The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Interview with Michael Caine

The Daily Mail has a nice interview with Michael Caine and photographer David Bailey.

Michael Caine: The Birth of the Cool

At Permission To Kill, David Bailey’s iconic photograph of Michael Caine and eight artistic interpretations.

The Dark Knight and the Bitter Tears of Alfred Pennyworth: Batman and Realism Part 2

This week Screen Editor alex MacFadyen and Comics Editor Carol Borden continue discussing The Dark Knight Rises. We both like Batman and we’re fascinated by how many different Batmans there are. Even though there are things we like about the film, we want to figure out what is it about The Dark Knight Rises‘ Batman […]

Interview with Michael Caine

Empire Magazine interviews Michael Caine. about The Dark Knight films. Michael Caine prefers stunts and practical effects in his films.  “For me, it was incredible because the great thing about it was – and the secret of the success of this picture as opposed to those massive blockbusters out there – is the stunts and […]

RIP, John Neville

Actor John Neville has died. Gutter readers might be most familiar with his work in Terry Gilliam’s The Adventures of  Baron Munchausen and in The X-Files.  According to the Guardian’s obituary, he was seen as a successor to John Gielgud and performed Alfie on the British stage before it became synonymous with Michael Caine on […]

HAVING YOUR DUALITY AND EATING IT, TOO

bruce 80.jpg

Spoiler warning. When the question arises of who could be the villain in a third Batman movie, I’m stymied. I can’t picture The Penguin or The Riddler or Catwoman working in the world Christopher Nolan has created. Poison Ivy? I don’t think so. The Mad Hatter? Clayface? Kite Man? Bane? Nope, nope, nope and please […]

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  • Of Note Elsewhere

    At Graveyardshift Sisters, Ashlee Blackwell writes about the complexity of Blaxploitation horror. “What is visceral, real to the fears of the oppressed, ignored, and patronized are often symbols of empowerment, showing true courage in the face of what’s on the screen and everyday circumstances to see a character figure who takes on the world. Whether that attempt is successful or not, Pandora’s Box of possibilities can flourish.”

     

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    At Graveyard Shift Sisters, Ashlee Blackwell looks at “Cinema’s Black Women Werewolves.” “At first viewed as monstrous, a deeper look would allow some semblance of compassion as horror films have originated in giving the monster character outside of its supposed and/or actual threat. Here, I wanted to look at two contrasts of the Black female as a werewolf to help us consider past attempts and possibly encourage future narratives.”

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    Three articles on the end of “gamer” as an identity, on the end of gatekeeping and the end of gaming culture: Leigh Alexander at Gamasutra; Dr. Nerdlove; and Dan Golding. “And the sad thing is: nobody’s trying to destroy games.

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    The Gutter’s own Keith writes about The Gangs of Wasseypur for Teleport City. “But more than that, Gangs of Wasseypur isn’t a potential Bollywood cross-over hit because it isn’t a Bollywood film. If anything, it is the antithesis of a Bollywood movie….Gangs of Wasseypur dwells in the spaces Bollywood does not want to show. The mines, the scrap yards, the slums, perhaps most fittingly an abattoir streaked with grime and blood and offal (not all of it from slaughtered animals). Rather than being a slick fantasy world, Wasseypur takes place in a world that screams, ‘No one gets out of here alive.’”

    And The Times of India writes about the real life gangs of Wasseypur here.

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    A gallery of Fan Ho’s photos of Hong Kong from the book, Fan Ho: A Hong Kong Memoir. (Thanks, Clarice!)

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    A gallery of Medieval European beasts and creatures who can’t even.

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