The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Dreadful Thoughts

As an adult, my strongest impressions of horror have come from comics. My childhood ones are almost exclusively from tv—the trailer for Magic and a misguided viewing of the beginning of Andy Warhol’s Frankenstein. But as an adult, I remember picking up the first issue of Neil Gaiman’s Sandman (Vertigo) and being so freaked out […]

The Better To Bite You With

Vampire romances flirt with the most dangerous animal: men.

When it come to romance novels, the trend today is for stories with teeth. And I mean teeth: long, white, sharp, and dangerous. Said teeth might belong to a werewolf, or a shapeshifting tiger, but most often, they’re the fangs of a vampire. Just what is the appeal of the vampire romance? Bram Stoker made […]

Even When They’re Wrong, They’re Right

What is science fiction good for? One answer: to speculate on what the future might be like. But I would argue that the game of science fiction is only sometimes about predicting the future. Sure it’s fun to invent flying cars and moonbases, but as even these two examples show, the predictive track record of […]

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  • Of Note Elsewhere

    At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)

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    At Never Get Off The Bus, Debbie Moon writes about Captain America: First Avenger. “When adapting existing material, it’s easy to assume that in order to reach point F, you simply have to work through points A – E. To set up Steve Rogers in the modern world, simply romp briskly through everything that happened before he got there. But your character may not be undergoing a single united emotional journey during that period. “

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    At Sequart, friend of the Gutter Colin Smith is taking an exhaustive look at the American superhero comics of Mark Millar–and by exhaustive, we mean, “28 Part.”

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    Friend of the Gutter, Will McKinley writes about his past as a soap opera fan and the return of a classic soap opera, The Doctors, and its significance for the genre.

     

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    Action choreographer, director and stunt performer Panna Rittikrai has died. Films Panna worked on, whether as a choreographer, director, producer and/or actor include: Born To Fight / Gerd Ma Lui (1986 and 2004), Tom Yum Goong (2005), Chocolate (2008), Spirited Killer (1994),  Power Kids (2009),  Dynamite Warrior/Khon Fai Bin (2006), Bangkok Knockout (2010) and all three Ong-Bak films (2003, 2008, 2010).  Film Business Asia, The Bangkok Post and Wise Kwai’s Thai Film Journal have obituaries. City On Fire and Far East Films also remember Panna. Here’s an interview with Panna from Thai Indie.  Panna kicks ass in this tribute video.

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    Actor and singer Elaine Stritch has died. Stritch worked extensively on Broadway, but she also appeared in September (1987), Small Time Crooks (2000), Monster-In-Law (2005), the British television series, Two’s Company3rd Rock From The Sun, My Sister Eileen and 30 Rock. The New York Times Variety and The Detroit Free Press. Saara Dutton remembers Stritch in her piece, “In Praise of Broads.” Here Stritch performs, “Zip” from Pal Joey, “Why Do The Wrong People Travel?” from Sail Away and “I’m Still Here” at the White House. Here she is in a 2008 production of Endgame. And here she is on Theater Talk.

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