The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“I’ll find a match / Or maybe two or three.”

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Bertha Antoinette Mason Rochester as a Disney Princess by Shipwrecked’s Sinead Persaud. Like this:Like Loading…

“Classy Ladies, Scary Movies”

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At Mostly Film, Blake Backlash writes about films “mixing of Hollywood’s Grande Dames with Grand Guignol.”  “Such cinematic mixing of Grande Dames and Grand Guignol had its heyday in the second-half of the sixties, and such films are sometimes (more-or-less) affectionately known as psycho-biddy pictures. They tended to feature an actress over 50 in some […]

The Empire of Crime: Mabuse vs. Wertham vs. Marston

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When humanity, subjugated by the terror of crime, has been driven insane by fear and horror, and when chaos has become supreme law, then the time will have come for the empire of crime.” –The Testament of Dr. Mabuse “[W]hatever factors come into play in the cases that we have studied, the conclusion is inescapable […]

Let There Be Light

John Huston’s rarely seen and controversial documentary about what was called “shell shock,” “psychoneurosis,” and “neuropsychosis” among returning World War II veterans, Let There Be Light, is now available for free online viewing. Read more about the film and its history at Keyframe and view it at the National Film Preservation Foundation. (Thanks, @FOURDK) Like […]

Human Centipede 2: Say Goodnight to the Bad Guy!

This week Gutter Guest Darryl Shaw fills in for Screen Editor alex MacFadyen. “I recognize terror as the finest emotion and so I will try to terrorize the reader. But if I find that I cannot terrify, I will try to horrify, and if I find that I cannot horrify, I’ll go for the gross-out. […]

Cthulhu on CNN

It’s not quite the way many cultists had hoped to see Cthulhu on CNN, but it’s still pretty good. Cthulhu and the Lovecraft profiled on CNN. (via Bonnie Burton) Like this:Like Loading…

Lovecraftian Bluegrass

Listen to French Corsican Lovecraftian bluegrass right here, if you dare.  (Madness via @Propnomicon) Like this:Like Loading…

The Tell-Tale Heart, 1953

The 1953 animated version of The Tell-Tale Heart, narrated by James Mason. According to Open Culture, it received an X rating in the UK and was nominated for an Academy Award for Best Animated Short Film in the US. (Thanks, Kate Laity!) Like this:Like Loading…

Herbert West, Re-Animator, Pt. 3

Monster Island Resort Podcast’s “Herbert West Re-Animator” reading continues with Part 3, illustrated by the Gutter’s comics editor, Carol. Like this:Like Loading…

Midnight Madness 2011, Updated

Here are two more trailers for films screening at this year’s Midnight Madness Program at the Toronto International Film Festival. First up, a teaser and clip from Eduardo Sánchez’ Lovely Molly. There’s also a trailer for Frederic Jardin’s thriller, Sleepless Night / Nuit Blanche. (Updated: The Incident trailer was incorrect). Like this:Like Loading…

Orson Scott Card’s Hamlet

Oh my stars and garters, Orson Scott Card has rewritten Hamlet and called it, Hamlet’s Father. via @houseinrlyeh and @pornokitsch) Like this:Like Loading…

Time Magazine’s View of Horror in 1961

The Belated Nerd reprints a 1961 Time review of Hammer and American Intertnational horror, including The Pit and The Pendulum, Curse of the Werewolf and Black Sunday.  “Those who cannot bear the tension may be grateful for the Fright Break, during which they may ‘follow the Yellow Streak to the Coward’s Corner and have the […]

Midnight Madness 2011

The line-up for the Midnight Madness Programme at the Toronto International Film Festival has been announced and the Gutter has some trailers and images for the films! Smuggler (directed by Funky Forest‘s Katsushito Ishii); The Day; Livid (from the directors of A L’Interieur/Inside); Kill List; The Incident; God Bless America (directed by Bobcat Goldthwait); Lovely […]

The 25 Best Horror Games of All Time

Gameranx dares name the Top 25 Best Horror Games of All Time! (via Denis at The Horror?!) Like this:Like Loading…

100 Years of Vincent Price, Illustrated

100 Years of Vincent illustrated on post-it’s.  One role per post-it. Like this:Like Loading…

A Case of Mesmerism

Mesmerism, the mystery beyond the veil and bodily decay are all rendered in delightfully cartoony style in Bahij Jaroudi’s “The Facts in the Case of M. Valdemar.”  Cartoon Brew has an interview as well as the short. Like this:Like Loading…

Dealing with the R-Type Personality

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R-Type has a funny way of showing its affection. It doesn’t give you black eyes, but it still makes them red and twitchy. You don’t eat as much. You abuse caffeine and other stimulants, as if that makes much of a difference. Its benchmark of expectation keeps rising. Make no mistake: The standards presented will […]

Scary Solstice Songs

Darken your holiday spirit with the HP Lovecraft Historical Society’s seasonal songs:  “I Saw Mommy Kissing Yog-Sothoth”,  “I’m Dreaming of a Dead City” and “Death to the World.” Like this:Like Loading…

Messages in Lovecraftian Horror

There are two clear messages in this Lovecraftian short film about a small bookstore clerk going mad. 1. Don’t take your job too seriously. Just do the time. 2. Don’t read old books. Like this:Like Loading…

Kirkbride, Castles of the Midwest.

Kirkbride Buildings are the castles of the American Midwest. They’re also 19th century State Hospitals. Like this:Like Loading…

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  • Of Note Elsewhere

    At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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