The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Remembering Koh Masaki”

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The Awl’s Rich Bellis writes about Koh Masaki and the importance of Masaki’s visibility as an out gay man working in the Japanese porn industry. “By the time he died from peritonitis after an appendix operation, at just 29, Masaki had established a celebrity persona in a business where such a thing hadn’t existed before. […]

“The Happy Hunks of Tom of Finland”

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Andy Khouri celebrates “the Happy Hunks of Tom of Finland” at Comics Alliance. “Tom of Finland was the Jack Kirby of gay porn. Working in a section of the comics industry that most fans perhaps spend little time exploring, Tom was a masterful artist, a pioneer, and an inspiration. His work helped establish a gay […]

“Character and the Audience: The Hyper-Capable Wounded Sparrow”

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Debbie Moon ponders the “Hyper-Capable Wounded Sparrow” and Captain America: The Winter Soldier: “The Hyper-Capable Wounded Sparrow is always male, and he’s that guy who can kill a roomful of people without breaking a sweat – but who is massively emotionally vulnerable, has no social support system, and is incapable of interacting with civilized society. […]

“The Last Straw”

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Maureen Ryan writes about Tyrant and the lazy use rape as a trope. “I’m just so tired of violence against women being used as storytelling No-Doz–something to juice up the proceedings and then discard at will.”   Like this:Like Loading…

“Exploring Apatow and Rogen’s Schlubby Non-Misogyny”

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Film School Rejects looks at the Judd Apatow’s comedies: “Apatow is not a denialist of misogyny within society. In fact, if you read the many personal #YesAllWomen anecdotes—all of his films verify that sad reality in a non-condoning, often vilifying way. Through non-traditional heroes, he navigates his audience to a hopeful future.With personal, transformational films comes […]

“Drag Is Raw: Wrestlers, Queens And Gender As A Performance Art”

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At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a […]

“Out of Body”

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“As a young stay-at-home father, I gravitated toward Virago Modern Classics because they illuminated the ordinary domestic life to which I was growing accustomed, without becoming sentimental or losing sight of the broader human concerns and higher aspirations of their female characters….They couldn’t help seeing that this world of messy children and dirty floors, of […]

“Space Ladies from Outer Space”

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The Gutter’s own Carol invaded The Infernal Brains podcast to discuss space ladies with Todd from Die, Danger, Die, Die, Kill! and Tars Tarkas from TarsTarkas.net. Like this:Like Loading…

“The Six Male Characters Women Never Get To See In Movies”

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“[T]hink about all those roles that women selfishly hog up (e.g., passive victims requiring rescue, femmes fatales, joyless nags) that are off-limits to even the most talented male actors. It’s time to stop this woman-centric hand-wringing on how to make female characters better and focus on helping the real victims of Hollywood sexism by asking: […]

“My Little Brony”

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Ad for My Little Brony toys! (via @InlawsOutlaws) Like this:Like Loading…

“Peeta Is A Movie Girlfriend”

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Linda Holmes writes about The Hunger Games, Katniss Everdeen and how her male love interest, Peeta, is “a movie girlfriend”: “Going by the traditional Hollywood rules, make no mistake: Peeta is a Movie Girlfriend. Peeta is Pepper Potts and Gwen Stacy, helping and helping and helping until the very end, when it’s time for the […]

“Die Like A Man”

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At Wired, Laura Hudson writes about masculinity and Breaking Bad: “Taken to its furthest extent, this brand of masculinity punishes men for acting like Jesse, and instead produces men like Walt[.]” Like this:Like Loading…

“Walter White, Angry White Man”

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“If…other antihero shows played off the thrill that results from being able to do anything or take whatever one wants, then Breaking Bad is increasingly about how unpleasant that actually is in real life. Walt’s justifications for why he should have what he wants stem almost entirely from believing that he’s owed in some way, […]

Sexy Supervillian Pin-Ups

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Evan Munday has created a gallery of his supervillain erotica. “[A]s I noted in one of the oddest interviews I’ve ever done, with Playboy‘s sort-of-safe-for-work site, comic readers are used to having their female characters overtly sexualized. Despite the spandex and bulging muscles, male characters just aren’t treated the same way by illustrators. So at […]

Anna Gunn’s Character Issue

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Anna Gun writes about the experience of playing Breaking Bad‘s Skyler White and how it trickles into hatred towards her: “I finally realized that most people’s hatred of Skyler had little to do with me and a lot to do with their own perception of women and wives. Because Skyler didn’t conform to a comfortable […]

A Conversation with Lee Epstein

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Daily Grindhouse interviews Lee Espstein, author of the biography, Lee Marvin: Point Blank (2013). “I had several moments when I realized that when you study someone’s career you’re going to see certain themes become prevalent, and with Marvin it was this constant thread of violence. I wanted to know where that came from. I also […]

“How Patriarchy Screwed The Starks”

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There are spoilers in this interesting discussion: “Game of Thrones is about how patriarchal systems damage men as much as they damage women.” Like this:Like Loading…

A Man’s Life

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“The type of thing I came up with was what sold at the time: Guys with guns and gals with no pants on.”–Norm Saunders (1983) A man presses himself against the wall of a collapsed mine as a grizzly, reared on its hind legs, swipes at him through a gap in the rocks. A man, […]

“Cross-Cultural Representations of the Female Cyborg”

At Babbler Dabbler, Briana discusses female cyborgs in Ghost In The Shell and in Alien: Resurrection. Like this:Like Loading…

Wonder Woman and “Blood-Curdling Masculinity”

At The Atlantic, Noah Berlatsky writes about the new incarnation of Wonder Woman. “[M]aking Wonder Woman more violent doesn’t make her more mature or more real. It just makes her more conventional.” (via @BlackComix) Like this:Like Loading…

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  • Of Note Elsewhere

    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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    At The Guardian, Keith Stuart and Steve Boxer look at the history of PlayStation.“Having been part of the late 80s rave and underground-clubbing scene, I recognised how it was influencing the youth market. In the early 90s, club culture started to become more mass market, but the impetus was still coming from the underground, from key individuals and tribes. What it showed me was that you had to identify and build relationships with those opinion-formers – the DJs, the music industry, the fashion industry, the underground media.” (via @timmaughan)

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    Neill Cameron has re-imagined the characters of Parks & Recreation as members of Starfleet. (Via @neillcameron)

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