The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“The Husband Did It”

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At The Awl, Alice Bolin writes about Gone Girl, Serial, true crime television and “Why it’s scarier for a man to be accused than for a woman to be killed”: “It’s clear we love the Dead Girl, but we don’t empathize with her. If we did, we might ask why we did nothing to protect […]

“Why I Play Violent Video Games”

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Maddy Myers writes about playing violent games, wanting to be powerful and internalized sexism. “Given my lifelong history of playing at war, and my desperate wish to feel strong, big, and powerful, it made sense that I would gravitate towards Counter-Strike and its ilk around the age of 15. But Counter-Strike, with its all-male selection […]

Interview with Adam Savage

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Mythbusters‘ Adam Savage talks about science, women in science, GamerGate and sexism on the Inquiring Minds podcast.

Two Perspectives on Gone Girl

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At RogerEbert.com, Matt Zoller Seitz notes: “What of Gone Girl as a parable of gender relations, one that eventually takes an ugly misogynist turn? I’ve heard these charges leveled, and they have merit. You’ll understand what I mean once you’ve seen the movie. At the same time, though, as we evaluate those complaints, we owe it to […]

“Here’s Why Everybody In The Video Game World Is Fighting”

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At Vox, The Gameological Society’s Todd Van Der Werff has a pretty good synopsis of the recent trouble in gaming.  

Apocalypse Games

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Three articles on the end of “gamer” as an identity, on the end of gatekeeping and the end of gaming culture: Leigh Alexander at Gamasutra; Dr. Nerdlove; and Dan Golding. “And the sad thing is: nobody’s trying to destroy games.“

“Video Games, Misogyny and Terrorism”

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At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”

Games, Horror and Consuming Media Responsibly

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Jenn Frank writes about horror, games, “Tropes vs Women In Video Games” and “consuming media responsibly”: “I think what I’m getting at is, especially with the horror genre, it’s less important what a movie says and more important that you, the viewer, understand why you’re enjoying it. I believe in judicious self-awareness; a director like […]

Apologizing for “Manic Pixie Dream Girl”

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At Salon, Nathan Rabin apologizes for coining the phrase, “Manic Pixie Dream Girl.” “I remember thinking, even back then, that a whole list of Manic Pixie Dream Girls might be stretching the conceit too far. The archetype of the free-spirited life-lover who cheers up a male sad-sack had existed in the culture for ages. But […]

“The Last Straw”

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Maureen Ryan writes about Tyrant and the lazy use rape as a trope. “I’m just so tired of violence against women being used as storytelling No-Doz–something to juice up the proceedings and then discard at will.”  

“Exploring Apatow and Rogen’s Schlubby Non-Misogyny”

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Film School Rejects looks at the Judd Apatow’s comedies: “Apatow is not a denialist of misogyny within society. In fact, if you read the many personal #YesAllWomen anecdotes—all of his films verify that sad reality in a non-condoning, often vilifying way. Through non-traditional heroes, he navigates his audience to a hopeful future.With personal, transformational films comes […]

“How To Discourage Women From Cartooning”

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An anonymous cartoonist shares a creepy letter at The Comics Journal: “I have photographic evidence for this one, but I don’t have any proof of the other sleazy ‘real life’ encounters I have had in my career. Every woman I know has had them. They add up, and combined together they go far beyond frustration.”

Naked Woman (Steep Hill)

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One night, when I was poking around on the internet for something mindless to play, I stumbled across a game called Naked Woman (Steep Hill). The description: “Control the fate of a naked woman riding down a steep hill. 20 options decide her doom. Feel free to suggest any other fates she can face!” My […]

Anna Gunn’s Character Issue

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Anna Gun writes about the experience of playing Breaking Bad‘s Skyler White and how it trickles into hatred towards her: “I finally realized that most people’s hatred of Skyler had little to do with me and a lot to do with their own perception of women and wives. Because Skyler didn’t conform to a comfortable […]

“A Day Inside Comic-Con’s Hall H: Worshipping in the Ultimate Movie Church”

Todd VanDerWerff spends a day in San Diego Comic Con’s Hall H and has some interesting observations about the film industry, fan culture, sexism and “Worshipping in the Ultimate Movie Church.”

Manic Pixie Dream Girls, Writing and Doctor Who

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“Writing about Doctor Who this week got me thinking about sexism in storytelling, and how we rely on lazy character creation in life just as we do in fiction,” from Laurie Penny’s “I Was A Manic Pixie Dream Girl.” Her piece on Doctor Who is here. (via @katelaity)

Twilight’s Anti-Fandom

Emma Vossen examines Twilight hate and anti-fans, writing: “People have become eager anti-fans of the series, creating an active subculture that manifests in hateful dialogue and value judgements on a seemingly arbitrary slice of a very large pop culture pie.”

“Raymond Chandler’s Private Dick”

Ta-Nehisi Coates writes an interesting post about Philip Marlowe, masculinity, biology and misogyny at The Atlantic: “I’ve consumed art like this all my life–men claiming invulnerability, against all I know of maleness and human attraction. Misogyny is not merely a moral problem, but a problem of art. It takes half the world and caricatures it. […]

Abuse and Paranormal Activity

Maria at The Hathor Legacy looks at the Paranormal Activity franchise from the standpoint of abuse, neglect and gaslighting. “It’s also a reminder that one of the franchise’s major themes is that when women and children are victims of abuse, they are not only not likely to be believed, they are also often put into […]

Update on Tropes vs. Women In Video Games

At Gameranx, Ian Miles Cheong addresses more kerfuffling in the gamer community over Anita Sarkeesian’s “Tropes vs. Women in Video Games” and explains where the project’s at.  

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  • Of Note Elsewhere

    The Los Angeles Times has an interview with Margaret Sixel, editor of Mad Max: Fury Road. “I wanted every single shot to progress the story. I don’t like repetition. And I think we applied that rule religiously throughout the film….I watched a film last night and they kept cutting back again and again and the expression on the actor’s face was exactly the same. I felt like, ‘You’ve used the shot three times already!’ That’s what I don’t like. There’d better be some progress.”

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    “During the 1970’s Black filmmakers found their voices by making films that spoke to urban audiences in a way that had never been done before. Films like Sugar Hill, Abby, The Zebra Killers and so many more packed theaters with audiences hungry for Horror Movies where the Black Guy didn’t die first. 40 years later, Black horror films have made a lasting impact within the Black community. These films are national treasures and should be a part of any film collection. The Museum of UnCut Funk pays homage to the Blaxpolitation Horror films of 1974.” Click through for more. (via @GrveyardShiftSisters)

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    Mubi has a collection of film posters designed by Eva Švankmajerová, Surrealist painter, writer and filmmaker. Learn more about Eva Švankmajerová with an posthumous interview with Gwendolyn Albert, the translator of her novel, Baradla Cave.

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    At The Toast, Mo Moulton watches Downton Abbey and discusses its portrayal of Neville Chamberlain. “Here, then, is Neville Chamberlain in 1925. He is fulfilling the expectations set by an extraordinary political family. His father, Joseph Chamberlain, ran a screw factory in Birmingham, where he became passionate about urban improvement as a method for bettering the lives of his workers. As Liberal mayor of Birmingham, he was an early, passionate proponent of what became known as “gas and water socialism”: he wanted to put those services within reach of every resident by putting them under the management of local government. So far, it’s hard to imagine the Earl of Grantham having much in common with this energetic, egalitarian entrepreneur.”

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    In honor of Black History and Women In Horror Month, Graveyard Shift Sisters take a look at Audre’s Revenge Film collective, which was founded by Monika Estrella Negra:  “Audre’s Revenge Film was created in order to promote visibility of womyn, queer, trans and intersex folks of color in the sci fi and horror universe.

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    Please enjoy an hour of rare Bollywood synth funk (and an interview with DJ Fitz who put the mix together). (via @BethLovesBolly)

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