The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Becoming Human

Every April at the Gutter, the editors switch things up. This week Comics Editor Carol writes about tv. ‘Ware ye spoilers! “Sometimes I wonder what it would be like for everything inside me that’s denied and unknown to be revealed, but I’ll never know. I live my life in hiding. My survival depends on it.”–Dexter […]

Born in Blood

"Brow up, Blake."

I’ve been watching Dexter, and thinking about Thomas Blake, Catman in Gail Simone’s comic, Secret Six (DC, 2008-2011). With his tousled blond hair and predatory grin, Michael C. Hall would make an excellent candidate for any portrayal of Catman.  But there are deeper resonances beyond physical resemblance.

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  • Of Note Elsewhere

    Over at Teleport City, Keith takes a look at live-action and animated adaptations of Takao Saito’s manga, Golgo 13.

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    Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here.

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    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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