The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“A Tribute to Dwayne McDuffie and Milestone Media”

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Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was […]

“10 Modern Heroes of Black Nerddom (and Urkel is NOT One)”

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“If the RZA didn’t exist, then we would have had to invent him.” Charles Webb shares his list of “10 Modern Heroes of Black Nerddom (and Urkel is NOT One)” at Topless Robot. Like this:Like Loading…

“Welcome To Black History Month”

At Comics Alliance, David Brothers takes us on a walk through Black history in comics from Krazy Kat; Orrin C. Evans’ All-Negro Comics; Billy Graham’s Panther’s Rage; Hardware and Milestone Comics to now. Like this:Like Loading…

A League of One

A documentary about Milestone Media co-founder, comics creator, screenwriter and director Dwayne McDuffie.   Like this:Like Loading…

Interviews with Dwayne McDuffie

Remembering Dwayne McDuffie on the anniversary of his death with an interview from an unfinished short on Milestone Comic by the makers of  the documentary, White Scripts and Black Men:  Black Masculinities in American Superhero Comics. And Dwayne McDuffie explains the secret history of  Luke Cage’s exclamation, “Sweet Christmas!” (Update: McDuffie discusses the “rule of […]

“Frankly, Static deserved a lot better.”

John Rozum writes a comment about why he left DC’s comic, Static Shock. It will have some resonance for people who remember Static Shock’s co-creator Dwayne McDuffie’s posts about the difficulties he had writing for DC’s Justice League of America. Update: Comic Book Resources has more. Like this:Like Loading…

Bootstrap Theory and Superheroes

‘It seems to me,’ said Booker T.– ‘I don’t agree,’ Said W.E.B. –Dudley Randall In February, I wrote a piece about how much I like Dwayne McDuffie’s writing. Sadly, a few days later, he died. I’m still stunned .  I feel like I’ve just begun exploring his work, so I decided to look for his […]

The History of Black Comic Book Heroes Through the Ages

Dart Adams Presents: Black Like Me: The History of Black Comic Book Heroes Through the Ages, Part One (1900-1968)and Part Two (1969-2008).  (Click it! It’s amazing). Like this:Like Loading…

Milestone!

So much Milestone going on! Milestone creator Dwayne McDuffie talks with The Atlantic about “reinventing personal mythologies, pop-cultural representations of race and an investigation of what shapes our moral frameworks” and how much he likes writing romance.  Meanwhile, Evan Narcisse shares his memories of Milestone Comics–with pictures. Like this:Like Loading…

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  • Of Note Elsewhere

    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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    Friend of the Gutter, Kate Laity writes about medieval settings, ideas of heroism and masculinity, and “how people use history to veil the way they think about how things are now.”

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    Comics Alliance has a gallery of supervillains in the style of Eighties album art by Rocky Davies.

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    The sounds of failing hard drives. (via @wfmu)

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    Drive-In Mob has a variety of tremendous ringtones from In Like Flint‘s Derek Flint speaking porpoise to the Wilhelm Scream as well as other shenanigans like a club mix  and “Sissy Goforth and The Seven Dwarf’s Yodel Song”  created from Boom (1968). Drive-In Mob, it’s the shock of being alive. (The Cultural Gutter is a proud host of the weekly Drive-In Mob movie tweetalong).

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    Dangerous Minds has a brief overview of Nudie Cohn’s life and work–including a gallery of some of his amazing designs for Hank Williams, Gram Parsons, Elvis and Keith Richards. “Nudie Cohn’s influence went way beyond country though. As he adapted with the 1960s counterculture, his work became even more subversive—the ‘pot, pills and poppies suit’ he made for Gram Parsons…is one example, but was not the only time Cohn used druggy imagery. What made his work impressive though—be it the (supposedly $10,000 suit that cost $50 to make) gold lamé suit he made for Elvis or his own insane custom 1964 Pontiac Bonneville—was not only the over-the-top styling, but the sheer attention to detail and quality craftsmanship of a custom Nudie suit festooned with rhinestones or embroidery.”

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