The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Blow, Blow Thou Winter Wind

snowflake

This week, I thought I saw the first snow of the season. Turns out it was actually sleet, which is kind of like snow’s annoying idiot cousin. But I got excited anyway, because the thing is… I love winter. Don’t get me wrong: that doesn’t mean I don’t love fall and spring too. Bright green […]

Beach Reading

beachball

It may not entirely feel like it, but it’s finally summer. Commercial fiction gets its second biggest bump of the year during the summer (the biggest is at Christmas, obviously), and  because the Romance genre is the largest section, its uptick in sales is the most noticeable.   That’s because mild and humid as it might […]

The Longing And The Short Of It

heart

 Ah, mid-February.  That time of year in which Romance authors are hounded by the media for sound bites and wink-wink, nudge-nudge style “advice” for hackneyed articles about Valentine’s Day, most of which will appear under headlines made awkward by ham-handed double-entendres*.  I’m all for Romance writers getting some press, but the box-checking, paper-thin nature of […]

The Many Faces Of Man. Or Rather, Men.

smalldavinci

Alex’s excellent article last week prompted Gutter Overlord Carol to suggest we each use this month to write about masculinity in our own particular capacity. Having been by odd coincidence right in the middle of reading The Male Brain by Louann Brizendine (a fascinating look at the physical and hormonal characteristics unique to, um, the […]

Top 10 of 2012

The Serpent Sea thumbnail

It’s the end of the year; I work in retail; I have the flu.  All  of which means that for the past couple weeks I’ve been re-reading rather than reading. Mostly Eva Ibbotson, whose warmth reminds me not only that I love reading, but why.  Which makes this a good time for a retrospective list. […]

Hot For Teacher

I always get a boost of industrious energy this time of year, and a renewed sense of purpose.  All those years of back-to-school excitement have left me with a nigh-Pavlovian response to Labour Day.  I’m one of those (apparently rare) few who actually liked school from kindergarten onwards, so the beginning of a new school […]

Canadian Content

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Most major genre fiction publishers are located in either New York or London.  Romance is a bit of an exception:   Harlequin Books, the world’s largest publisher of romance, is headquartered in Toronto.  Nor is the Canadian flag absent on the authorial side. There are Canadian romance writers from coast to coast, many of whom […]

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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