The Cultural Gutter

building a better robot builder

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

ActionFest 2012 Trailers

Trailers for movies playing at ActionFest 2012: Solomon Kane; Manborg; Wonder Women! The Untold Story of American Superheroines; The Raid; True Romance; Wu Xia; Dragon Eyes;  Let The Bullets Fly; A Gang Story;  The Lost Bladesman; God Bless America; Goon; The Aggression Scale; The Day;  Headhunters; Transit; Sinners and Saints; Bad Ass; The Wild Bunch  […]

“On Secret Six The Talking House

Colin Smith meditates on the final trade paperback of Gail Simone’s Secret Six.   “In Secret Six, the reader was perpetually compelled to feel compassion for the book’s fundamentally dysfunctional and irrevocably dangerous cast. No matter how much harm they were shown inflicting upon the world around them, we were still encouraged to note the […]

Terror of Monkeys vs. Robots

Manipulated by mad scientists, humiliated for humanity’s pleasure, will robots and apes tire of making our cars, vacuuming our floors, fighting our wars, washing our cats and smoking our cigarettes? Who will break first as humankind continually fails to distinguish androids from robots, apes from monkeys? We return again to the question that 2012 inevitably […]

A Hero To Some

“He was a hero to some, a villain to others, and wherever he rode people spoke his name in whispers. He had no friends, this Jonah Hex, but he did have two companions: One was death itself… The other, the acrid smell of gunsmoke…” I’ve meant to write about Jonah Hex for a long time […]

A Cinematic History of the Future

SFSignal has Handshake Magazine’s cinematic history of the future. The timecode in the upper right hand corner. Like this:Like Loading…

Born in Blood

"Brow up, Blake."

I’ve been watching Dexter, and thinking about Thomas Blake, Catman in Gail Simone’s comic, Secret Six (DC, 2008-2011). With his tousled blond hair and predatory grin, Michael C. Hall would make an excellent candidate for any portrayal of Catman.  But there are deeper resonances beyond physical resemblance. Like this:Like Loading…

Star Wars: The Solo Adventures

Neat 3D animated adventures– “Star Wars: The Solo Adventures.” Like this:Like Loading…

Too Busy Reading About The Secret Six.

Too Busy Thinking About My Comics has some excellent analysis of The Secret Six. In fact, the blog has plenty of excellent analysis of plenty of comics. And, as the mission statement reads, “It’s not the reading of comic books that can threaten friendships and derail marriages. It’s the unintended, casual babbling about comic books […]

Gail Simone Interviews John Ostrander

“When I first wrote Villains United, I was eager to have my chance to write one of the coolest characters in the DCU, Deadshot.   I knew full well, like a lot of writers before me, that John [Ostrander] was THE Deadshot writer, and I knew if I had the chance, I would do whatever I […]

Rules of Engagement

At Hit Self-Destruct, Duncan writes about Far Cry 2, Call of Duty 4, rules of engagement and civilian deaths: “Where there are no civilians, there are no mistakes, there’s no collateral damage and it starts to feel safe. It changes from war into a murder mystery vacation. Maybe there isn’t a morally unimpeachable way to […]

10 Comics I Liked in 2008

s6 hitchhike 80.jpg

Here they are, ten comics I liked in 2008 that I haven’t written about yet. All ready? Alright. Like this:Like Loading…

  • Support The Gutter

  • The Book!

  • Of Note Elsewhere

    At Comics Alliance, Chris Sims talk abouts the art of lettering in comics. “Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it’s also one of those things that, once you start paying attention to it, you’ll never be able to not notice it again. I’m not exaggerating even a little bit when I say that it’s one of those things that can absolutely ruin a comic if it’s done wrong, even if everything else is perfect. But to be honest, of those three elements, lettering is still probably the most underrated. The thing is, when it’s good, it can be absolutely gorgeous in its own right. And fortunately for us, there are a lot of people who do it very, very well.”

    ~

    Comics Alliance suggests seven Star Wars comics to read before Disney makes them disappear. (Including a comic by one of Comics Editor Carol’s favorite creative teams–Corinna Bechko and Gabriel Hardman). “Starting in 2015, Disney’s handing the publishing of any and all new Star Wars comics over to Marvel Comics, with an all new, optimized-for-corporate-synergy canon that will spread across all their media platforms. Anything that’s not a movie (especially one of the Original Trilogy movies), or a Clone Wars cartoon, will be unceremoniously Order 66-ed out of existence, giving future filmmakers a clean-ish slate to make movies (and money) on. But what about all those Dark Horse comics? That’s where we come in with 7 Dark Horse Star Wars comics you should track down before they disappear.”

    ~

    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

    ~

    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

    ~

    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

    ~

    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

    ~

  • Spilling into Twitter

  • Obsessive?

    Then you might be interested in knowing you can subscribe to our RSS feed, find us on Facebook and follow us on Twitter or Tumblr.

    -------

  • Weekly Notifications

  • What We’re Talking About

  • Thanks To

    No Media Kings hosts this site, and Wordpress autoconstructs it.

  • %d bloggers like this: