The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Interview with Michael Caine

The Daily Mail has a nice interview with Michael Caine and photographer David Bailey. Like this:Like Loading…

Michael Caine: The Birth of the Cool

At Permission To Kill, David Bailey’s iconic photograph of Michael Caine and eight artistic interpretations. Like this:Like Loading…

The Dark Knight and the Bitter Tears of Alfred Pennyworth: Batman and Realism Part 2

This week Screen Editor alex MacFadyen and Comics Editor Carol Borden continue discussing The Dark Knight Rises. We both like Batman and we’re fascinated by how many different Batmans there are. Even though there are things we like about the film, we want to figure out what is it about The Dark Knight Rises‘ Batman […]

Interview with Michael Caine

Empire Magazine interviews Michael Caine. about The Dark Knight films. Michael Caine prefers stunts and practical effects in his films.  “For me, it was incredible because the great thing about it was – and the secret of the success of this picture as opposed to those massive blockbusters out there – is the stunts and […]

RIP, John Neville

Actor John Neville has died. Gutter readers might be most familiar with his work in Terry Gilliam’s The Adventures of  Baron Munchausen and in The X-Files.  According to the Guardian’s obituary, he was seen as a successor to John Gielgud and performed Alfie on the British stage before it became synonymous with Michael Caine on […]

HAVING YOUR DUALITY AND EATING IT, TOO

bruce 80.jpg

Spoiler warning. When the question arises of who could be the villain in a third Batman movie, I’m stymied. I can’t picture The Penguin or The Riddler or Catwoman working in the world Christopher Nolan has created. Poison Ivy? I don’t think so. The Mad Hatter? Clayface? Kite Man? Bane? Nope, nope, nope and please […]

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  • Of Note Elsewhere

    The Paris Review shares some of cartoonist Roz Chast’s intriguingly painted Easter eggs. See more at her website.

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    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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