The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Measure Of Success

I’ve been thinking about heroes and archetypes again (which is not actually news: story archetype is a sandbox in which I happily spend a lot of time). Feels like it’s everywhere these days.  A few weeks back I was on a panel at the World Fantasy Convention that discussed love and monsters. Alex and Carol […]

The Great and the Good

I was a little disappointed by how many Romances I liked this year.  Mostly because  I wanted to love so many more of them.   But as always, some titles managed to rise above the rest.  Here are some of my favourites from this year. Like this:Like Loading…

Second Place Ain’t Second Best

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Previously, I wrote a column about Meredith Duran, who got her start in publishing when her first novel, the astonishingly good Duke of Shadows, won the Gather.com First Chapters Romance Writing Competition. I liked the interesting and collaborative nature of the online contest. Entrants posted their first chapters on the Gather.com site for the community […]

For the Win!

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Cover blurbs can be tricky things. Some authors see them as good publicity tools, and who’s to say they’re wrong? After all, it puts their name on books not their own, right there for eager readers to find. Others see them as favours to pay back to writers who have helped them, or forward to […]

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  • Of Note Elsewhere

    NPR interviews Hank Willis Thomas on his exhibition showcasing images of white women in advertizing. It’s a follow up to his 2008 exhibition, “Unbranded: Reflections in Black by Corporate America.” “I think what happens with ads — when we put text and logos on them, we do all the heavy lifting of making them make sense to us. But when you see the image naked, or unbranded, you start to really ask questions.”

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    Our friends at Pornokitsch share a 1898 Philadelphia Press article on ghosts of the Capitol in Washington, D.C.

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    The Journal of Popular Romance Studies interviewed author Joanna Russ in 2007 about slash fiction: “Her 1985 essay, ‘Pornography By Women For Women, With Love’ helped to set the terms of the discussion for feminist scholars who followed, and it is widely cited in fan studies. Russ argues that fantasy has to be read in more complex ways than simply seeing it as an effort at one-dimensional wish fulfillment. She posits fantasy as something rich and metaphorical. She reads slash as a genre that tells us new things about women’s sexuality and sexual desire, things that—in 1985—weren’t being talked about except in the very divided feminist ‘sex wars,’ where ‘pro-sex’ and ‘anti-porn’ feminists created ever more polarized stances.”

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    At Hyperallergic, Jeremy Polacek writes about the history of Afrofuturism and the Brooklyn Academy of Music’s exhibit, “Space Is The Place: AfroFuturism On Film”:  “Afrofuturism is an empowering rubric, an approach and aesthetic that clarifies and connects history and the hope, creativity, and pain there within. Afrofuturism is wry, wise, and leveling — it believes that a brighter, more equal, funkier future is within the realm of possibility. You can be different; this world can be different — self-invention commingles with worldly reinvention; Africa is both glorious past and technocratic future.

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    Sweet Jane shares a 1967 fashion editorial shoot mixing mod fashion and the work of illustrator Aubrey Beardsley. (via arabellesicardi.com)

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    BBC Radio 4 is presenting an adaptation of Ursula Le Guin’s The Left Hand Of Darkness. You can listen to the first episode here. There are also other features, including an interview with Le Guin. (via Pornokitsch)

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