The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Monster Island Resort IS Die, Danger, Die, Die, Kill!

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Todd from Die, Danger, Die, Die, Kill! takes over Monster Island Resort to explain the philosophy behind Die, Danger, Die, Die, Kill! as part of the Mysterious Order of the Skeleton Suit’s Swap-A-Thon: “The result is a free form ramble in which I somewhat preposterously touch upon everything from Thunderbirds to the Situationist movement to […]

Retrospective: Vive Le Gutter!

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The Cultural Gutter turned ten in May, 2013 and we didn’t make much of a fuss about it. But ten years ago this week, Jim Munroe posted the manifesto that’s guided The Cultural Gutter, even as each subsequent editor has joined the Gutter and added their take on our mission. We thought this would be […]

The Empire of Crime: Mabuse vs. Wertham vs. Marston

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When humanity, subjugated by the terror of crime, has been driven insane by fear and horror, and when chaos has become supreme law, then the time will have come for the empire of crime.” –The Testament of Dr. Mabuse “[W]hatever factors come into play in the cases that we have studied, the conclusion is inescapable […]

Patricia Rozema’s Manifesto for Canadian Movies

Canadian film-maker Patricia Rozema writes a manifesto describing what the  Canadian film industry needs.

The Gamer Girl Manifesto

Gamer Girls remind everyone, “Don’t be racist. Don’t be homophobic. Don’t be sexist. Follow that code and everybody will have a good time. And when someone breaks that code, CALL THEM OUT. Don’t just let it ride.” And the comments bear out why it has to be said again and again.

DANGEROUS BECAUSE IT HAS A PHILOSOPHY

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In Videodrome, shortly before the arrival of the least sexy waiter in the history of cinema (no link for this, you’ll just have to go rent the movie), Max Renn (James Woods, no hyperlink needed) and Masha (Lynne Gorman, IMDb listing not interesting enough to link to) share the following exchange on the nature of […]

Is it possible to have too much fun?

Manny contemplates his low-class destiny.

Is it possible to have a pleasure circuit overload? “Girls are to be kept away from those activities of civilization that over-stimulate the imagination and the senses, such as fashionable novels, paintings, music, balls, theaters… as this can lead to uterine epilepsy, sapphic tastes, and nymphomania.” While this is Victorian-era advice, it’s reflective of how […]

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  • Of Note Elsewhere

    The Korean Film Archive has been uploading classics of Korean cinema to their YouTube channel, Korean Classic Film Theater. Modern Korean Cinema reports on the latest 15 films uploaded.

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    A gallery of Mike Allred’s covers for twenty of DC’s titles. (via @profmdwhite)

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    Actor Lauren Bacall has died. Bacall is most famous for work with her first husband Humphrey Bogart, To Have And Have Not (1944), The Big Sleep (1946) and Key Largo (1948), but she also starred in Douglas Sirk’s classic melodrama Written On The Wind (1956), co-starred with Marilyn Monroe and Betty Grable in How To Marry A Millionaire (1953), The Fan (1981), she appeared in Misery (1990) and voiced the Witch of the Waste in the English language dub of Howl’s Moving Castle (2004) and the Gray One in the English language version of Ernest and Celestine (2014). The Guardian and The Los Angeles Times, have obituaries. The Hollywood Reporter collects responses and remembrancesJulianne Escobedo Shepherd writes that “What I love about her is the intelligence and pluckiness that defined her acting and her life. That is what we should be most remembering — her talent, her strength, her fierce essence—the elements that made her an icon of the silver screen.” Here is Bacall’s 1994 interview with Charlie Rose.

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    Simon Fowler shares “The Five Best North Korean Films” at The Guardian. Did Pulgasari make the cut? Is the list Pulgasari five times? Click through to find out. (Thanks, Earl!)

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    Actor and comedian Robin Williams has died. There are many obituaries and remembrances out there, so we’re just choosing a few.  The AV Club, RogerEbert.com and Boing Boing have obituaries. The writers of RogerEbert.com offer tributes. Terry Gilliam talks about directing Williams in The Fisher King. Penny Marshall talks about working with Williams on Laverne & Shirley and directing him in Awakenings.  Marc Maron reposts his interview with Williams on Maron’s WTF Podcast. And here are a few of his less mentioned, darker films: Death To Smoochy (2002);  One Hour Photo (2002); Insomnia (2002); The Secret Agent (1996) and World’s Greatest Dad (2009).

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    Cleopatra’s Weave draws some amazing Elves of color (and David J. Prokopetz shares a story trying to get more racial representation in a fantasy illustration project).

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