Ever have one of those months in which several disparate threads from different aspects of your life all suddenly seem to be part of the same cloth? I’m having one right now. The recent truly excellent articles by carol and alex combined with the current interwebs-fueled firestorm over ‘fake geek girls’ and the collective cognitive […]
Ah, mid-February. That time of year in which Romance authors are hounded by the media for sound bites and wink-wink, nudge-nudge style “advice” for hackneyed articles about Valentine’s Day, most of which will appear under headlines made awkward by ham-handed double-entendres*. I’m all for Romance writers getting some press, but the box-checking, paper-thin nature of […]
Alex’s excellent article last week prompted Gutter Overlord Carol to suggest we each use this month to write about masculinity in our own particular capacity. Having been by odd coincidence right in the middle of reading The Male Brain by Louann Brizendine (a fascinating look at the physical and hormonal characteristics unique to, um, the […]
I’ve been thinking about heroes and archetypes again (which is not actually news: story archetype is a sandbox in which I happily spend a lot of time). Feels like it’s everywhere these days. A few weeks back I was on a panel at the World Fantasy Convention that discussed love and monsters. Alex and Carol […]
I enjoy this time of year. Partly because I work in retail, and the week between Christmas and New Year’s Eve is a kind of gift: festive and fun, and landing somewhere between the insanity of December and the dead quiet of January. But also because I get a kick out of all the lists […]
One of the many criticisms levelled at romance novels is that they’re a poor model for women when it comes to real-life relationships. All that fairy tale nonsense, detractors say, will make women want the wrong things from their partners. I could list a dozen things wrong with that assumption, but I’ll limit myself to […]
Generally speaking, Romances are divided into two broad groups: contemporary and historical. Those distinctions are somewhat fluid. For instance, although it used to refer to anything set after 1900, ‘contemporary’ now encompasses anything set after World War II. ‘Historical’, meanwhile, covers everything else.
Some months back I wrote a column about Georgette Heyer, who re-imagined Jane Austen’s Regency era and popularized it for modern audiences. The Regency period, 1811-1820, refers to the years of King George III’s insanity, when his son, the Prince of Wales, was Regent of England in his father’s stead. Given the similarity of style […]