As soon as the old detective starts talking about buying a boat and all the fish he’s going to catch, or what the view will be like from his back window when he retires, you pretty much know he’s not gonna make it. Or maybe he will, but not without taking a bullet in the gut first just to psych you out. It’s not because he’s not a good guy – in fact he’s often the most genuinely decent, likeable character. It’s because life isn’t fair, and bad guys are only clearly bad if they hurt good people. And, like a bad boyfriend/girlfriend, the movie wants to hurt you so it can be the one to make you feel better. Continue reading…
“No one can conceive the variety of feelings which bore me onwards, like a hurricane, in the first enthusiasm of success. Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world. A new species would bless me as its creator and […]
The Shelley-Godwin Archive has posted all available manuscripts of Mary Shelley’s Frankenstein. Open Culture has a little more context–and a nice engraved frontispiece, “Frankenstein’s Creature,” made by W. Chevalier and T. Holst for the 1831 edition.
“Sometimes I tried to imitate the pleasant songs of the birds but was unable. Sometimes I wished to express my sensations in my own mode, but the uncouth and inarticulate sounds which broke from me frightened me into silence again” (Frankenstein, 110). “He raised her and smiled with such kindness and affection that I felt […]
B-Sol from Vault of Horror and Miguel from Monster Island Resort team up to discuss the Universal Studios monsters. First up, Frankenstein. (If you feel the urge to write us to explain that “actually, the creator is Frankenstein, please see this article. Thanks).
BBC Radio 4 presents dramatizations of Frankenstein and Dracula, as well as extras including discussions of the difficulty of performing Frankenstein’s Creature, Vitalism, and who Stoker might’ve based his Count on. Click through to The Gothic Imagination. (via @booksadventures)
When I was in grade two, my school thought it’d be a great Halloween activity to have a movie screening of old horror films. They showed us the 1931 adaptations of Dracula and Frankenstein, the original 1932 The Mummy, and the 1954 3-D classic, The Creature from the Black Lagoon. At age eight I had […]
The specter of Victor Frankenstein’s creature has been haunting me, confronting me with the horror if his creation and inherent in his being. He stalks me, in his way, as surely as he stalked Victor. Perhaps he’s just been curiously peering at me, as the creature watched humans in Mary Shelley’s novel, emulating our virtues […]
Hey Oscar Wilde has a nice gallery of Meghan Murphy’s classic author illustrations, including HP Lovecraft, Mary Shelley and Jules Verne. (Thanks, Humash!)
Astronomers confirm the day and time of Mary Shelley’s “waking dream” that led to the creation of Frankenstein. They do not explain why they thought her account needed to be confirmed. (via Kate Laity)
Janell Hobson connects Saturday Night Live‘s, “Bride of Blackenstein” to Sara Baartman, the Hottentot Venus, via Mary Shelley’s Frankenstein.
Edison’s 1910 silent, Frankenstein, in all its glory.
Decade by decade, the Movie Morlocks look at 100 years of cinematic horror, starting with the 1910 silent, Frankenstein.
Frankenstein was probably scary at one point, but the whole story has been worn down by repetition, robbed of its power and relegated to status as not much more than a pop culture gag. What would it take to resuscitate the cautionary note in the tale of a scientist? After looking at Scott Bakker’s terrifying […]