The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

A Collection of Calaveras

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The Library of Congress has scans of José Guadalupe Posada broadsheet illustrations, including many calaveras for your enjoyment!

“How Corpses Helped Shape the London Underground”

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‘In her excellent and morbidly fascinating book Necropolis: London and Its Dead, author Catharine Arnold describes in detail the subterranean presence of corpses found throughout the British capital. To no small extent, she makes clear, dead bodies were basically buried everywhere, to the point that, as Arnold pithily states, ‘London is one giant grave.”’ More […]

The Fashion of Frida Kahlo

Messy Nessy Chic has a gallery showcasing Frida Kahlo’s fashion and it’s relationship to her life and work. And you can see her dresses, corsets, headpieces, jewellery and other articles on display in Mexico City at the Museo Frida Kahlo until Nov. 22, 2013. (Thanks, K.A. Laity!)

Crimewave!

It seems like when people think of comics, they think of superheroes, but there was a long time when crime and comics were synonymous. And now it seems like some of the best comics around are crime books. There’s a new golden age, a new crimewave in comics. I’ve been meaning to write about it, […]

Ricardo Montalbán, RIP

Ricardo Montalbán has died. Gutter fans probably remember best his roles in Star Trek, Planet of the Apes, Fantasy Island and Spy Kids, but Montalbán had a long career and also worked hard to combat stereotypical depictions of Latinos. Linda Holmes writes about Montalbán trapped on Fantasy Island in obituaries. In a film geek version […]

The Dead Body Politic

The mystery of Mexico City needs a private eye.

The adage has it that truth is stranger than fiction. I swear that’s true in Mexico. One of my favourite writers, hardboiled crime novelist Paco Ignacio Taibo II, has to struggle to keep up with the absurd plot of his beloved nation. Although Taibo is a fine writer, I come to him more for his […]

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  • Of Note Elsewhere

    At Teleport City, the Gutter’s own Carol writes about 12 books that vary in reputability and their harrowing nature. They include books by Shirley Jackson, Raymond Chandler, Patricia Highsmith and Herman Melville.

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    Anne Billson has posted a 1985 interview she did with director George Miller (the Mad Max films). Miller talks about many things including Aunty Entity’s probable past as a hero and Max as, in Mel Gibson’s words, “a closet human being.” (Thanks, Matt!)

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    At New York Magazine, David Wallace-Wells writes about bees, colony collapse disorder and beekeeper Dave Hackenberg. “It’s been a long decade for bees. We’ve been panicking about them nonstop since 2006, when beekeeper Dave Hackenberg inspected 2,400 hives wintering in Florida and found 400 of them abandoned — totally empty. American beekeepers had experienced dramatic die-offs before, as recently as the previous winter in California and in regular bouts with a deadly bug called the varroa mite since the 1980s. But those die-offs would at least produce bodies pathologists could study. Here, the bees had just disappeared. In the U.K., they called it Mary Celeste syndrome, after the merchant ship discovered off the Azores in 1872 with not a single passenger aboard. The bees hadn’t even scrawled CROATOAN in honey on the door on their way out of the hive.”

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    Andrew Nette has a pair of interesting pieces on pulp you might be interested in. First, he writes about “the New Pulp” and a bit about Fifty Shades of Gray in “Fifty Shades of Pulp.” Then he writes about pulp and literacy and furthering social advancement in “Pulp and Circumstance.”  “Most people view pulp as either exploitative lowbrow culture or highly collectable retro artefact. Yet pulp has a secret history which Rabinowitz’s book uncovers. Her central thesis is that cheap, mass-produced pulp novels not only provided entertainment and cheap titillating thrills, but also brought modernism to the American people, democratising reading and, in the process, furthering culture and social enlightenment.”

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    The Projection Booth interviews actor Ed Asner.

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    Transcript from BAFTA’s tribute to director Johnnie To, “Johnnie To: A Life In Pictures.” It’s a great interview with To about his films and process. “Like when I made The Mission I didn’t have a script. It was 1999 and I didn’t have any money so we went to Taiwan and they gave us very little money to hurry up and make a film, so without any script we just started making it. And after 19 days we made the film.” (Thanks to the Heroic Sisterhood!)

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