The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Know Your Meme: Creepy Chan

Know Your Meme scientist Yatta explains how Anonymous is a better Tyra Banks than Tyra Banks on America’s Next Top Model.  (Thanks, Mike White!)

“Fare Thee Well, Infant!”

Ah, the internet, what would we do for time-wasting/movie-geekery without you? Famous Movie Quotes as if Spoken by a Proper Englishman includes such gems as “Toodeloo, you ghastly miscreant!” and “I grow impatient with these malevolent slithering reptiles on this bloody aircraft…”

The End of the Zombie Plague

Jim Rossignol shotguns him some zombies, really the zombie infestation of gaming, writing, “My issue with the zombie archetype is that it is largely without a villain, and we need specific villains” in games.

Werner TKO’s Chuck Every Time

5 reasons Werner Herzog is more badass than Chuck Norris (even with his action jeans).

Clashing with Star Wars

Two items where Star Wars runs up against participatory culture: the completely awesome Animals with Lightsabers and the completely logical one-off joke The Hook. 

Dallas Episode IV: A New Hope

Ever wonder what Star Wars would look like as Dallas or Airwolf? Probably not, but it’s still worth seeing. (via Adult Swim)

So Awful It Moves Past Parody

Vaniel found some awful description in a fantasy novel: “Really, all I could think was, ‘I have got to scan this tomorrow because no one will believe how awful it is.” It’s so awful it’s gone back around to being good again–but for all the wrong reasons.’  It’s astonishingly awful. It should win an award. […]

DANGEROUS BECAUSE IT HAS A PHILOSOPHY

videodrome_80.jpg

In Videodrome, shortly before the arrival of the least sexy waiter in the history of cinema (no link for this, you’ll just have to go rent the movie), Max Renn (James Woods, no hyperlink needed) and Masha (Lynne Gorman, IMDb listing not interesting enough to link to) share the following exchange on the nature of […]

LOLthots

oh, hai! Jay Dixit ponders the humanity in lolcats (and talks to The New Yorker’s cartoons editor about them): “By articulating profound feelings through cats and marine mammals speaking garbled English, we’re able to shroud genuine emotions in pseudo-irony — which means those animals can evoke deeper emotions without fear of mockery or cheapness.”

Oh Hai LOLBiznez!

Running computers on LOLCode and translating the Bible into LOLcat. Oh Noes?

More Goddamn Batman (and Robin, Age 12)

Confined Space collects a chain of fan art from the “Goddamn Batman” meme.  My favorite: Law and Order: Goddamn Batman. Protoclown read All-Star Batman and Robin–the start of the damned and batty–so you wouldn’t have to.

Birth of an Internet Meme

Good old comics controversy: Spider-Man gets rebooted (back to 1971!), and the response: “It’s magic, we don’t have to explain it!” You can already buy the t-shirt.

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  • Of Note Elsewhere

    Over at Teleport City, Keith takes a look at live-action and animated adaptations of Takao Saito’s manga, Golgo 13.

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    Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here.

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    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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