The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

ActionFest 2012 Trailers

Trailers for movies playing at ActionFest 2012: Solomon Kane; Manborg; Wonder Women! The Untold Story of American Superheroines; The Raid; True Romance; Wu Xia; Dragon Eyes;  Let The Bullets Fly; A Gang Story;  The Lost Bladesman; God Bless America; Goon; The Aggression Scale; The Day;  Headhunters; Transit; Sinners and Saints; Bad Ass; The Wild Bunch  […]

“On Secret Six The Talking House

Colin Smith meditates on the final trade paperback of Gail Simone’s Secret Six.   “In Secret Six, the reader was perpetually compelled to feel compassion for the book’s fundamentally dysfunctional and irrevocably dangerous cast. No matter how much harm they were shown inflicting upon the world around them, we were still encouraged to note the […]

Terror of Monkeys vs. Robots

Manipulated by mad scientists, humiliated for humanity’s pleasure, will robots and apes tire of making our cars, vacuuming our floors, fighting our wars, washing our cats and smoking our cigarettes? Who will break first as humankind continually fails to distinguish androids from robots, apes from monkeys? We return again to the question that 2012 inevitably […]

A Hero To Some

“He was a hero to some, a villain to others, and wherever he rode people spoke his name in whispers. He had no friends, this Jonah Hex, but he did have two companions: One was death itself… The other, the acrid smell of gunsmoke…” I’ve meant to write about Jonah Hex for a long time […]

A Cinematic History of the Future

SFSignal has Handshake Magazine’s cinematic history of the future. The timecode in the upper right hand corner. Like this:Like Loading…

Born in Blood

"Brow up, Blake."

I’ve been watching Dexter, and thinking about Thomas Blake, Catman in Gail Simone’s comic, Secret Six (DC, 2008-2011). With his tousled blond hair and predatory grin, Michael C. Hall would make an excellent candidate for any portrayal of Catman.  But there are deeper resonances beyond physical resemblance. Like this:Like Loading…

Star Wars: The Solo Adventures

Neat 3D animated adventures– “Star Wars: The Solo Adventures.” Like this:Like Loading…

Too Busy Reading About The Secret Six.

Too Busy Thinking About My Comics has some excellent analysis of The Secret Six. In fact, the blog has plenty of excellent analysis of plenty of comics. And, as the mission statement reads, “It’s not the reading of comic books that can threaten friendships and derail marriages. It’s the unintended, casual babbling about comic books […]

Gail Simone Interviews John Ostrander

“When I first wrote Villains United, I was eager to have my chance to write one of the coolest characters in the DCU, Deadshot.   I knew full well, like a lot of writers before me, that John [Ostrander] was THE Deadshot writer, and I knew if I had the chance, I would do whatever I […]

Rules of Engagement

At Hit Self-Destruct, Duncan writes about Far Cry 2, Call of Duty 4, rules of engagement and civilian deaths: “Where there are no civilians, there are no mistakes, there’s no collateral damage and it starts to feel safe. It changes from war into a murder mystery vacation. Maybe there isn’t a morally unimpeachable way to […]

10 Comics I Liked in 2008

s6 hitchhike 80.jpg

Here they are, ten comics I liked in 2008 that I haven’t written about yet. All ready? Alright. Like this:Like Loading…

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  • Of Note Elsewhere

    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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    At Vox, Alex Abad-Santos interviews Kelly Sue DeConnick about feminism, raising girls and her new comic, Bitch Planet. “DeConnick says Bitch Planet, which debuted late last year, is her take on the exploitation films she loved as a kid. The sci-fi prison saga is confident, slick, and hilarious on multiple levels. But it also vibrates with frustration over the sexism still alive today and the impatience in wanting to eliminate it.”

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