The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

A Collection of Calaveras

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The Library of Congress has scans of José Guadalupe Posada broadsheet illustrations, including many calaveras for your enjoyment! Like this:Like Loading…

“The Man Without A Mask”

The New Yorker has a profile of Saúl Armendáriz, the luchador Cassandro, and his fellow exóticos of lucha libre. “Exóticos have been around since the nineteen-forties. At first, they were dandies, a subset of rudos with capes and valets. They struck glamour-boy poses and threw flowers to the audience. As exóticos got swishier and more […]

“Space Ladies from Outer Space”

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The Gutter’s own Carol invaded The Infernal Brains podcast to discuss space ladies with Todd from Die, Danger, Die, Die, Kill! and Tars Tarkas from TarsTarkas.net. Like this:Like Loading…

“How Corpses Helped Shape the London Underground”

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‘In her excellent and morbidly fascinating book Necropolis: London and Its Dead, author Catharine Arnold describes in detail the subterranean presence of corpses found throughout the British capital. To no small extent, she makes clear, dead bodies were basically buried everywhere, to the point that, as Arnold pithily states, ‘London is one giant grave.”’ More […]

The Fashion of Frida Kahlo

Messy Nessy Chic has a gallery showcasing Frida Kahlo’s fashion and it’s relationship to her life and work. And you can see her dresses, corsets, headpieces, jewellery and other articles on display in Mexico City at the Museo Frida Kahlo until Nov. 22, 2013. (Thanks, K.A. Laity!) Like this:Like Loading…

The History of Mexploitation Cinema

Filmmaker and writer Aaron Soto discusses the history of Mexploitation cinema with Miguel Rodriguez on Monster Island Resort Podcast! Like this:Like Loading…

Crimewave!

It seems like when people think of comics, they think of superheroes, but there was a long time when crime and comics were synonymous. And now it seems like some of the best comics around are crime books. There’s a new golden age, a new crimewave in comics. I’ve been meaning to write about it, […]

Midnight Madness 2012 Trailers!

Trailers for this year’s Midnight Madness programme! Dredd 3D; Seven Psychopaths; The Lords of Salem teaser from a Rob Zombie concert; ABCs of Death; The Bay; and the much anticipated, John Dies at the End.  No One Lives; Hellbenders; Aftershock;  and Child’s Play/Come Out and Play are all playing Midnight Madness, but I haven’t found […]

Mayan Scriptorium

A panoramic view of a recently excavated room in the Mayan city of  Xúltun. (Thanks, Mike!) Like this:Like Loading…

Posada Documentary

A complete short documentary on the brilliant Mexican illustrator and satirist, Jose Guadalupe Posada from the Academic Film Archive. It includes both his calavera (or skeleton) and non-calavera prints. Like this:Like Loading…

Badass Women of the Pulp Era

14 Badass Women of the Pulp Era from around the world.  Like this:Like Loading…

The Imp

Daniel Raeburn’s excellent comic series, The Imp, is now available as a pdf. Like this:Like Loading…

Quien es La Pantera Negra?

La Pantera Negra is on the prowl in this trailer for Iyari Werrta’s stylish tribute to 1950s and 1960s Mexican films. Catsuits! Fedoras! Flying saucers! Suspenso! (via SF Signal). Like this:Like Loading…

LEGO: Machete

Another version of the Machete trailer. This time, it’s Lego. Like this:Like Loading…

¡More Cinco de Mayo Celebration!

¡Comics Alliance celebrates Cinco de Mayo with el Santo comics and a roundtable discussion of Hellboy in Mexico–including at least one poster from an el Santo movie! Like this:Like Loading…

Machete Trailer, Cinco de Mayo Edition

Happy Cinco de Mayo from Danny Trejo, Robert Rodriguez and Machete with this special edition trailer for Machete. Includes Cheech Marin, Michelle Rodriguez, Jessica Alba, Don Johnson and Steven Segal, plus special greetings for the state government of Arizona! Like this:Like Loading…

A Century of Cinematic Horror

Decade by decade, the Movie Morlocks look at 100 years of cinematic horror, starting with the 1910 silent, Frankenstein. Like this:Like Loading…

Symbol

Symbol. It’s a metaphysical, lucha-loving film by Hitoshi Matsumoto. It’s especially funny if you’ve seen art films with a someone sitting in a plain white room. Like this:Like Loading…

Symbol

Matsumoto Hitoshi has not made an art film, but it sure looks like one.  Like this:Like Loading…

Confessions of the B-Masters Cabal

The B-masters confess movies they haven’t seen. “My viewing of Zombie Lake was one of those events that lead you to question everything in your life that has lead up to it. I wouldn’t necessarily say that it was a “where did I go wrong” moment, because many of the choices that brought me to […]

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  • Of Note Elsewhere

    At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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