The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Level Up: How PlayStation Infiltrated Youth Culture”

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At The Guardian, Keith Stuart and Steve Boxer look at the history of PlayStation.“Having been part of the late 80s rave and underground-clubbing scene, I recognised how it was influencing the youth market. In the early 90s, club culture started to become more mass market, but the impetus was still coming from the underground, from […]

The De-Radicalization of American Girl Dolls

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At The Atlantic, Amy Schiller writes about Mattel’s changes to American Girl Dolls line.  from teaching girls to understand thorny historical controversies and build political consciousness” to customizable accessories reflecting their owners’ own lives. Alexandra Petri writes “Even more terrible things are happening to the American Girl brand than you thought” at The Washington Post. […]

A Little Halloween History

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Rosie Cima writes a little bit about the history of Halloween including a look at seasonal stores, sexy costumes and the Sisters of Perpetual Indulgence. (Thanks, Paula!) Like this:Like Loading…

D&D Module Walkthroughs

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Artist Jason Thompson creates illustrated walkthroughs of a Dungeons & Dragons game modules. And for more retro gaming fun, Retroist has a 1993 video TSR produced as a tutorial for the boardgame, Dragon Strike, and here is a trailer for TSR’s Wild Space. (via SharpCrye and Gravediggers Local) Like this:Like Loading…

“Revealing the Secrets of the Modern Movie Poster”

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Former graphic designer for Intralink Film Graphic Design and current Google graphic designer Alex Griendling talks about designing film posters and campaigns at The Art House. Like this:Like Loading…

RIP, Anthony Goldschmidt

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Graphic designer Anthony Goldschmidt has died. Goldschmidt’s company Intralink Film Graphic Design was the first to offer poster design as well as titles and trailers. Intralink created posters for countless films and Goldschmidt himself designed the titles for films including Young Frankenstein (1974), Blazing Saddles (1974) and Stargate (1994). The Hollywood Reporter, The Wrap and […]

RIP, Massimo Vignelli

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Designer Massimo Vignelli has died. Fast Company Design, The Smithsonian Magazine and The New York Times have obituaries. The Verge shares a gallery of his work from the New York subway system map to Bloomingdale’s bags to American Airlines’ logo. Here Vignelli talks about design and his career. Like this:Like Loading…

Operation Scraping Netflix’s Data

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“This database probing told me three things: 1) Netflix had an absurdly large number of genres, an order of magnitude or two more than I had thought, 2) it was organized in a way that I didn’t understand, and 3) there was no way I could go through all those genres by hand. But I […]

“Why Marketers Fear Female Geeks”

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At How Not To Suck At Game Design, Anjin writes about marketing, cycles of exclusion and what to do about it: “Yes, excluding people based on demographic data makes sense to a lot of people in marketing. It’s considered a best practice and it actually is a pretty reliable way of increasing profit margins. And […]

Two Female Authors Talk About Sexism, Being Out and Self-Promotion

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At The Toast, author Sarah Rees Brennan writes about promoting one’s work and  sexism.  And author Malinda Lo writes a companion piece about promoting one’s work, being out as a Queer author, heterosexism, homophobia and sexism. Like this:Like Loading…

Blurbery

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Ursula Le Guin talks about blurbs: “The trouble is, these days, that any moderately successful author who ever blurbed a book is at this very moment being approached by other authors and probably some editors — and not two or three of them a month, the way it was ten years ago, but many, many, […]

“DC Comics and ‘The Normal Course of Business'”

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At Comics Alliance,  Andrew Wheeler writes about DC Comics and its many crises:  “With almost all 52 books designed to appeal to the taste of one type of man, it’s inevitable that creators with their own ideas and stories would chafe in such an environment. It’s inevitable that diversity would die in such an environment. I […]

“A Day Inside Comic-Con’s Hall H: Worshipping in the Ultimate Movie Church”

Todd VanDerWerff spends a day in San Diego Comic Con’s Hall H and has some interesting observations about the film industry, fan culture, sexism and “Worshipping in the Ultimate Movie Church.” Like this:Like Loading…

Ghanian Film Posters

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Hand-painted film posters from Ghana, West Africa, including local films as well as Master of Shaolin, The Golden Voyage of Sinbad, Raiders of the Lost Ark, The Evil Dead and Blade 3.  (via Pornokitsch) Like this:Like Loading…

Pop Culture Propaganda

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Peter Gutiérrez looks at the pop culture propaganda of Ender’s Game, Pacific Rim and G.I. Joe marketing campaigns. “The interesting, if obvious, thing about these marketing posters is that they seem to rely on the viewer’s familiarity with propaganda. Does that mean that the audience for blockbuster movies these days is sufficiently “media literate” that […]

“Anatomy of a Logo: Star Wars”

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Tenth Letter of the Alphabet examines the elaboration of the Star Wars logo–with an extensive gallery of images! Like this:Like Loading…

Manos: The Hands of Felt

Support Manos The Hands of Felt–The Master will be pleased. Like this:Like Loading…

“The Bullying of Chatelaine Harris and the Wisdom of Neil Gaiman”

“So Charlaine Harris’ last Southern Vampires book, Dead Ever After, is out May 7.  Except it’s kind of out now, which is why the interwebs are exploding.  Some random asshat got their claws on an early copy, which is sneaky enough, but then posted the ending online, which is borderline sociopathic.” Mary Janice Davidson has […]

A Brut Production

Movie Morlocks ‘ R. Emmet Sweeney explores the filmmaking history of Fabergé fragrance CEO, George Barrie: “Barrie produced his films under a ‘Brut Productions’ shingle, while Brut Records put out albums by comedian Robert Klein and Brut Television co-produced the popular spy thriller series The Protectors starring Robert Vaughn. There was even a Brut Publishing […]

Illustrating Mad Men

Mad Men‘s latest ad was created by veteran illustrator, Brian Sanders. The New York Times profiles Sanders and a little bit of illustration in the 1960s. “Illustrating for and watching the series was doubly meaningful for him, Mr. Sanders said, because Mad Men depicts a world he was once very much a part of. ‘The […]

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  • Of Note Elsewhere

    At Comics Alliance, Chris Sims talk abouts the art of lettering in comics. “Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it’s also one of those things that, once you start paying attention to it, you’ll never be able to not notice it again. I’m not exaggerating even a little bit when I say that it’s one of those things that can absolutely ruin a comic if it’s done wrong, even if everything else is perfect. But to be honest, of those three elements, lettering is still probably the most underrated. The thing is, when it’s good, it can be absolutely gorgeous in its own right. And fortunately for us, there are a lot of people who do it very, very well.”

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    Comics Alliance suggests seven Star Wars comics to read before Disney makes them disappear. (Including a comic by one of Comics Editor Carol’s favorite creative teams–Corinna Bechko and Gabriel Hardman). “Starting in 2015, Disney’s handing the publishing of any and all new Star Wars comics over to Marvel Comics, with an all new, optimized-for-corporate-synergy canon that will spread across all their media platforms. Anything that’s not a movie (especially one of the Original Trilogy movies), or a Clone Wars cartoon, will be unceremoniously Order 66-ed out of existence, giving future filmmakers a clean-ish slate to make movies (and money) on. But what about all those Dark Horse comics? That’s where we come in with 7 Dark Horse Star Wars comics you should track down before they disappear.”

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    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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