The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Lois Lane, Gun Moll

The Belated Nerd  recounts the story of “Lois Lane, Gun Moll” as part of his series, “What Was Lois Lane Up To 50 Years Ago.”

Fun with Mad Men’s Jon Hamm

Lexcorp needs a bailout and a yeti needs a lift.

If You Could Turn Back Time

supermanreeve 80.jpg

You remember the ending of the original Superman movie starring Christopher Reeve, directed by Richard Donner: Superman, too late to save Lois Lane, flies around the world at tremendous speed, reversing events so he can have another chance to save her. The facts seem straightforward, but I find that people do not agree on the […]

Stainless

Fearing what he can do.  Fearing what he won

Recently, one of my friends told me that Superman was an inch from becoming a dictator. It didn’t seem likely to me, but I didn’t have any arguments, just a sense that Superman wasn’t inclined toward world domination. Luckily enough, the public library system provided me with, The Man from Krypton: A Closer Look at […]

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  • Of Note Elsewhere

    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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