The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“The Man Without A Mask”

The New Yorker has a profile of Saúl Armendáriz, the luchador Cassandro, and his fellow exóticos of lucha libre. “Exóticos have been around since the nineteen-forties. At first, they were dandies, a subset of rudos with capes and valets. They struck glamour-boy poses and threw flowers to the audience. As exóticos got swishier and more […]

Interview with Filmmaker Peter Strickland

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The Gutter’s own Carol interviews Peter Strickland (Berberian Sound Studio; The Duke of Burgundy) about his films, sound design, mole crickets, pheromonal perfume and the pressure to put on a persona. Read it at the Toronto International Film Festival’s official Vanguard Program blog.

Apocalypse Games

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Three articles on the end of “gamer” as an identity, on the end of gatekeeping and the end of gaming culture: Leigh Alexander at Gamasutra; Dr. Nerdlove; and Dan Golding. “And the sad thing is: nobody’s trying to destroy games.“

Line Up for the TIFF 2014 Vanguard Program

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Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).

Moominland Tales: The Life Of Tove Jansson

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A BBC documentary on the life and work of writer and artist Tove Jansson, best known for her Moomin books. (via Kate Laity)

Happenings With The Projection Booth?

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What’s happening with The Projection Booth, you ask? This week The Projection Booth watches Caligula (1979) and TPB‘s Mike White is interviewed by Dave Pace at La Politique Psychotronique.

RIP, James Garner

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Actor and producer James Garner has died. Garner is probably most famous for his role as Jim Rockford in the tv series, The Rockford Files, but he also starred in Maverick (the tv series and the 1994 film), Support Your Local Sheriff (1969), Marlowe (1969), The Great Escape (1963),   Victor/Victoria (1982), Move Over, Darling […]

CG Round-Up

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Screen Editor Alex’s latest piece for the Gutter is one of RogerEbert.com’s daily Thumbnails. Meanwhile, at the Alcohol Professor, SF/F Editor Keith writes about the Stonewall Inn, aka, “The Bar That Launched Pride.”

Interview with Kellee Terrell

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Graveyard Shift Sisters talks with writer/director Kellee Terrell about representation and Black women in horror film . “A story about love, loss, regret and sacrifice could be told in any medium with any kind of backdrop. But I was never really interested in telling Aimee and Cynthia’s story if zombies weren’t part of it. Because […]

101 Masterpieces: The Talented Mr. Ripley

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Mental Floss takes an in-depth look at Patricia Highsmith and The Talented Mr. Ripley. “With the charming sociopath Ripley, she’d created a new type of character entirely. In five novels over the next four decades, he’d become not only her most acclaimed and memorable creation but the prototype for a new kind of antihero: the […]

“Drag Is Raw: Wrestlers, Queens And Gender As A Performance Art”

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At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a […]

“You Don’t Have To Be Eurocentric To Make It To The Future”

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“’You don’t have to be Eurocentric to make it to the future,’ said Andrea Hairston, a professor of theater and Afro-American studies at Smith College in Massachusetts, whose side gig happens to be writing award-winning science fiction. ‘We have to figure out how to be different together. [And t]hat is what storytelling is all about, […]

Theater as Seance

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“In 1911, the famed American medium Anna Eva Fay held a public seance at the London Coliseum, inviting audience members to ask questions that she would answer by channelling the dead. Seated in the auditorium was Violet Coward, whose beloved 11-year-old son, Noël, had just begun his stage career after Violet spotted an advert in the […]

Cruising at the Projection Booth

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This week The Projection Booth looks at William Friedkin’s Cruising (1979), with discussion of the controversy surrounding the film and interviews Don Scardino, Randy Jurgensen, & Travis Mathews about the Sixties and Seventies New York, making the film and making Interior. Leather. Bar.

10 Comics I Liked In 2013

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It’s an amazing time in comics right now. There are too many good ones for me to even read them all. Comics are like a hydra, but without the decapitation or even really the fighting. (So maybe not all that much like a hydra except I find one comic and then there are 3-6 more […]

“‘Diversity Lounge? PAX has a lot of work to do”

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Leigh Alexander writes about the gaming community, PAX’s proposed “Diversity Lounge” and providing safe, inclusive spaces: “But the ‘Diversity Hub and Lounge’ is vaguely insulting as a concept: What marginalized people want from games events is not necessarily to have special zones just for them, but to feel welcome, wanted and safe at the entire […]

Two Female Authors Talk About Sexism, Being Out and Self-Promotion

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At The Toast, author Sarah Rees Brennan writes about promoting one’s work and  sexism.  And author Malinda Lo writes a companion piece about promoting one’s work, being out as a Queer author, heterosexism, homophobia and sexism.

Sexy Supervillian Pin-Ups

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Evan Munday has created a gallery of his supervillain erotica. “[A]s I noted in one of the oddest interviews I’ve ever done, with Playboy‘s sort-of-safe-for-work site, comic readers are used to having their female characters overtly sexualized. Despite the spandex and bulging muscles, male characters just aren’t treated the same way by illustrators. So at […]

Plus-Sized Divas and Beauty Queens

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The Projection Booth has been busy, with a bunch of new podcasts up, including episodes dedicated to a documentary on Divine and “There She is,” a documentary about plus-sized beauty queens. Listen to them!  

Kirk and Spock, Tristan and Iseult

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At Teach Me Tonight, Kate Laity writes about Joanna Russ’ 1985 essay, “Pornography by Women for Women With Love”:  “While the entire collection makes fascinating reading, I want to focus on the chapter “Pornography By Women For Women, With Love” as it provides some interesting roots for the ongoing academic dissections of romance writing today […]

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  • Of Note Elsewhere

    Actor Richard Kiel has died. Kiel worked in both film and television, including performances in The Twilight Zone episode, “To Serve Man”; Eegah (1962); The Barbary Coast with William Shatner; Happy Gilmore (1996); Pale Rider (1985); as Vlad in Tangled (201); and as Jaws in The Spy Who Loved Me (1977) and Moonraker (1979).   The New York TimesThe Los Angeles Times and Variety have obituaries. Here he is interviewed with Britt Ekland. And David Letterman interviews Kiel here.

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    Open Culture has a round-up of eight free and complete films by Dziga Vertov, including Man With A Movie Camera (1929) and the first Soviet animated feature, Soviet Toys (1924). (Thanks, Earl!)

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    Matt Zoller Seitz has written a lovely meditation on Robin Williams at RogerEbert.com: “Williams wore the invisible garments of depression. He carried that burden. A lot of the time we didn’t see it, because he was a bright and enthusiastic comic performer and a great actor. But the weight was always there.

    Somehow he lived 63 years.

    What a warrior he was.”

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    At Kaiju Shakedown, Hiroshi Fukazawa interviews director Ringo Lam. “Not as flashy as John Woo, never as hyperkinetic as Tsui Hark, Ringo Lam is one of Hong Kong’s most underappreciated directors. He made his name with sophisticated, downbeat crime dramas that came to define a certain style of urban Hong Kong cinema in the Eighties and early Nineties. After getting his start in television at CTV and TVB, he directed five features before finding his stride with 1987’s City on Fire, the movie that provided the blueprint for Quentin Tarantino’s Reservoir Dogs.”

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    “[Grace] Jones — who was famous not just for her music, but also for her acting and modeling — took Lundgren to New York, where they partied at the legendary Studio 54 and Andy Warhol took pictures of Lundgren. Jones introduced Lundgren to the world of show business. Meanwhile, Lundgren was still set to begin his Fulbright scholarship at MIT. ‘I started sort of thinking, “Wow, this is kind of cool,”‘ Lundgren remembers: ‘”I don’t know if I want to go back to engineering after this.”‘ More at NPR.

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    “A mid-20th century collaboration between artists, poets and printers gave rise to a unique book of surrealistic creatures accompanied by complementary typographic art poems.” See more at BibliOdyssey. (Thanks, Andrezo!)

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