The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Measure Of Success

I’ve been thinking about heroes and archetypes again (which is not actually news: story archetype is a sandbox in which I happily spend a lot of time). Feels like it’s everywhere these days.  A few weeks back I was on a panel at the World Fantasy Convention that discussed love and monsters. Alex and Carol […]

The Great and the Good

I was a little disappointed by how many Romances I liked this year.  Mostly because  I wanted to love so many more of them.   But as always, some titles managed to rise above the rest.  Here are some of my favourites from this year. Like this:Like Loading…

Second Place Ain’t Second Best

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Previously, I wrote a column about Meredith Duran, who got her start in publishing when her first novel, the astonishingly good Duke of Shadows, won the Gather.com First Chapters Romance Writing Competition. I liked the interesting and collaborative nature of the online contest. Entrants posted their first chapters on the Gather.com site for the community […]

For the Win!

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Cover blurbs can be tricky things. Some authors see them as good publicity tools, and who’s to say they’re wrong? After all, it puts their name on books not their own, right there for eager readers to find. Others see them as favours to pay back to writers who have helped them, or forward to […]

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  • Of Note Elsewhere

    At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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