The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Guillermo Del Toro’s Cabinet of Curiosities.

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A few pages from Guillermo Del Toro’s notebooks and a book trailer for his upcoming, Cabinet of Curiosities: My Notebooks, Collections and Other Obsessions. Like this:Like Loading…

Interview with the Authors of Taken By The T-Rex

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At The Cut, Maureen O’Connor interviews Christie Simes and Alara Branwyn, authors of dinosaur and monster erotica like In The Velociraptor’s Nest and Taken By The Triceratops. (via @filmclassics) Like this:Like Loading…

Interview with Richard Raaphorst

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Traumatic Cinematic‘s Lewis Cougill interviews the director of Frankenstein’s Army, Richard Raaphorst. They talk about art, conceptual art, Beyond Re-Animator and Frankenstein’s Army. TC also has a gallery of storyboard art from Frankenstein’s Army. (Listen to Traumatic Cinematic’s discussion of Frankenstein’s Army here). Like this:Like Loading…

“It’s A Graveyard Threat: Classic Monster Graves”

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Odd Things I’ve Seen has a list of the final resting places of actors and actresses who have played classic horror characters. “This isn’t comprehensive, of course, and were I to try to make it so, I’d disappear into a hole in the Internet and not come up until this post was a 10-part mini-series […]

Interviews and Q&A from Midnight Madness 2013

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All the red carpet interviews and post-screening question and answer sessions from this year’s Midnight Madness Programme at the Toronto International Film Festival.  And all conducted by friend of The Gutter and Soldier of Cinema, Robert Mitchell! [Update: Link fixed!] Like this:Like Loading…

Galleries of Creature Designs!

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Do you like monsters, creatures and aliens? We sure do! Here are two galleries of conceptual designs for the Austrian horror movie, The Station / Der Blutgletscher: Part I and Part II. The art is by TOMAK and the movie is directed by Marvin Kren. Like this:Like Loading…

Midnight Madness 2013!

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The Midnight Madness Program at the Toronto International Film Festival has been announced. The films being screened are: All Cheerleaders Die; The Station / Der Blutgletscher; The Green Inferno; Oculus (that’s the trailer for the original short); Afflicted; Almost Human; Rigor Mortis; R100; Why Don’t You Play In Hell?; and, Witching & Bitching / Las […]

“Andrew Hughes: A Life In Japanese Pictures”

“With the exception of the late Robert Dunham, to whom major roles in Toho’s Space Monster Dogora and Godzilla vs. Megalon assured significant recognition among genre fans, one of the most familiar – or at the very least persistent – Western faces in Japanese cinema of the 60s and 70s may be that of Andrew Hughes.” Kevin P. […]

A Monster Saved From Monster’s Ways

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As Romance Editor Chris Szego has often noted here at The Gutter, the theme of modern romance is that the hero can change. But what about sea mutants—can they change? In Jonathan Cases’s Dear Creature (Tor, 2011) a sea mutant falls in love with a human woman. It’s a beautifully-drawn and beautifully-written Shakespearean comedy with […]

a little bit of evil keeps you alive

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It’s inside you. If you’re talking about blood or cookies, that’s a good thing. You definitely want those inside you. If you’re talking about aliens or zombie viruses, not so much, right? Well, 99% of the time the answer is probably ‘Hell, no!’ but the other 1% makes it a much more interesting question than […]

RIP, Richard Matheson

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Writer Richard Matheson has died. Matheson’s influence on horror, television and film was incredible–from, “I Am Legend” to episodes of The Twilight Zone, The Night Stalker, The Martian Chronicles to writing Roger Corman’s Poe films to films based on his stories like The Last Man on Earth, The Omega Man, I Am Legend, The Incredible […]

Drive-In Mob Ringtones

The Drive-In Mob has created ringtones “perfect for alienating people around you on public transportation” including: Omega Man; Godzilla vs. MechaPetrillo; Super Fuzz; The Wilhelm Scream; and the ants from THEM! Like this:Like Loading…

Summer Fun Time Reading ’13

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It’s hot and the air already feels like unset Jell-O, but you still have some time to prepare for summer, because all the list-happy magazines and websites tell me, summer must be prepared for. Dig out your seersucker suit! Bob your hair! Find that most fashionable bathing suit–might I suggest a kicky Twenties number? You’ll […]

Ray Harryhausen and Me: A Life of High Adventure and Escapism

Mr. Harryhausen with his creations brought down to size.

Ray Harryhausen passed away last week. This has been noted by people more qualified than I to discuss the master of stop-motion magic—Rick Baker, Adam Savage, Todd Masters, George Lucas, Peter Jackson, and more. The superhuman talent and perseverance evident in a Harryhausen effects sequence can easily be seen in countless visual effects artists since […]

RIP, Ray Harryhausen

Special effects master, Ray Harryhausen has died. Ray Bradbury pays tribute to Harryhausen.  All of Harryhausen’s creatures in 4 and a half minutes. Harryhausen talks about King Kong, Willis O’Brien, George Pal and his own career in 1991. John Landis interviews Harryhausen for the Bradford Animation Festival 2010. TCM remembers Harryhausen. And Leslie Hardcastle interviews […]

“Think The Walking Dead has a Woman Problem? Here’s the Source”

At The Village Voice, Simon Abrams writes about The Walking Dead and its female characters. Like this:Like Loading…

The Words Got Stuck In My Throat

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“If I had a hidden microphone inside of my heart/I would turn the power on/It would amplify my love for you and swear to always love you/and you’d never be gone.” I love when old movies–that are not musicals per se–spotlight the performance of a song, because it’s symptomatic of a sincere desire to entertain […]

Brains

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The first thing you have to understand is this:  I hate zombies. Truly, completely HATE them. Mine is a complex hatred, operating on more than one level.   At the core I am, as previously stated, a huge chicken. Zombies, for their part, are one of horror’s basic building blocks.  They’re practically terror ground zero. […]

The Walking Dead, 1995

The opening credits for The Walking Dead, if the show were made in 1995. (via @ChastityBites) Like this:Like Loading…

Nancy A. Collins’ Swamp Thing

Author Nancy A. Collins talks about writing Swamp Thing at Hasslein Blog.  The Den of Geek writes a paean to Nancy Collins’ al-too-brief run. “As the run progressed, it became evermore enchanting, tense, witty and imaginative (not to mention the fact that it produced the first ever comic to be released under DC’s mature Vertigo […]

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  • Of Note Elsewhere

    At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Let’s try to suss it out.”

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    Friend of the Gutter, Kate Laity writes about medieval settings, ideas of heroism and masculinity, and “how people use history to veil the way they think about how things are now.”

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    Comics Alliance has a gallery of supervillains in the style of Eighties album art by Rocky Davies.

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    The sounds of failing hard drives. (via @wfmu)

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    Drive-In Mob has a variety of tremendous ringtones from In Like Flint‘s Derek Flint speaking porpoise to the Wilhelm Scream as well as other shenanigans like a club mix  and “Sissy Goforth and The Seven Dwarf’s Yodel Song”  created from Boom (1968). Drive-In Mob, it’s the shock of being alive. (The Cultural Gutter is a proud host of the weekly Drive-In Mob movie tweetalong).

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    Dangerous Minds has a brief overview of Nudie Cohn’s life and work–including a gallery of some of his amazing designs for Hank Williams, Gram Parsons, Elvis and Keith Richards. “Nudie Cohn’s influence went way beyond country though. As he adapted with the 1960s counterculture, his work became even more subversive—the ‘pot, pills and poppies suit’ he made for Gram Parsons…is one example, but was not the only time Cohn used druggy imagery. What made his work impressive though—be it the (supposedly $10,000 suit that cost $50 to make) gold lamé suit he made for Elvis or his own insane custom 1964 Pontiac Bonneville—was not only the over-the-top styling, but the sheer attention to detail and quality craftsmanship of a custom Nudie suit festooned with rhinestones or embroidery.”

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