The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

For Worse And For Better. But Mostly Worse.

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Now is the summer of our discontent… We’ve finally gotten down to actual summer weather in the last two weeks. So of course I spent the last two weeks without AC as I dealt with a series of cascading electrical problems. One complete power shut-down later, things are finally back on the level… just in time […]

All Alone In The Moonlight

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Recently I moderated a panel discussion on CanLit and the SF/F genre and it got me to thinking.  Specifically, it got me thinking about memory. And that’s because if there’s one thing modern Canadian literature is full of, it’s memory. Years ago (a decade, mebbbe?)  an industry journal published a chart detailing the subjects of […]

Blow, Blow Thou Winter Wind

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This week, I thought I saw the first snow of the season. Turns out it was actually sleet, which is kind of like snow’s annoying idiot cousin. But I got excited anyway, because the thing is… I love winter. Don’t get me wrong: that doesn’t mean I don’t love fall and spring too. Bright green […]

Thieves To The Left Of Me, Killers To The Right.

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This month I thought I’d take a look at some of the bad boy heroes of Romance. I’m not talking about common-or-garden variety bad boys, here. That strain, the rebellious, troubled men, often misunderstood and usually returning from years spent away, are a staple of the genre.  They have a satisfactory character arc and generally […]

No, It Really Is What You Know

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Holy crap, it’s Labour Day weekend already. Seems like one minute I was looking at hopeful seedlings in my garden and the next I was staring sadly at the mashed detritus of spindly broken plants and cursing construction workers… wait, I’m getting off track. What I really mean is, the unofficial end of summer really snuck […]

Beach Reading

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It may not entirely feel like it, but it’s finally summer. Commercial fiction gets its second biggest bump of the year during the summer (the biggest is at Christmas, obviously), and  because the Romance genre is the largest section, its uptick in sales is the most noticeable.   That’s because mild and humid as it might […]

The Longing And The Short Of It

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 Ah, mid-February.  That time of year in which Romance authors are hounded by the media for sound bites and wink-wink, nudge-nudge style “advice” for hackneyed articles about Valentine’s Day, most of which will appear under headlines made awkward by ham-handed double-entendres*.  I’m all for Romance writers getting some press, but the box-checking, paper-thin nature of […]

The Measure Of Success

I’ve been thinking about heroes and archetypes again (which is not actually news: story archetype is a sandbox in which I happily spend a lot of time). Feels like it’s everywhere these days.  A few weeks back I was on a panel at the World Fantasy Convention that discussed love and monsters. Alex and Carol […]

Things That Go Bump In The Night

(No, I don’t mean that kind of bump. Sheesh.  You people.) Given the timing of this column, and its proximity to Halloween, it seemed logical to write about the spooky side of Romance.  But it was a little harder than I thought to put together a reading list.  I wanted to concentrate on books that […]

Lovers In A Dangerous Time

Recently, I’ve been thinking about danger.  Specifically, the kind of danger that runs through a certain subsection of Romance, often called ‘romantic suspense’.  These are the stories that drop the hero and heroine into physical jeopardy in addition to exposing them to all the emotional risks of falling in love.  When done well, they share […]

Good Books for Bad Days

By its very nature, a Romance is suffused with positive attitude.  The characters learn who they are, what kind of lives they want, and then proceed to go out and get them. The end result is effort rewarded (which is frankly more interesting than virtue rewarded, because virtuousness can be boring).  We like to read […]

Alpha Bits

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It kind of goes without saying that the Romance genre is full of tropes and archetypes (though just to be clear: the happy ending is not archetype, but architecture).  Some come in plot form: the rags-to-riches story, for instance, a modern take on the Cinderella mythos.  Sometimes they pertain to character:  the driven career woman […]

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  • Of Note Elsewhere

    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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    At The Guardian, Keith Stuart and Steve Boxer look at the history of PlayStation.“Having been part of the late 80s rave and underground-clubbing scene, I recognised how it was influencing the youth market. In the early 90s, club culture started to become more mass market, but the impetus was still coming from the underground, from key individuals and tribes. What it showed me was that you had to identify and build relationships with those opinion-formers – the DJs, the music industry, the fashion industry, the underground media.” (via @timmaughan)

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    Neill Cameron has re-imagined the characters of Parks & Recreation as members of Starfleet. (Via @neillcameron)

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