The Projection Booth watches Night Moves (1975) with special guest host the Gutter’s own Carol. “Arthur Penn’s Night Moves (1975) stars Gene Hackman as Harry Moseby, a private eye trying to find himself in a post-Watergate America. We’re joined by Nat Segaloff, author of Arthur Penn: American Director and Carol Borden of the Cultural Gutter.”
Los Angeles Magazine has a gallery of self-portraits of Bunny Yeager and a bit about the career of a model and photographer most famous for her pin-up photographs of Bettie Page. “Having dedicated her life to photography and modeling, not to mention publishing 30 books on the subject (one of which shares a name with […]
At Die Die Danger Die Kill, Todd thinks about Karel Zeman’s Vynalez Zkasy. “Vynalez Zkasy (released in the U.S. as The Fabulous World of Jules Verne) may represent Czech FX pioneer Karel Zeman’s quest to emulate the style of 19th century fantasy illustration—to the end of presenting the future through a Victorian lens—at its most […]
At Comics 212, Christopher Butcher has some interesting thoughts about recent shifts in comics. “So, basically, my theory goes that the manga boom in the late 90s sort of blew up every single thing that the industry thought about comics, and who the audience is for comics, and what comics can do….So how did the rest of […]
Juxtapoz Magazine has a gallery of Frank Rudolph Paul’s science fiction illustrations, 1936-9.
At Women Write About comics, J. A. Micheline writes about “The White Privilege, White Audacity and White Priorities of Strange Fruit #1.” JG Jones & Mark Waid’s new comic about an alien landing in the American South in 1927, an alien who appears as a Black man. Meanwhile, Joseph Phillip Illidge had written about the […]
At Movie Morlocks, Kimberly Lindbergs writes about composer Elisabeth Luytens on the 106th anniversary of Luytens’ birth. “Much of Lutyens music, particularly later in life, is rather dark, jarring and cinematic. Her background in Theosophy and Eastern mysticism is apparent in the otherworldly atmosphere conjured up by her film scores and is also evident in […]
Dylan Marron has made a series of videos based on every word spoken by a person of color in various films, including Moonrise Kingdom, Her and Into The Woods. “Marron, a biracial native of Venezuela who grew up in New York, started the video series to figure out why so few people of colour are […]
The New York Times profiles artist Fiona Staples and talks with her about her work on the new Archie comic and Saga. Also, she answers their, “Are you a Betty or a Veronica?”question just fine.
Andrew Nette has a pair of interesting pieces on pulp you might be interested in. First, he writes about “the New Pulp” and a bit about Fifty Shades of Gray in “Fifty Shades of Pulp.” Then he writes about pulp and literacy and furthering social advancement in “Pulp and Circumstance.” “Most people view pulp as […]
The Projection Booth interviews actor Ed Asner.
Transcript from BAFTA’s tribute to director Johnnie To, “Johnnie To: A Life In Pictures.” It’s a great interview with To about his films and process. “Like when I made The Mission I didn’t have a script. It was 1999 and I didn’t have any money so we went to Taiwan and they gave us very […]
At NPR’s Monkey See, Glen Weldon reviews Jon Morris’ The League of Regrettable Superheroes and considers the most intriguing comic book heroes of yore. “Truth in advertising: The Eye was a mysterious, giant, floating, all-knowing eyeball that hectored people to fight crime on its behalf. Which they did, and can you blame them?” (Thanks, Pauline!)
“The truth is out there… probably somewhere in Vancouver.” Atlas Obscura travels to British Columbia’s Lower Seymour Conservation Reserve to share all the locations where X-Files shot in the woods.
Comics Alliance‘s Andrew Wheeler writes about David F. Walker’s impending run on Cyborg and “the re-masculinization” of a Black male superhero. “At Emerald City Comic-Con earlier this year I was lucky enough to be on a panel on diversity and representation with David F. Walker, two months after his Cyborg title was announced. During the […]
At the Guardian, Xan Brooks interviews John Boorman, director of Point Blank (1967), Deliverance (1972), Zardoz (1974), Excalibur (1981) and the upcoming, Queen & Country. “If he could rewind to 1952 and reprise the entire trip, he cannot imagine exactly what he would change. Boorman frowns. ‘Actually, I can’t even contemplate it. I’m a completely […]
This month’s Guest Star is the Gutter’s own Carol writing about the Mario Bava film, Danger: Diabolik. Holy cats, how’d that happen? My town has basically one landmark, you know the kind of thing people passing through take pictures of. It’s a water tower. An incredibly phallic water tower. It’s like a classical Hindu lingam. […]
At Every Frame A Painting, Tony Zhou takes a close look at the action comedy of Jackie Chan.
Friend of the Gutter, Robert A. Mitchell writes a very moving piece about his father, growing up and The Late Show With David Letterman. “My father has been a long distance truck driver for over thirty-five years. His home is a sleeper bunk behind his steering wheel in some rest stop/parking lot/truck stop somewhere in […]
There is a gallery of Patrick Dougherty’s woven “Stickwork” installations in Salem, MA at Odd Things I’ve Seen. In a similar vein, you can see some of Joshua Walsh’s art and design for True Detective season 1.
This week, our friends at The Projection Booth discuss “George Lucas’s Star Wars (AKA Star Wars Episode IV: A New Hope), the sci-fi film from 1977 that has been rendered unavailable in its original form due to its creator’s tampering.”keep looking »