The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Entourage And The Slow-Burning Death Of The American Dream”

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At Bitter Empire, Kaleb Horton writes about Entourage: “This movie, with all the charm of a seasoned leisure class alcoholic, coldly and mechanically celebrates the degradation of humanity. It is a movie with no moral center. A movie with no worldview. A commercial for having a million dollars to kill on the Sunset Strip. It […]

“My Breakfast With Blassie”

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Andy Kaufman has breakfast with Classie Freddie Blassie in My Breakfast With Blassie (1983) (via @GCDB)

RIP, Taylor Negron

Actor and comedian Taylor Negron has died. Negron appeared many films and television series including, Fast Times At Ridgemont High (1982), Easy Money (1983), Better Off Dead (1985), The Last Boy Scout (1991), River’s Edge (1986), The Hughleys, Curb Your Enthusiasm, Reno 911! and That’s So Raven. The Dissolve, AV Club and the Los Angeles […]

Taylor Negron on Catherine Davis

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The late Taylor Negron wrote a lovely piece about his friend Catherine Davis, murdered by Johnny Lewis. “If you look at initial reports of the death of Johnny Lewis — the “Sons of Anarchy” actor and, as all the media outlets have made sure to note, the ex of Katy Perry — the name of […]

RIP, Glen A. Larson

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Producer, writer and director Glen A. Larson has died. Larson was responsible for creating tv series such as Battlestar Galactica, Magnum P.I, Knight Rider, The Fall Guy, Quincy M.E., The Hardy Boys/Nancy Drew Mysteries and Buck Rogers In The 25Th Century, about which the Gutter’s own Keith wrote here. The New York Times, The Hollywood […]

“Finding Marlowe”

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Louise Ransil talks with the Los Angeles Times about private investigator Samuel B. Marlow. “Marlowe, she said, was the city’s first licensed black private detective. He shadowed lives, took care of secrets, knew his way around Tinseltown. Ransil dropped the names of some Hollywood heavies — Clark Gable, Jean Harlow, Howard Hughes. But it got […]

RIP, Elizabeth Peña

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Actor Elizabeth Peña has died. Peña appeared in both film and television including, La Bamba (1987), Batteries Not Included (1987), Blue Steel (1989), L.A. Law, Lone Star (1996),  The Incredibles (2004), Justice League, Prime Suspect and Modern Family. NPR remembers Peña. The Guardian has collected clips of Peña’s work. Latino Review, The New York Times, […]

Interview with Pendleton Ward

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Rolling Stone‘s Neill Strauss profiles Adventure Time creature Pendleton Ward and talks to him about why he decided to stop running the show. “He sighs and looks down at his stomach. ‘It’s nice to just be sleepy and make stuff,’ he says. ‘That’s the root of what I like doing. Make stuff on my own […]

RIP, James Garner

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Actor and producer James Garner has died. Garner is probably most famous for his role as Jim Rockford in the tv series, The Rockford Files, but he also starred in Maverick (the tv series and the 1994 film), Support Your Local Sheriff (1969), Marlowe (1969), The Great Escape (1963),   Victor/Victoria (1982), Move Over, Darling […]

RIP, Paul Mazursky

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Writer, director, actor and producer Paul Mazursky has died. Mazursky directed Bob And Carol And Ted And Alice (1969), Harry And Tonto (1974),  An Unmarried Woman (1978), Moscow On The Hudson (1984), Down And Out In Beverly Hills (1986), Enemies, A Love Story (1989). Mazursky was Emmanuel Stoker in The Blackboard Jungle (1955), a tv […]

“Four Takes On The First Season of True Detective

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Lili Loofbourow, Anne Helen Petersen, Evan Kindley and Phillip Maciak respond to the divisive finale of the first season of True Detective while considering detective stories, thrillers, The Detection Club, gendered responses, viewers’ relationships to television, a temporal fallacy and darkness at The LA Times Review Of Books.

Fun! Charm! Thrilling Adventure!

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The Thrilling Adventure Hour is a beacon in a grittily realistic, grimdark pop culture landscape, one guiding lost souls to fun, charm and adventure. And I’m glad to see The Thrilling Adventure Hour adapted from podcast radio play into graphic novel because I like what it portends for fun stories in the future and because […]

10 Comics I Liked In 2013

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It’s an amazing time in comics right now. There are too many good ones for me to even read them all. Comics are like a hydra, but without the decapitation or even really the fighting. (So maybe not all that much like a hydra except I find one comic and then there are 3-6 more […]

“The Truth About Krampus”

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At Atlas Obscura, Al Ridenour writes about the Krampus, Krampusse, Perchten and LA’s upcoming Krampusfest.

The Subtle Noir of Dorothy B. Hughes

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At The LA Review of Books, Sarah Weinman writes about fine, subtle and underappreciated noir writer, Dorothy B. Hughes. “In a Lonely Place…blasted my mind open to new ways of reading. I wasn’t only enjoying the story and getting creeped out by the wholly unreliable narrator, Dix Steele, but marveling at the way Hughes let […]

In A Lonely Place

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At Pulp Curry, Andrew Nette looks at In A Lonely Place, both Nicholas Ray’s cinematic adaptation and Dorothy B. Hughes’ original novel.

Xanadu‘s Persistence of Memory

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I watched Xanadu on HBO dozens of times in the early 1980s. My obsession also included the soundtrack, which I listened to on a Walkman while attired in scarves, leotards, ruffled skirts, and legwarmers. Sadly, my skills at ballet, tap, and jazz did not translate into roller skating, so I pretended I was Olivia Newton-John […]

Raymond Chandler and The High Tower Apartments

The High Tower Apartments and Robert Altman’s The Long Goodbye and Raymond Chandler’s The High Window.

The Projection Booth Goes Clear

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The Projection Booth Podcast has an excellent two-part series exploring Scientology on film. The first part focuses on Craig Baldwin’s Mock Up On Mu, with discussion of L. Ron Hubbard and rocket scientist/occultist Jack Parsons, and a comparison of Peter Alexander’s The Profit with Paul Thomas Anderson’s The Master.  The second part is a Battlefield […]

Interview with Kim Gordon

“What the breach of generations shows is that there’s more than one way to be feminist.” Lizzie Goodman interviews musician and artist, Kim Gordon.

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  • Of Note Elsewhere

    There’s a set of Star Wars cards autographed with amusing comments by Mark Hamill at imgur.

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    The Projection Booth watches Night Moves (1975) with special guest host the Gutter’s own Carol. “Arthur Penn’s Night Moves (1975) stars Gene Hackman as Harry Moseby, a private eye trying to find himself in a post-Watergate America. We’re joined by Nat Segaloff, author of Arthur Penn: American Director and Carol Borden of the Cultural Gutter.”

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    At Graveyard Shift Sisters, Ashlee Blackwell considers love in Ganja & Hess. ” It is up to the viewer to map a path that suits their understanding. What writer/director Bill Gunn (who plays Dr. Hess’ assistant) wanted was a disruption of mainstream fare. Gunn didn’t seem too interested in what Hollywood desired, and like many writers, wrote a screenplay that felt personal and needed to be written. It tackles so many themes, it’s almost difficult to begin. While most rely on it being vampiric and about addiction, it’s important to note the journey that Hess and Ganja embark on together. Their romantic entanglement may by one of the most fascinating aspects of the film that is commonly overlooked because it is challenging to simplify.”

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    Friend of the Gutter Less Lee Moore interviews friend of the Gutter Colin Geddes about his work on the new horror streaming service, Shudder.

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    The Bowery Boys Podcast dedicates an episode to New York City in the history of comic books. “In the 1890s a newspaper rivalry between William Randolph Hearst and Joseph Pulitzer helped bring about the birth of the comic strip and, a few decades later, the comic book.  Today, comic book superheroes are bigger than ever — in blockbuster summer movies and television shows — and most of them still have an inseparable bond with New York City.”

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    Pornokitsch’s One Comic Podcast looks at Red Sonja #10: “To everyone’s surprise, despite some of the covers and the character’s reputation, this isn’t the exploitative boobs’n’swordplay production it could have been. How did it achieve that? Listen and find out.”

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