The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“44 Medieval Beasts That Cannot Even Handle It Right Now”

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A gallery of Medieval European beasts and creatures who can’t even. Like this:Like Loading…

“Prague Museum of Medieval Torture Instruments”

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At Teleport City, The Gutter’s Own Keith Allison has a gallery of photographs from Prague’s Museum Of Medieval Torture Instruments. Like this:Like Loading…

Monsters of the Fifteenth Century

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A gallery of colorful monsters from a Fifteenth Century book of hours. Like this:Like Loading…

“‘We Have Always Fought': Challenging the Women, Cattle and Slaves Narrative”

“It’s easier to tell the same stories everyone else does. There’s no particular shame in it. It’s just that it’s lazy, which is just about the worst possible thing a spec fic writer can be. Oh, and it’s not true.” Kameron Hurley writes about lazy writing, cannibal llamas, female soldiers, and women here. (Thanks, James!) […]

Boy Band Madrigal

Benny Nemerofsky Ramsay performs–as a boy band–the madrigal, “Come again sweet love”  written by John Dowland. (thanks, alex!) Like this:Like Loading…

10 Comics I Liked In 2012

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Tales of derring-do! Girl adventurers! Occult mystery! Infernal foes! Secrets revealed! Pirates! Love, loss & betrayal! Intricate art bound in lovely hardcovers! Indie going mainstream! Original creations! It’s been an incredible year for comics. So many good ones that I can’t even begin to claim to know what would be the best comics of 2012. […]

The Dangerous Dead in Notts

The discovery of a skeleton found with metal spikes through its shoulders, heart and ankles, dating from 550-700AD and buried in the ancient minster town of Southwell, Notts, is detailed in a new report.”More at The Telegraph. (via Disinformation) Like this:Like Loading…

Jack Kirby’s Collage

Imprint Magazine puts Jack Kirby’s collage in an art history context. Like this:Like Loading…

10 Comics I Liked in 2010

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Sometimes it’s easy to forget why I like comics and 2010 was a particularly tough year, in comics and otherwise. But here are 10 that reminded me why I do like them. There’s a lot of crime, anthropomorphic animals, gorgeous art, silly fun, people dealing with things the best they can, and plenty of Greg […]

Christopher Lee is the King of Metal

Christopher Lee conquers Symphonic Metal. Survey his Holy Metal Empire with two promos for Charlemagne, a message from Christopher Lee about the project and some track teasers. Like this:Like Loading…

Christopher Lee Is Metal.

Christopher Lee is Metal. “I have been metal for many years,” he says in a review of his new CD, Charlemagne:  By the Sword and the Cross. Like this:Like Loading…

Coming Home In The Dark Ages

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A soldier returns home to tend to affairs after the death of his father. Sound familiar? It did to me, too, but in Northlanders: Sven the Returned it’s a good thing. Like this:Like Loading…

Wolf In The Door

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I think the adage about not judging a book by its cover was probably invented by publishers’ marketing departments. They spend a surprising amount of time and effort on covers, and don’t want that time to be wasted, so you’re told to judge a book its prose.  I can get behind that. As a bookseller, […]

Wouldn’t It Be Nice

Oh, to live in the era of the Regency Romance or the epic medieval adventure! Oh, except that life would suck: “No painless dentistry, eccentric provision for sewage, no penicillin and no concept of asepsis, and the condition of most women was not one that I aspire to.” Like this:Like Loading…

It’s the End of the World as we Know It

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Remember Y2K? All those pre-New Year’s warnings about what might happen to the world’s computer systems?  People were pretty calm about it, but many thought, hey, better safe than sorry, and stocked up on toilet paper and non-perishables. But as it happened, the giant looming what if turned out to be nothing, and the world […]

Sanctuary

In Castle Waiting, every turret flies its freak flag high

It’s a dream every geek, freak, dork, spazz, nerdy girl, artsy fartsy dilettante, re-enactor, socially challenged misfit and misanthrope has had: Sanctuary. A place where you’re left alone. A place where embarrassing quirks, interests and personal oddities aren’t just tolerated, but embraced. And many have tried to build their own sanctuaries from pillow forts to […]

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  • Of Note Elsewhere

    Actor Billie Whitelaw has died. Whitelaw was Samuel Beckett’s “perfect actress” and she also appeared in television and films, including: Gumshoe (1971), Frenzy (1972), The Omen (1976), Space: 1999 (“One Moment of Humanity”) (1976), The Dark Crystal (1982), The Secret Garden (1987), The Krays (1990), Jane Eyre (1996), Quills (2000) and Hot Fuzz (2007).  The Guardian, the BBC and Variety have obituaries. Here Whitelaw performs in Beckett’s “Happy Days” and “Not I,” written by Beckett for Whitelaw.

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    At Comics Alliance, Chris Sims talk abouts the art of lettering in comics. “Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it’s also one of those things that, once you start paying attention to it, you’ll never be able to not notice it again. I’m not exaggerating even a little bit when I say that it’s one of those things that can absolutely ruin a comic if it’s done wrong, even if everything else is perfect. But to be honest, of those three elements, lettering is still probably the most underrated. The thing is, when it’s good, it can be absolutely gorgeous in its own right. And fortunately for us, there are a lot of people who do it very, very well.”

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    Comics Alliance suggests seven Star Wars comics to read before Disney makes them disappear. (Including a comic by one of Comics Editor Carol’s favorite creative teams–Corinna Bechko and Gabriel Hardman). “Starting in 2015, Disney’s handing the publishing of any and all new Star Wars comics over to Marvel Comics, with an all new, optimized-for-corporate-synergy canon that will spread across all their media platforms. Anything that’s not a movie (especially one of the Original Trilogy movies), or a Clone Wars cartoon, will be unceremoniously Order 66-ed out of existence, giving future filmmakers a clean-ish slate to make movies (and money) on. But what about all those Dark Horse comics? That’s where we come in with 7 Dark Horse Star Wars comics you should track down before they disappear.”

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    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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