The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

DC Variant Covers by Mike Allred

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A gallery of Mike Allred’s covers for twenty of DC’s titles. (via @profmdwhite) Like this:Like Loading…

Summer Fun Time Reading ’14

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Summer is almost here, and I can’t tell you how glad I am. So smear yourself up with sunscreen and bug repellent, find your kickiest sandals, put the finishing touches on your Wicker Man and don’t forget to wear a hat because I have some comics to make your summer just a little more fun […]

Plus-Sized Divas and Beauty Queens

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The Projection Booth has been busy, with a bunch of new podcasts up, including episodes dedicated to a documentary on Divine and “There She is,” a documentary about plus-sized beauty queens. Listen to them!   Like this:Like Loading…

10 Comics I Liked In 2012

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Tales of derring-do! Girl adventurers! Occult mystery! Infernal foes! Secrets revealed! Pirates! Love, loss & betrayal! Intricate art bound in lovely hardcovers! Indie going mainstream! Original creations! It’s been an incredible year for comics. So many good ones that I can’t even begin to claim to know what would be the best comics of 2012. […]

10 Comics I Liked in 2011

It’s the beginning of January, cold and dark where I am. The critics are all putting out their best of year lists, and maybe you’re looking for something to read. So here’s my entry into annual lists: 10 comics I liked in 2011 that I haven’t written about. Well 9 comics I haven’t written about […]

Jenkins’ List

Henry Jenkins writes up a handy list of some comics he’s enjoyed recently, divvied into stories of everyday life, superheroes, science fiction/fantasy/horror, and some unclassifiable items. Like this:Like Loading…

Stardust Returns

“Almost like a crazy person is holding the pencil.”  My God, Mike Allred has created a comic featuring Fletcher Hanks’ disturbing and punitive hero Stardust. (Thanks to Again With The Comics) Like this:Like Loading…

In the Sewer with the Alligators

Hey everybody, let

I’m tired of the two-camera, hour-long drama. I’m tired of the Oscar-oriented mainstream film. I’m tired of “literary fiction,” you know, respectable middlebrow art. I don’t enjoy everyday reality heightened with swelling strings. I’m tired of realism’s conventions; so I’ve been turning to comics, pulp fiction, cartoons and genre film. Like this:Like Loading…

Superheros de los Muertos

Is there anything better than a superpowered dead girl?

It’s the time of year when a young woman’s thoughts naturally turn to skeletons and zombies, death and dying. I like bats, boneyards, snappy girls from beyond, hideous mockeries of humanity fermented in swamps, creepy happenings and bones, bones, bones. Like this:Like Loading…

Catwoman: Silicon-Injected

Who are Catwoman

In 2001, Catwoman was everything I ever wanted in a comic. I admit I was a sucker for her new look. A woman’s stompy black boots are her pride and Catwoman’s boots were stompy, black and flat after years of thigh high Pretty Woman stilettos. Not to mention that zippers with rings, black leather, kitty […]

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  • Of Note Elsewhere

    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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    At The Guardian, Keith Stuart and Steve Boxer look at the history of PlayStation.“Having been part of the late 80s rave and underground-clubbing scene, I recognised how it was influencing the youth market. In the early 90s, club culture started to become more mass market, but the impetus was still coming from the underground, from key individuals and tribes. What it showed me was that you had to identify and build relationships with those opinion-formers – the DJs, the music industry, the fashion industry, the underground media.” (via @timmaughan)

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    Neill Cameron has re-imagined the characters of Parks & Recreation as members of Starfleet. (Via @neillcameron)

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    Christopher Lee has released a promotional video for his latest album, Darkest Carols, Faithful Sing.  You should probably watch everything at Charlemagne Productions.

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