The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Interview with Lee Byung-hun

Paul Quinn interviews actor Lee Byung-hun  (The Good, The Bad, The Weird; I Saw The Devil) for Hangul Cellulloid. “Every actor, especially the beginners, if they’re asked ‘Do you eventually want to be a star or a real actor?’ will answer that they want to be a real actor and not a star, 100%. However, […]

Let The Bullets Fly

The bullets fly in Weng Jiang’s new Asian Western set in 1920s China:  Let the Bullets Fly.  It stars Chow Yun-Fat, Carina Lau and Weng Jiang himself. And though that sure sounds like Chow Yun-Fat, word is Mr. Chow has been dubbed. It would make a nice double feature with The Good, The Bad, The […]

3 Trailers from Twitch

It’s Twitch round-up time. Supporting martial artists Mike B. and Russell Wong take the lead kneeing and kicking people in the chest in Thanapon Maliwan’s The Sanctuary. Lee Byung-Hun, Kimura Takuya and Josh Hartnett go to Hong Kong and walk the line between the police and organized crime in Tran Anh Hung’s I Come with […]

A Little More Weird Western

How about a little more of Kim Ji-Woon’s The Good, The Bad and the Weird, my favorite Western, weird or not, in a while. Look at Jung Woo-Sung ride! (And watch out for some horse-tripping).

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  • Of Note Elsewhere

    At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”

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    Jenn Frank writes about horror, games, “Tropes vs Women In Video Games” and “consuming media responsibly”: “I think what I’m getting at is, especially with the horror genre, it’s less important what a movie says and more important that you, the viewer, understand why you’re enjoying it. I believe in judicious self-awareness; a director like Nicolas Winding Refn knows exactly why he makes the directorial choices he makes, and he works those kinks right out onscreen.

    Or, if you aren’t enjoying a piece of work—if ultraviolence isn’t your thing, or if you’re suffering a visceral reaction—it’s every bit as important that you identify what about the piece is making you uncomfortable.”

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    In  Tropes vs. Women in Video Games, “Women As Background Decoration: Part 2,” Anita Sarkeesian discusses “how sexualized female bodies often occupy a dual role as both sexual playthings and the perpetual victims of male violence.” It is quite graphic in terms of violence and sexual violence.

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    Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).

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    Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they become available).

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    The Guardian has collected some responses Haruki Murakami gave to reader questions at the Edinburgh International Book Festival. “I don’t have any idea at all, when I start writing, of what is to come. For instance, for The Wind-Up Bird Chronicle, the first thing I had was the call of the bird, because I heard a bird in my back yard (it was the first time I heard that kind of sound and I never have since then. I felt like it was predicting something. So I wanted to write about it). The next thing was cooking spaghetti – these are things that happen to me! I was cooking spaghetti, and somebody call. So I had just these two things at the start. Two years I kept on writing. It’s fun! I don’t know what’s going to happen next, every day. I get up, go to the desk, switch on the computer, etc. and say to myself: ‘so what’s going to happen today?’ It’s fun!”

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