The Cultural Gutter

we've seen things you people wouldn't believe

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

D&D Module Walkthroughs

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Artist Jason Thompson creates illustrated walkthroughs of a Dungeons & Dragons game modules. And for more retro gaming fun, Retroist has a 1993 video TSR produced as a tutorial for the boardgame, Dragon Strike, and here is a trailer for TSR’s Wild Space. (via SharpCrye and Gravediggers Local)

“Revealing the Secrets of the Modern Movie Poster”

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Former graphic designer for Intralink Film Graphic Design and current Google graphic designer Alex Griendling talks about designing film posters and campaigns at The Art House.

RIP, Anthony Goldschmidt

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Graphic designer Anthony Goldschmidt has died. Goldschmidt’s company Intralink Film Graphic Design was the first to offer poster design as well as titles and trailers. Intralink created posters for countless films and Goldschmidt himself designed the titles for films including Young Frankenstein (1974), Blazing Saddles (1974) and Stargate (1994). The Hollywood Reporter, The Wrap and […]

RIP, Massimo Vignelli

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Designer Massimo Vignelli has died. Fast Company Design, The Smithsonian Magazine and The New York Times have obituaries. The Verge shares a gallery of his work from the New York subway system map to Bloomingdale’s bags to American Airlines’ logo. Here Vignelli talks about design and his career.

Operation Scraping Netflix’s Data

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“This database probing told me three things: 1) Netflix had an absurdly large number of genres, an order of magnitude or two more than I had thought, 2) it was organized in a way that I didn’t understand, and 3) there was no way I could go through all those genres by hand. But I […]

“Why Marketers Fear Female Geeks”

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At How Not To Suck At Game Design, Anjin writes about marketing, cycles of exclusion and what to do about it: “Yes, excluding people based on demographic data makes sense to a lot of people in marketing. It’s considered a best practice and it actually is a pretty reliable way of increasing profit margins. And […]

Two Female Authors Talk About Sexism, Being Out and Self-Promotion

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At The Toast, author Sarah Rees Brennan writes about promoting one’s work and  sexism.  And author Malinda Lo writes a companion piece about promoting one’s work, being out as a Queer author, heterosexism, homophobia and sexism.

Blurbery

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Ursula Le Guin talks about blurbs: “The trouble is, these days, that any moderately successful author who ever blurbed a book is at this very moment being approached by other authors and probably some editors — and not two or three of them a month, the way it was ten years ago, but many, many, […]

“DC Comics and ‘The Normal Course of Business’”

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At Comics Alliance,  Andrew Wheeler writes about DC Comics and its many crises:  “With almost all 52 books designed to appeal to the taste of one type of man, it’s inevitable that creators with their own ideas and stories would chafe in such an environment. It’s inevitable that diversity would die in such an environment. I […]

“A Day Inside Comic-Con’s Hall H: Worshipping in the Ultimate Movie Church”

Todd VanDerWerff spends a day in San Diego Comic Con’s Hall H and has some interesting observations about the film industry, fan culture, sexism and “Worshipping in the Ultimate Movie Church.”

Ghanian Film Posters

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Hand-painted film posters from Ghana, West Africa, including local films as well as Master of Shaolin, The Golden Voyage of Sinbad, Raiders of the Lost Ark, The Evil Dead and Blade 3.  (via Pornokitsch)

Pop Culture Propaganda

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Peter Gutiérrez looks at the pop culture propaganda of Ender’s Game, Pacific Rim and G.I. Joe marketing campaigns. “The interesting, if obvious, thing about these marketing posters is that they seem to rely on the viewer’s familiarity with propaganda. Does that mean that the audience for blockbuster movies these days is sufficiently “media literate” that […]

“Anatomy of a Logo: Star Wars”

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Tenth Letter of the Alphabet examines the elaboration of the Star Wars logo–with an extensive gallery of images!

Manos: The Hands of Felt

Support Manos The Hands of Felt–The Master will be pleased.

“The Bullying of Chatelaine Harris and the Wisdom of Neil Gaiman”

“So Charlaine Harris’ last Southern Vampires book, Dead Ever After, is out May 7.  Except it’s kind of out now, which is why the interwebs are exploding.  Some random asshat got their claws on an early copy, which is sneaky enough, but then posted the ending online, which is borderline sociopathic.” Mary Janice Davidson has […]

A Brut Production

Movie Morlocks ‘ R. Emmet Sweeney explores the filmmaking history of Fabergé fragrance CEO, George Barrie: “Barrie produced his films under a ‘Brut Productions’ shingle, while Brut Records put out albums by comedian Robert Klein and Brut Television co-produced the popular spy thriller series The Protectors starring Robert Vaughn. There was even a Brut Publishing […]

Illustrating Mad Men

Mad Men‘s latest ad was created by veteran illustrator, Brian Sanders. The New York Times profiles Sanders and a little bit of illustration in the 1960s. “Illustrating for and watching the series was doubly meaningful for him, Mr. Sanders said, because Mad Men depicts a world he was once very much a part of. ‘The […]

“Don’t Stop Believin’: Everyman’s Journey”

NPR’s Scott Tobias writes of Don’t Stop Believin’: Everyman’s Journey: “The disparity between Journey’s mercenary nature and Pineda’s inspiring triumph over adversity comes through starkly in Everyman’s Journey.” (via @TrashFilmGuru)

Diverse Writers, Diverse Readers and Happily Ever Afters

NPR talks about romance written by and for people of color with authors Brenda Jackson, Michelle Monkou, Camy Tang and romance critic Sarah Wendell at the Romance Writers of American convention. (The radio piece is stronger than the written synopsis).

“The Circus of Fashion”

As Popshifter has pointed out, Suzy Menkes’ article about fashion, could apply to so many other cultural pursuits now: “It is great to see the commentaries from smart bloggers — especially those in countries like China or Russia, where there was, in the past, little possibility of sharing fashion thoughts and dreams[.] But two things […]

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  • Of Note Elsewhere

    Three articles on the end of “gamer” as an identity, on the end of gatekeeping and the end of gaming culture: Leigh Alexander at Gamasutra; Dr. Nerdlove; and Dan Golding. “And the sad thing is: nobody’s trying to destroy games.

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    The Gutter’s own Keith writes about The Gangs of Wasseypur for Teleport City. “But more than that, Gangs of Wasseypur isn’t a potential Bollywood cross-over hit because it isn’t a Bollywood film. If anything, it is the antithesis of a Bollywood movie….Gangs of Wasseypur dwells in the spaces Bollywood does not want to show. The mines, the scrap yards, the slums, perhaps most fittingly an abattoir streaked with grime and blood and offal (not all of it from slaughtered animals). Rather than being a slick fantasy world, Wasseypur takes place in a world that screams, ‘No one gets out of here alive.’”

    And The Times of India writes about the real life gangs of Wasseypur here.

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    A gallery of Fan Ho’s photos of Hong Kong from the book, Fan Ho: A Hong Kong Memoir. (Thanks, Clarice!)

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    A gallery of Medieval European beasts and creatures who can’t even.

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    At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”

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    Jenn Frank writes about horror, games, “Tropes vs Women In Video Games” and “consuming media responsibly”: “I think what I’m getting at is, especially with the horror genre, it’s less important what a movie says and more important that you, the viewer, understand why you’re enjoying it. I believe in judicious self-awareness; a director like Nicolas Winding Refn knows exactly why he makes the directorial choices he makes, and he works those kinks right out onscreen.

    Or, if you aren’t enjoying a piece of work—if ultraviolence isn’t your thing, or if you’re suffering a visceral reaction—it’s every bit as important that you identify what about the piece is making you uncomfortable.”

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