The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Monster in Me

frankenstein

I’ve been spending a portion of my wee small hours (normally spent standing under a solitary street lamp on a lonely street, staring in melancholy reverie at my cigarette) revisiting old horror films. As a budding cult film obsessive, I cut my teeth on the horror films of cinema’s early decades. In the days before […]

Terror of Monkeys vs. Robots

Manipulated by mad scientists, humiliated for humanity’s pleasure, will robots and apes tire of making our cars, vacuuming our floors, fighting our wars, washing our cats and smoking our cigarettes? Who will break first as humankind continually fails to distinguish androids from robots, apes from monkeys? We return again to the question that 2012 inevitably […]

Tentacular, Tentacular

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“Spectacular, spectacularNo words in the vernacularCan describe this great event.” –Moulin Rouge! (2001) That song went through my head while reading both volumes of Wormwood: Gentleman Corpse.  Actually, the song went “Tentacular, tentacular.” Ben Templesmith can draw some tentacles and Wormwood: Gentleman Corpse is either a showcase for his spectacular tentacular ability or he’s damn […]

The Snake and the Magician

Scans of “The Snake and the Magician” from Mike Mignola’s upcoming collection, The Amazing Screw-On Head and Other Curious Objects. (Thanks, Dustin!) Like this:Like Loading…

¡More Cinco de Mayo Celebration!

¡Comics Alliance celebrates Cinco de Mayo with el Santo comics and a roundtable discussion of Hellboy in Mexico–including at least one poster from an el Santo movie! Like this:Like Loading…

10 Comics I Liked in 2008

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Here they are, ten comics I liked in 2008 that I haven’t written about yet. All ready? Alright. Like this:Like Loading…

Perfect Candidates for Costumed Aggression

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Alienated, ranting about how the world could be perfected if only the fools would listen, plotting intricate schemes, focusing great minds on tiny slights, losing their beloved and scarred by experiments gone awry, revenging themselves on the world, supervillains are where it’s at. Here are some of my favorite villains–in alphabetical order to avoid retribution. […]

Hellboy and the Hobbit

Guillermo del Toro has a lot to say about Hellboy and hobbits at the L.A. Film Festival. (Really, it’s an hour interview). Like this:Like Loading…

Screw-On Head and Hellboy, Unfairly Compared

Two DVDs, one day.

Really, I am trying to be good, but I’m not sure I can help it. Last month, DVD’s for The Amazing Screw-On Head and Hellboy: Sword of Storms were released on the same day. That should have been the best day ever since they’re both based on Mike Mignola’s comics. Unfortunately, releasing both projects on […]

In the Sewer with the Alligators

Hey everybody, let

I’m tired of the two-camera, hour-long drama. I’m tired of the Oscar-oriented mainstream film. I’m tired of “literary fiction,” you know, respectable middlebrow art. I don’t enjoy everyday reality heightened with swelling strings. I’m tired of realism’s conventions; so I’ve been turning to comics, pulp fiction, cartoons and genre film. Like this:Like Loading…

At The 23-Screen Stadium-Seating Nacho-Serving Cineplex Of Madness

Uzumaki is Lovecraftian cinema at its haircurling best.

Mysterious creatures. Bizarre science. A dark, snowbound fortress. The occult. Tentacled, crustacean-inspired monsters. Hellish apocalypse. Primordial evil. Madness. Hellboy, the well-received latest film from neo-post-schlock auteur Guillermo del Toro (Cronos, The Devil’s Backbone, Blade II), offers these and other delights, all of which are common motifs in the work of that impossibly influential champion of […]

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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