The Cultural Gutter

we've seen things you people wouldn't believe

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Is that a gun in your sweatpants?
Art, morality and The Superbowl

pop eyed triceratops2

I told my 3 year old that I’d find a bed for his google-eyed dinosaur. “I promise, sweetheart.” Then, after 45 minutes of ducking in and out of his room with him crying and the senile cat howling in the background while I tried to write an article, I threw the dinosaur across the living […]

Know Your Meme: Creepy Chan

Know Your Meme scientist Yatta explains how Anonymous is a better Tyra Banks than Tyra Banks on America’s Next Top Model.  (Thanks, Mike White!)

“Fare Thee Well, Infant!”

Ah, the internet, what would we do for time-wasting/movie-geekery without you? Famous Movie Quotes as if Spoken by a Proper Englishman includes such gems as “Toodeloo, you ghastly miscreant!” and “I grow impatient with these malevolent slithering reptiles on this bloody aircraft…”

The End of the Zombie Plague

Jim Rossignol shotguns him some zombies, really the zombie infestation of gaming, writing, “My issue with the zombie archetype is that it is largely without a villain, and we need specific villains” in games.

Werner TKO’s Chuck Every Time

5 reasons Werner Herzog is more badass than Chuck Norris (even with his action jeans).

Clashing with Star Wars

Two items where Star Wars runs up against participatory culture: the completely awesome Animals with Lightsabers and the completely logical one-off joke The Hook. 

Dallas Episode IV: A New Hope

Ever wonder what Star Wars would look like as Dallas or Airwolf? Probably not, but it’s still worth seeing. (via Adult Swim)

So Awful It Moves Past Parody

Vaniel found some awful description in a fantasy novel: “Really, all I could think was, ‘I have got to scan this tomorrow because no one will believe how awful it is.” It’s so awful it’s gone back around to being good again–but for all the wrong reasons.’  It’s astonishingly awful. It should win an award. […]



In Videodrome, shortly before the arrival of the least sexy waiter in the history of cinema (no link for this, you’ll just have to go rent the movie), Max Renn (James Woods, no hyperlink needed) and Masha (Lynne Gorman, IMDb listing not interesting enough to link to) share the following exchange on the nature of […]


oh, hai! Jay Dixit ponders the humanity in lolcats (and talks to The New Yorker’s cartoons editor about them): “By articulating profound feelings through cats and marine mammals speaking garbled English, we’re able to shroud genuine emotions in pseudo-irony — which means those animals can evoke deeper emotions without fear of mockery or cheapness.”

Oh Hai LOLBiznez!

Running computers on LOLCode and translating the Bible into LOLcat. Oh Noes?

More Goddamn Batman (and Robin, Age 12)

Confined Space collects a chain of fan art from the “Goddamn Batman” meme.  My favorite: Law and Order: Goddamn Batman. Protoclown read All-Star Batman and Robin–the start of the damned and batty–so you wouldn’t have to.

Birth of an Internet Meme

Good old comics controversy: Spider-Man gets rebooted (back to 1971!), and the response: “It’s magic, we don’t have to explain it!” You can already buy the t-shirt.

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  • Of Note Elsewhere

    Open Culture has a re-vamped trailer for a film adaptation of  Alejandro Jodorowsky and Moebius’ comic The Incal. One that never happened. “[Incal‘s] success made it a logical candidate for film adaptation, and so director Pascal Blais brought together artists from Heavy Metal magazine (in which Mœbius first published some of his best known work) to make it happen. It resulted in nothing more than a trailer, but what a trailer; you can watch a recently revamped edition of the one Blais and his collaborators put together in the 1980s at the top of the post.” (Thanks, Felipe!)


    Hyperallergic has a gallery of astronomical and cosmological illustrations from photographer Michael Benson’s books, Cosmographics: Picturing Space Through Time. (Thanks, Stephanie!)


    A homophobic Tumblr post becomes Queer dystopian adventure fiction in two responses. Behold! (Thanks, Adele!)


    Tony Zhou has a new video up at Every Frame A Painting. This time, he looks at Buster Keaton and, “The Art Of The Gag.”


    At Dirge Magazine, friend of the Gutter Less Lee Moore writes about the cinema of Richard Kern. “My introduction to Richard Kern was an issue of Spin magazine from the mid-1980s. Having recently fallen under the spell of the feral pleasures of Scraping Foetus Off The Wheel – a.k.a. JG Thirlwell – I was intrigued by lurid descriptions of pornographic short films featuring Thirlwell and paramour/collaborator Lydia Lunch, whose snarky sound bites I scrawled in the margins of my diaries.”


    Art Of The Title looks the opening credits for The Man In The High Castle, True Detective and at Momentum, Alex Maragos interviews Andrew Geraci about making the opening credits for House Of Cards.


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