“During the 1970’s Black filmmakers found their voices by making films that spoke to urban audiences in a way that had never been done before. Films like Sugar Hill, Abby, The Zebra Killers and so many more packed theaters with audiences hungry for Horror Movies where the Black Guy didn’t die first. 40 years later, Black horror films have made a lasting impact within the Black community. These films are national treasures and should be a part of any film collection. The Museum of UnCut Funk pays homage to the Blaxpolitation Horror films of 1974.” Click through for more. (via @GrveyardShiftSisters)
Since DC’s reboot, I have hinted publicly about the comics I want other people to make so that I can read them. And by hinting, I mean, “talking about them endlessly until I inevitably lose friends.” However, hinting doesn’t seem to be getting me anywhere. So I’m harnessing the inconceivable power of The Cultural Gutter […]
I’ve been watching Dexter, and thinking about Thomas Blake, Catman in Gail Simone’s comic, Secret Six (DC, 2008-2011). With his tousled blond hair and predatory grin, Michael C. Hall would make an excellent candidate for any portrayal of Catman. But there are deeper resonances beyond physical resemblance.
There’s a sickness in my stomach I’ve been carrying a while, an unpleasant acid feeling that bothers me when I’ve been reading or reading about comics lately. And I guess it’s time for me to cough it up and see what the hell is burning a hole inside.
Alienated, ranting about how the world could be perfected if only the fools would listen, plotting intricate schemes, focusing great minds on tiny slights, losing their beloved and scarred by experiments gone awry, revenging themselves on the world, supervillains are where it’s at. Here are some of my favorite villains–in alphabetical order to avoid retribution.