The Cultural Gutter

we've seen things you people wouldn't believe

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

New Johnny Tri Nguyen film

Johnny Tri Nguyen and his brother, director Charlie Nguyen, team up again for the Vietnamese gangster movie, Cho Lon. Check out the trailer here. (via City On Fire). Like this:Like Loading…

“He wanted to reflect on his world of chivalry”

A complete, online documentary about legendary film maker, Chang Cheh. Thanks to the ladies of the Heroic Sisterhood for reminding us that Feb. 10 would’ve been his 90th birthday. “He liked all actors, but he liked the naught ones more, especially the ones who didn’t listen to him.” Like this:Like Loading…

2 Interviews with Ti Lung

Hong Kong film legend Ti Lung/Di Long discusses his career and Bruce Lee (turn on close captioning for English translation).  And Ti Lung’s debut in Return of the One-Armed Swordsman. Like this:Like Loading…

Starscream vs. Rainbow Dash

Deceptacon Transformer Starscream faces My Little Pony Rainbow Dash in a battle to the death at Death Battle! Start about halfway through the video to get straight to the battlin’!   Like this:Like Loading…

Bat Man of Shanghai

A very cool new entry into the DC Nation shorts, Bat Man of Shanghai, this episode features Catwoman. (Thanks, Matt!) Like this:Like Loading…

FantAsia Film Festival 2012

The FantAsia site is up and running with many, many trailers to get you ready for the festival. (Or at least, what films to keep an eye out for). Like this:Like Loading…

NYAFF 2012!

Who will dare face the New York Asian Film Festival?! Who will dare not to after seeing the festival trailer and reading, “Grady’s Guide to NYAFF 2012?!”  The full festival schedule and ticket information are here. Like this:Like Loading…

The Raid in Claymation

Enjoy full-on awesomeness as The Raid is recreated in stop-motion animation. (Thanks, Colin!) Like this:Like Loading…

“Cool Guys: The Ballad of Astron-6″

Spectactularoptical interviews the gentlemen of the Canadian genre film making collective, Astron-6, and includes a retrospective–with video! Like this:Like Loading…

A Hero Dies 50,000 Deaths!

In chanbara, Japanese sword-fighting movies, actor Seizo Fukumoto is a master of the art of dying.  Anthony Kuhn interviews him about his life dying on screen. “In a trademark move, Fukumoto is dealt a fatal blow, then bends over backward, seemingly suspended in midair for a moment of final agony before crumpling to the ground. […]

Master of Infinite Kung Fu

I always have trouble writing about comics that I think are good, just excellent and existing in their own seamless perfection, which means that here at the Gutter I don’t always write about the comics that I love most. I want to do credit to them and save them till I have more time. Sometimes, […]

Coverage of The Raid at Midnight Madness

Read the Gutter Guest Star (and good friend) Robert Mitchell’s interview with Gareth Evans, director of The Raid (aka, The Raid:  Redemption) along with all kinds of coverage of The Raid”s premiere at Midnight Madness, including video of the Q & A and introduction of the film. Like this:Like Loading…

The Portrait of Sho Kosugi

Dare you explore the illustrated history of Enter the Ninja‘s  Sho Kosugi? “In the 80′s, Sho Kosugi posed for over 73 billion photos in full night gear, laden with weapons, in magazines like Black Belt, Ninja, even Karate Illustrated and Inside Kung Fu. Yet when it comes to movie and video game ad campaigns, you often […]

Time Lapse Master of Flying Guillotine

Very cool time lapse video of Kagan McLeod drawing the blind Shaolin priest from Master of Flying Guillotine–with footage from that film. (via Top Shelf Comix and SPX)   Like this:Like Loading…

The Raid Trailer

Here’s an Indonesian trailer for The Raid, not that it matters because the titles are in English and asskickery is an universal language.  (The Raid played at–and won the People’s Choice Award–at TIFF’s 2011 Midnight Madness Programme, see more trailers from that programme here and here).   Like this:Like Loading…

10 Comics I Liked in 2011

It’s the beginning of January, cold and dark where I am. The critics are all putting out their best of year lists, and maybe you’re looking for something to read. So here’s my entry into annual lists: 10 comics I liked in 2011 that I haven’t written about. Well 9 comics I haven’t written about […]

Movieline Interviews Pam Grier

Jen Yamato interviews Pam Grier on her experience working on Quentin Tarantino’s Jackie Brown and in 1970s action films doing her own stunts. (via Grindhouse Database) Like this:Like Loading…

Scratching the Surface of Indonesian Cult Cinema

At the Midnight Madness blog, Carol scratches the surface of Indonesian cult cinema. Like this:Like Loading…

Midnight Madness 2011

The line-up for the Midnight Madness Programme at the Toronto International Film Festival has been announced and the Gutter has some trailers and images for the films! Smuggler (directed by Funky Forest‘s Katsushito Ishii); The Day; Livid (from the directors of A L’Interieur/Inside); Kill List; The Incident; God Bless America (directed by Bobcat Goldthwait); Lovely […]

The History and Art of the Title Sequence

A couple of looks at the art and history of film title sequences. Like this:Like Loading…

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  • Of Note Elsewhere

    Comics Alliance suggests seven Star Wars comics to read before Disney makes them disappear. (Including a comic by one of Comics Editor Carol’s favorite creative teams–Corinna Bechko and Gabriel Hardman). “Starting in 2015, Disney’s handing the publishing of any and all new Star Wars comics over to Marvel Comics, with an all new, optimized-for-corporate-synergy canon that will spread across all their media platforms. Anything that’s not a movie (especially one of the Original Trilogy movies), or a Clone Wars cartoon, will be unceremoniously Order 66-ed out of existence, giving future filmmakers a clean-ish slate to make movies (and money) on. But what about all those Dark Horse comics? That’s where we come in with 7 Dark Horse Star Wars comics you should track down before they disappear.”

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    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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    At The Guardian, Keith Stuart and Steve Boxer look at the history of PlayStation.“Having been part of the late 80s rave and underground-clubbing scene, I recognised how it was influencing the youth market. In the early 90s, club culture started to become more mass market, but the impetus was still coming from the underground, from key individuals and tribes. What it showed me was that you had to identify and build relationships with those opinion-formers – the DJs, the music industry, the fashion industry, the underground media.” (via @timmaughan)

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