In a 1988 Sight And Sound interview, Patricia Highsmith talks about film adaptations of her novels, from Strangers On A Train (1950) to The American Friend (1977)
Behold the creepy, eerily beautiful, hellishly frightening and sometimes hilarious delights of this year’s Vanguard Program at the Toronto International Film Festival: Demon; February; The Missing Girl; Evolution; Lace Crater; Der Nachtmahr; Collective Invention; Love; Men & Chickens; My Big Night; Veteran; Hellions; Endorphine; Zoom; and, No Men Beyond This Point. (The Gutter’s own Carol […]
So much art available for your browsing pleasure as the Smithsonian puts 40,000 pieces of Asian art from the Freer and Saeckler Collection online.
The Korean Film Archive has been uploading classics of Korean cinema to their YouTube channel, Korean Classic Film Theater. Modern Korean Cinema reports on the latest 15 films uploaded.
Simon Fowler shares “The Five Best North Korean Films” at The Guardian. Did Pulgasari make the cut? Is the list Pulgasari five times? Click through to find out. (Thanks, Earl!)
Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.
Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.
Driven from its village by cruel Ch’ing officials, Kaiju Shakedown has spent years righting wrongs and secretly training in the world of martial arts. Now Kaiju Shakedown returns to us, using an improved No Shadow Fist to write about Asian cinema at Film Comment.
At Modern Korean Cinema, Pierce Conran shares his list of top ten Korean movies in 2013.
PaikJiyeon’s People Inside features Simon Yam in all his sartorial splendor. “Simple, that is the best.” (First of multipart interview)
Here’s a clip from Bong Joon-ho’s The Host 2/ Gwoemul 2 (sequel to the 2007 film, The Host / Gwoemul). More river monster + a little behind the scenes look.
Racebending and Hyperallergic discuss the racism and lack of critical response to racism in Cloud Atlas‘ use of “colorblind casting.” Mike Le responds to the trailer: Ultimately…my belief is that Cloud Atlas will eventually be viewed through the same lens as films like The Good Earth, Birth of a Nation, or even Dumbo. These are films […]
The FantAsia site is up and running with many, many trailers to get you ready for the festival. (Or at least, what films to keep an eye out for).
Who will dare face the New York Asian Film Festival?! Who will dare not to after seeing the festival trailer and reading, “Grady’s Guide to NYAFF 2012?!” The full festival schedule and ticket information are here.
At Modern Korean Cinema, Pierce Conran writes of discovering Korean film and, in particular, Jang Joon-hwan’s genre-blending, Save The Green Planet.
Hangul Cellulloid interviews director, writer and actor, Ryoo Seung-Wan about his earlier films, including Die Bad; his current film, The Unjust; his upcoming, The Berlin File; and whether Korean films are inherently violent.
An excellent gallery of images and collections, as well as historical context on 100 years of Korean comics.
The New York Times has a piece on dancers’ reaction to Black Swan. Meanwhile, Jonathan Romney interviews Darren Aronofsky and writes: “There’s much steamy weirdness that you don’t normally associate with ballet fictions: hallucinations, horror, lesbian clinches with doppelgängers.” Which is exactly what I associate with them. I’d like to see dancers respond to other […]
Wildgrounds breaks down their most anticipated films of 2011.
The bullets fly in Weng Jiang’s new Asian Western set in 1920s China: Let the Bullets Fly. It stars Chow Yun-Fat, Carina Lau and Weng Jiang himself. And though that sure sounds like Chow Yun-Fat, word is Mr. Chow has been dubbed. It would make a nice double feature with The Good, The Bad, The […]
This trailer for the Korean remake of John Woo’s A Better Tomorrow has Chicago’s “25 or 6 to 4” going through my head. (thanks, brian!)keep looking »