The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Prague Museum of Medieval Torture Instruments”

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At Teleport City, The Gutter’s Own Keith Allison has a gallery of photographs from Prague’s Museum Of Medieval Torture Instruments.

Monsters of the Fifteenth Century

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A gallery of colorful monsters from a Fifteenth Century book of hours.

“‘We Have Always Fought’: Challenging the Women, Cattle and Slaves Narrative”

“It’s easier to tell the same stories everyone else does. There’s no particular shame in it. It’s just that it’s lazy, which is just about the worst possible thing a spec fic writer can be. Oh, and it’s not true.” Kameron Hurley writes about lazy writing, cannibal llamas, female soldiers, and women here. (Thanks, James!)

Boy Band Madrigal

Benny Nemerofsky Ramsay performs–as a boy band–the madrigal, “Come again sweet love”  written by John Dowland. (thanks, alex!)

10 Comics I Liked In 2012

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Tales of derring-do! Girl adventurers! Occult mystery! Infernal foes! Secrets revealed! Pirates! Love, loss & betrayal! Intricate art bound in lovely hardcovers! Indie going mainstream! Original creations! It’s been an incredible year for comics. So many good ones that I can’t even begin to claim to know what would be the best comics of 2012. […]

The Dangerous Dead in Notts

The discovery of a skeleton found with metal spikes through its shoulders, heart and ankles, dating from 550-700AD and buried in the ancient minster town of Southwell, Notts, is detailed in a new report.”More at The Telegraph. (via Disinformation)

Jack Kirby’s Collage

Imprint Magazine puts Jack Kirby’s collage in an art history context.

10 Comics I Liked in 2010

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Sometimes it’s easy to forget why I like comics and 2010 was a particularly tough year, in comics and otherwise. But here are 10 that reminded me why I do like them. There’s a lot of crime, anthropomorphic animals, gorgeous art, silly fun, people dealing with things the best they can, and plenty of Greg […]

Christopher Lee is the King of Metal

Christopher Lee conquers Symphonic Metal. Survey his Holy Metal Empire with two promos for Charlemagne, a message from Christopher Lee about the project and some track teasers.

Christopher Lee Is Metal.

Christopher Lee is Metal. “I have been metal for many years,” he says in a review of his new CD, Charlemagne:  By the Sword and the Cross.

Coming Home In The Dark Ages

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A soldier returns home to tend to affairs after the death of his father. Sound familiar? It did to me, too, but in Northlanders: Sven the Returned it’s a good thing.

Wolf In The Door

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I think the adage about not judging a book by its cover was probably invented by publishers’ marketing departments. They spend a surprising amount of time and effort on covers, and don’t want that time to be wasted, so you’re told to judge a book its prose.  I can get behind that. As a bookseller, […]

Wouldn’t It Be Nice

Oh, to live in the era of the Regency Romance or the epic medieval adventure! Oh, except that life would suck: “No painless dentistry, eccentric provision for sewage, no penicillin and no concept of asepsis, and the condition of most women was not one that I aspire to.”

It’s the End of the World as we Know It

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Remember Y2K? All those pre-New Year’s warnings about what might happen to the world’s computer systems?  People were pretty calm about it, but many thought, hey, better safe than sorry, and stocked up on toilet paper and non-perishables. But as it happened, the giant looming what if turned out to be nothing, and the world […]

Sanctuary

In Castle Waiting, every turret flies its freak flag high

It’s a dream every geek, freak, dork, spazz, nerdy girl, artsy fartsy dilettante, re-enactor, socially challenged misfit and misanthrope has had: Sanctuary. A place where you’re left alone. A place where embarrassing quirks, interests and personal oddities aren’t just tolerated, but embraced. And many have tried to build their own sanctuaries from pillow forts to […]

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  • Of Note Elsewhere

    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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    Al-Jazeera America profiles John Pirozzi’s Don’t Think I’ve Forgotten, a documentary about Cambodian rock’n'roll and musicians who survived the Khmer Rouge. “Until 1975, music thrived in Phnom Penh, with clubs full night after night, crowds gathering in the streets around transistor radios to hear the latest releases, and the biggest stars being feted by the king. Enter the Khmer Rouge, communism and the war on intellectuals. Between 1975 and 1979, about 2 million Cambodians, roughly a third of the population, were rounded up and either were killed or died of starvation. Artists were particularly disliked by the Khmer Rouge, which saw creativity as decadence: Almost all of the biggest names perished during that era.”

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    Architecture Daily has an excerpt from City of Darkness detailing the development of Hong Kong’s Kowloon Walled City. “By the 1970s, the City had filled out to its maximised form, with buildings of up to 14 storeys in height, and virtually no ground level daylight penetration save at its centre. Its density was estimated to have reached a mere 7 square feet per person. The yamen area had somehow remained an exception to the vertical development, leased to a missionary society in 1949 for use as an almshouse and old people’s home. Eventually, it defined the sole substantial void within the Walled City, with visible sky above it.”

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