The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

A Collection of Calaveras

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The Library of Congress has scans of José Guadalupe Posada broadsheet illustrations, including many calaveras for your enjoyment! Like this:Like Loading…

“How Corpses Helped Shape the London Underground”

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‘In her excellent and morbidly fascinating book Necropolis: London and Its Dead, author Catharine Arnold describes in detail the subterranean presence of corpses found throughout the British capital. To no small extent, she makes clear, dead bodies were basically buried everywhere, to the point that, as Arnold pithily states, ‘London is one giant grave.”’ More […]

The Fashion of Frida Kahlo

Messy Nessy Chic has a gallery showcasing Frida Kahlo’s fashion and it’s relationship to her life and work. And you can see her dresses, corsets, headpieces, jewellery and other articles on display in Mexico City at the Museo Frida Kahlo until Nov. 22, 2013. (Thanks, K.A. Laity!) Like this:Like Loading…

Crimewave!

It seems like when people think of comics, they think of superheroes, but there was a long time when crime and comics were synonymous. And now it seems like some of the best comics around are crime books. There’s a new golden age, a new crimewave in comics. I’ve been meaning to write about it, […]

Ricardo Montalbán, RIP

Ricardo Montalbán has died. Gutter fans probably remember best his roles in Star Trek, Planet of the Apes, Fantasy Island and Spy Kids, but Montalbán had a long career and also worked hard to combat stereotypical depictions of Latinos. Linda Holmes writes about Montalbán trapped on Fantasy Island in obituaries. In a film geek version […]

The Dead Body Politic

The mystery of Mexico City needs a private eye.

The adage has it that truth is stranger than fiction. I swear that’s true in Mexico. One of my favourite writers, hardboiled crime novelist Paco Ignacio Taibo II, has to struggle to keep up with the absurd plot of his beloved nation. Although Taibo is a fine writer, I come to him more for his […]

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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