The Cultural Gutter

taking the dumb out of fandom

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10 Comics I Liked In 2012

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Tales of derring-do! Girl adventurers! Occult mystery! Infernal foes! Secrets revealed! Pirates! Love, loss & betrayal! Intricate art bound in lovely hardcovers! Indie going mainstream! Original creations! It’s been an incredible year for comics. So many good ones that I can’t even begin to claim to know what would be the best comics of 2012. […]

10 Comics I Liked in 2011

It’s the beginning of January, cold and dark where I am. The critics are all putting out their best of year lists, and maybe you’re looking for something to read. So here’s my entry into annual lists: 10 comics I liked in 2011 that I haven’t written about. Well 9 comics I haven’t written about […]

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    Over at Teleport City, Keith takes a look at live-action and animated adaptations of Takao Saito’s manga, Golgo 13.

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    Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here.

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    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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