The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Good Outnumber You: A Look at Heroism in Storytelling

powerman and iron fist picture

When I was a mere lad, I picked up a battered newsstand copy of Power Man and Iron Fist. I had grown up with superheroes in Spider-Man and His Amazing Friends, The Incredible Hulk, and The Herculoids on the television, but my comics reading prior to that issue of Power Man and Iron Fist was […]

White Scripts and Black Supermen

The trailer for White Scripts And Black Supermen: Black Masculinities In Comic Books, a documentary directed by Jonathan Gayles. And there are some extended interviews at the documentary’s YouTube Channel.

“Welcome To Black History Month”

At Comics Alliance, David Brothers takes us on a walk through Black history in comics from Krazy Kat; Orrin C. Evans’ All-Negro Comics; Billy Graham’s Panther’s Rage; Hardware and Milestone Comics to now.

“Me and My People Got History”

David Brothers writes about Luke Cage, comics history and how and why he writes about race. “I really, really care about this stuff. I care about others getting it right and I definitely care about getting it right myself. Otherwise, you get ‘LOL Luke Cage’ instead of treating the guy like his history is as […]

Interviews with Dwayne McDuffie

Remembering Dwayne McDuffie on the anniversary of his death with an interview from an unfinished short on Milestone Comic by the makers of  the documentary, White Scripts and Black Men:  Black Masculinities in American Superhero Comics. And Dwayne McDuffie explains the secret history of  Luke Cage’s exclamation, “Sweet Christmas!” (Update: McDuffie discusses the “rule of […]

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  • Of Note Elsewhere

    At the New Republic, B. D. McClay writes about Shirley Jackson and a new collection containing previously unpublished stories and essays by Jackson. “Let Me Tell You, on the other hand, is for the already-converted fan, who will be delighted to read so many new stories and essays. The greatest attraction is the 15 essays, which touch on subjects as diverse as the travails of being married to a book critic (‘book reviewing is just nothing for a healthy young girl to be married to’), Samuel Richardson (‘no small action is consummated in less than ten pages’), poltergeist-bearing postcards (‘I think it is simply too much for any one house to have poltergeists and children’), and clowns.”

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    At Teleport City, the Gutter’s own Carol writes about 12 books that vary in reputability and their harrowing nature. They include books by Shirley Jackson, Raymond Chandler, Patricia Highsmith and Herman Melville.

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    Anne Billson has posted a 1985 interview she did with director George Miller (the Mad Max films). Miller talks about many things including Aunty Entity’s probable past as a hero and Max as, in Mel Gibson’s words, “a closet human being.” (Thanks, Matt!)

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    At New York Magazine, David Wallace-Wells writes about bees, colony collapse disorder and beekeeper Dave Hackenberg. “It’s been a long decade for bees. We’ve been panicking about them nonstop since 2006, when beekeeper Dave Hackenberg inspected 2,400 hives wintering in Florida and found 400 of them abandoned — totally empty. American beekeepers had experienced dramatic die-offs before, as recently as the previous winter in California and in regular bouts with a deadly bug called the varroa mite since the 1980s. But those die-offs would at least produce bodies pathologists could study. Here, the bees had just disappeared. In the U.K., they called it Mary Celeste syndrome, after the merchant ship discovered off the Azores in 1872 with not a single passenger aboard. The bees hadn’t even scrawled CROATOAN in honey on the door on their way out of the hive.”

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    Andrew Nette has a pair of interesting pieces on pulp you might be interested in. First, he writes about “the New Pulp” and a bit about Fifty Shades of Gray in “Fifty Shades of Pulp.” Then he writes about pulp and literacy and furthering social advancement in “Pulp and Circumstance.”  “Most people view pulp as either exploitative lowbrow culture or highly collectable retro artefact. Yet pulp has a secret history which Rabinowitz’s book uncovers. Her central thesis is that cheap, mass-produced pulp novels not only provided entertainment and cheap titillating thrills, but also brought modernism to the American people, democratising reading and, in the process, furthering culture and social enlightenment.”

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    The Projection Booth interviews actor Ed Asner.

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