make a nice double feature with The Good, The Bad, The […]

25 Or 6 To A Better Tomorrow?

This trailer for the Korean remake of John Woo’s A Better Tomorrow has Chicago’s “25 or 6 to 4″ going through my head. (thanks, brian!) Like this:Like Loading…

Summer Fun Time Reading!

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It’s summertime and all the happenin’ sites have advice about bikinis, manscaping, quick cool meals and reading lists. I have no idea what to tell you about beachwear, other than you do look cute in that, but I do have some reading suggestions. Like this:Like Loading…

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  • Of Note Elsewhere

    “sometimes, we all get down

    sometimes, we all need to do something nice for ourselves

    sometimes, we all need to play dungeons and dragons with action star vin diesel.”

    Click here for the download. (via @popshifter)

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    Make-up artist Lucia Pittalis transforms herself into Rambo, Walter White, Bette Davis, Iggy Pop and many more.

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    There is a gallery of Patrick Dougherty’s woven “Stickwork” installations in Salem, MA at Odd Things I’ve Seen. In a similar vein, you can see some of Joshua Walsh’s art and design for True Detective season 1.

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    This week, our friends at The Projection Booth discuss “George Lucas’s Star Wars (AKA Star Wars Episode IV: A New Hope), the sci-fi film from 1977 that has been rendered unavailable in its original form due to its creator’s tampering.”

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    Speakeasy Radio hosted an tweetalong of The Company Of Wolves followed by a short podcast where Prof. Kate Laity, Ms. Angela Englert and the Gutter’s own Carol discuss the film, author Angela Carter and werewolves. Listen to the episode of Speakeasy Radio here and see all the tweets here.

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    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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