The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Out of Body”

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“As a young stay-at-home father, I gravitated toward Virago Modern Classics because they illuminated the ordinary domestic life to which I was growing accustomed, without becoming sentimental or losing sight of the broader human concerns and higher aspirations of their female characters….They couldn’t help seeing that this world of messy children and dirty floors, of […]

“Space Ladies from Outer Space”

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The Gutter’s own Carol invaded The Infernal Brains podcast to discuss space ladies with Todd from Die, Danger, Die, Die, Kill! and Tars Tarkas from TarsTarkas.net.

“The Six Male Characters Women Never Get To See In Movies”

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“[T]hink about all those roles that women selfishly hog up (e.g., passive victims requiring rescue, femmes fatales, joyless nags) that are off-limits to even the most talented male actors. It’s time to stop this woman-centric hand-wringing on how to make female characters better and focus on helping the real victims of Hollywood sexism by asking: […]

“My Little Brony”

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Ad for My Little Brony toys! (via @InlawsOutlaws)

“Peeta Is A Movie Girlfriend”

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Linda Holmes writes about The Hunger Games, Katniss Everdeen and how her male love interest, Peeta, is “a movie girlfriend”: “Going by the traditional Hollywood rules, make no mistake: Peeta is a Movie Girlfriend. Peeta is Pepper Potts and Gwen Stacy, helping and helping and helping until the very end, when it’s time for the […]

“Die Like A Man”

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At Wired, Laura Hudson writes about masculinity and Breaking Bad: “Taken to its furthest extent, this brand of masculinity punishes men for acting like Jesse, and instead produces men like Walt[.]“

“Walter White, Angry White Man”

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“If…other antihero shows played off the thrill that results from being able to do anything or take whatever one wants, then Breaking Bad is increasingly about how unpleasant that actually is in real life. Walt’s justifications for why he should have what he wants stem almost entirely from believing that he’s owed in some way, […]

Sexy Supervillian Pin-Ups

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Evan Munday has created a gallery of his supervillain erotica. “[A]s I noted in one of the oddest interviews I’ve ever done, with Playboy‘s sort-of-safe-for-work site, comic readers are used to having their female characters overtly sexualized. Despite the spandex and bulging muscles, male characters just aren’t treated the same way by illustrators. So at […]

Anna Gunn’s Character Issue

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Anna Gun writes about the experience of playing Breaking Bad‘s Skyler White and how it trickles into hatred towards her: “I finally realized that most people’s hatred of Skyler had little to do with me and a lot to do with their own perception of women and wives. Because Skyler didn’t conform to a comfortable […]

A Conversation with Lee Epstein

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Daily Grindhouse interviews Lee Espstein, author of the biography, Lee Marvin: Point Blank (2013). “I had several moments when I realized that when you study someone’s career you’re going to see certain themes become prevalent, and with Marvin it was this constant thread of violence. I wanted to know where that came from. I also […]

“How Patriarchy Screwed The Starks”

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There are spoilers in this interesting discussion: “Game of Thrones is about how patriarchal systems damage men as much as they damage women.”

A Man’s Life

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“The type of thing I came up with was what sold at the time: Guys with guns and gals with no pants on.”–Norm Saunders (1983) A man presses himself against the wall of a collapsed mine as a grizzly, reared on its hind legs, swipes at him through a gap in the rocks. A man, […]

“Cross-Cultural Representations of the Female Cyborg”

At Babbler Dabbler, Briana discusses female cyborgs in Ghost In The Shell and in Alien: Resurrection.

Wonder Woman and “Blood-Curdling Masculinity”

At The Atlantic, Noah Berlatsky writes about the new incarnation of Wonder Woman. “[M]aking Wonder Woman more violent doesn’t make her more mature or more real. It just makes her more conventional.” (via @BlackComix)

White Scripts and Black Supermen

The trailer for White Scripts And Black Supermen: Black Masculinities In Comic Books, a documentary directed by Jonathan Gayles. And there are some extended interviews at the documentary’s YouTube Channel.

“He wanted to reflect on his world of chivalry”

A complete, online documentary about legendary film maker, Chang Cheh. Thanks to the ladies of the Heroic Sisterhood for reminding us that Feb. 10 would’ve been his 90th birthday. “He liked all actors, but he liked the naught ones more, especially the ones who didn’t listen to him.”

The Suits of James Bond

A website dedicated to fab fashion and 007. (thanks, @World_Of_Hurt)

Loving the Alien: Superman and Masculinity

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Since alex, Chris and I decided to write about masculinity this month, I’ve been thinking about Superman. Actually, I’ve been thinking and rethinking Superman almost as long as I’ve been writing for The Cultural Gutter. I began really thinking about him while watching Justice League and Justice League Unlimited. I’ve spent most of my life—and […]

The Many Faces Of Man. Or Rather, Men.

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Alex’s excellent article last week prompted Gutter Overlord Carol to suggest we each use this month to write about masculinity in our own particular capacity. Having been by odd coincidence right in the middle of reading The Male Brain by Louann Brizendine (a fascinating look at the physical and hormonal characteristics unique to, um, the […]

Boy Band Madrigal

Benny Nemerofsky Ramsay performs–as a boy band–the madrigal, “Come again sweet love”  written by John Dowland. (thanks, alex!)

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  • Of Note Elsewhere

    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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    Al-Jazeera America profiles John Pirozzi’s Don’t Think I’ve Forgotten, a documentary about Cambodian rock’n’roll and musicians who survived the Khmer Rouge. “Until 1975, music thrived in Phnom Penh, with clubs full night after night, crowds gathering in the streets around transistor radios to hear the latest releases, and the biggest stars being feted by the king. Enter the Khmer Rouge, communism and the war on intellectuals. Between 1975 and 1979, about 2 million Cambodians, roughly a third of the population, were rounded up and either were killed or died of starvation. Artists were particularly disliked by the Khmer Rouge, which saw creativity as decadence: Almost all of the biggest names perished during that era.”

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