The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Confessions of a Former Internet Troll”

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“I want to tell you about when violent campaigns against harmless bloggers weren’t any halfway decent troll’s idea of a good time—even the then-malicious would’ve found it too easy to be fun. When the punches went up, not down. Before the best players quit or went criminal or were changed by too long a time […]

Suffragettes, Amazons and Wonder Woman

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At the New Yorker, Jill Lepore considers the intertwining histories of women’s suffrage, feminism, Amazons and Wonder Woman. “It isn’t only that Wonder Woman’s backstory is taken from feminist utopian fiction. It’s that, in creating Wonder Woman, William Moulton Marston was profoundly influenced by early-twentieth-century suffragists, feminists, and birth-control advocates and that, shockingly, Wonder Woman […]

“Remembering Koh Masaki”

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The Awl’s Rich Bellis writes about Koh Masaki and the importance of Masaki’s visibility as an out gay man working in the Japanese porn industry. “By the time he died from peritonitis after an appendix operation, at just 29, Masaki had established a celebrity persona in a business where such a thing hadn’t existed before. […]

RIP, Polly Bergen

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Actor and singer Polly Bergen has died. Bergen has roles in film and television series as diverse as Desperate Housewives, Commander In Chief, The Sopranos, The Love Boat, Move Over Darling,  Cape Fear (1962), and The Polly Bergen Show.  The Los Angeles Times, The New York Times and The Guardian have obituaries. Here Rex Reed […]

High diving boards, banana costumes,
and other risks worth taking

Normal Rockwell Boy on High Dive

I come from a family of eggheads, so summer camp for me was usually something like Mini University. We’d play with metal shavings and magnets, or compete to design the most aerodynamic paper planes, but one of the things we also got to do was use the Olympic swimming pool with a full size, triple-decker […]

RIP, Richard Kiel

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Actor Richard Kiel has died. Kiel worked in both film and television, including performances in The Twilight Zone episode, “To Serve Man”; Eegah (1962); The Barbary Coast with William Shatner; Happy Gilmore (1996); Pale Rider (1985); as Vlad in Tangled (201); and as Jaws in The Spy Who Loved Me (1977) and Moonraker (1979).   […]

Eight Free Early Soviet Films

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Open Culture has a round-up of eight free and complete films by Dziga Vertov, including Man With A Movie Camera (1929) and the first Soviet animated feature, Soviet Toys (1924). (Thanks, Earl!)

“The Strength of Robin Williams”

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Matt Zoller Seitz has written a lovely meditation on Robin Williams at RogerEbert.com: “Williams wore the invisible garments of depression. He carried that burden. A lot of the time we didn’t see it, because he was a bright and enthusiastic comic performer and a great actor. But the weight was always there. Somehow he lived […]

“A Blend of Fact and Interpretation of Fact”: An Interview with Dave McKean

VB14 Luna moth boy

Every fall I write for the official Midnight Madness and Vanguard program blogs of the Toronto International Film Festival. And I usually try to find a guest writer to cover me here at the Gutter, write a piece ahead of time or even, sometimes, just totally wander out of  my assigned comics domain to write […]

Interview with Director Ringo Lam

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At Kaiju Shakedown, Hiroshi Fukazawa interviews director Ringo Lam. “Not as flashy as John Woo, never as hyperkinetic as Tsui Hark, Ringo Lam is one of Hong Kong’s most underappreciated directors. He made his name with sophisticated, downbeat crime dramas that came to define a certain style of urban Hong Kong cinema in the Eighties […]

Interview with Filmmaker Peter Strickland

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The Gutter’s own Carol interviews Peter Strickland (Berberian Sound Studio; The Duke of Burgundy) about his films, sound design, mole crickets, pheromonal perfume and the pressure to put on a persona. Read it at the Toronto International Film Festival’s official Vanguard Program blog.

“Cinema’s Black Women Werewolves”

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At Graveyard Shift Sisters, Ashlee Blackwell looks at “Cinema’s Black Women Werewolves.” “At first viewed as monstrous, a deeper look would allow some semblance of compassion as horror films have originated in giving the monster character outside of its supposed and/or actual threat. Here, I wanted to look at two contrasts of the Black female […]

The Gangs of Wasseypur

The Gutter’s own Keith writes about The Gangs of Wasseypur for Teleport City. “But more than that, Gangs of Wasseypur isn’t a potential Bollywood cross-over hit because it isn’t a Bollywood film. If anything, it is the antithesis of a Bollywood movie….Gangs of Wasseypur dwells in the spaces Bollywood does not want to show. The […]

Line Up for the Midnight Madness 2014 Program

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Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they become available).

Patrick Lung Kong & Tsui Hark Discuss A Better Tomorrow

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Patrick Lung Kong and Tsui Hark discuss their work together and Lung’s influential film, The Story Of A Discharged Prisoner (1967), during a retrospective of Lung’s work. ‘Protesters called “and said ‘Burn that film, burn it!’” Lung Kong said. The timing was off, with Hong Kong embroiled in riots, and demonstrators targeted a government official […]

You really should have given up

Let go

I’m still thinking about willpower from my last article, and while it’s true that ‘stick-to-it-iveness’ (as my Grandma used to call it) is an important skill, it also really helps to know when to bail. Oddly, even though the desire to give up comes pretty naturally, deciding when you should actually do it doesn’t seem […]

Free Oline Korean Film

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The Korean Film Archive has been uploading classics of Korean cinema to their YouTube channel, Korean Classic Film Theater. Modern Korean Cinema reports on the latest 15 films uploaded.

RIP, Lauren Bacall

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Actor Lauren Bacall has died. Bacall is most famous for work with her first husband Humphrey Bogart, To Have And Have Not (1944), The Big Sleep (1946) and Key Largo (1948), but she also starred in Douglas Sirk’s classic melodrama Written On The Wind (1956), co-starred with Marilyn Monroe and Betty Grable in How To […]

“The Five Best North Korean Films”

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Simon Fowler shares “The Five Best North Korean Films” at The Guardian. Did Pulgasari make the cut? Is the list Pulgasari five times? Click through to find out. (Thanks, Earl!)

RIP, Robin Williams

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Actor and comedian Robin Williams has died. There are many obituaries and remembrances out there, so we’re just choosing a few.  The AV Club, RogerEbert.com and Boing Boing have obituaries. The writers of RogerEbert.com offer tributes. Terry Gilliam talks about directing Williams in The Fisher King. Penny Marshall talks about working with Williams on Laverne […]

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  • Of Note Elsewhere

    “I want to tell you about when violent campaigns against harmless bloggers weren’t any halfway decent troll’s idea of a good time—even the then-malicious would’ve found it too easy to be fun. When the punches went up, not down. Before the best players quit or went criminal or were changed by too long a time being angry. When there was cruelty, yes, and palpable strains of sexism and racism and every kind of phobia, sure, but when these things had the character of adolescents pushing the boundaries of cheap shock, disagreeable like that but not criminal. Not because that time was defensible—it wasn’t, not really—but because it was calmer and the rage wasn’t there yet. Because trolling still meant getting a rise for a laugh, not making helpless people fear for their lives because they’re threatening some Redditor’s self-proclaimed monopoly on reason. I want to tell you about it because I want to make sense of how it is now and why it changed.” Emmett Rensin writes more at Vox.

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    At Smart Bitches, Trashy Books, Elyse has some things to say about reading Romance. “In the end, it doesn’t matter what I read. It doesn’t even matter that I do read, quite frankly. What matters is that we live in a world where fiction aimed directly at women is perceived as garbage. That doesn’t say anything at all about me, it says a lot about what needs to change.”

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    Brain Pickings looks at the life and work of Tove Jansson and the wisdom of her character, Too-ticky. “Too-ticky, the sage of Moominvalley who solves even the most existential of problems with equal parts practicality and wisdom, was inspired by the love of Jansson’s life — the great Finnish sculptor and graphic arts pioneer Tuulikki “Tooti” Pietilä, Jansson’s spouse. The two women met in art school during their twenties and remained together until Jansson’s death more than six decades later, collaborating on a lifetime of creative projects — all at a time when queer couples were straddling the impossible line between anguishing invisibility and dangerous visibility.” (via Kate Laity)

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    Photographer Kevin Weir uses vintage photographs to create haunting animation in “The Flux Machine.” The Guardian has an interview with Weir and more on his work.

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    At the New Yorker, Jill Lepore considers the intertwining histories of women’s suffrage, feminism, Amazons and Wonder Woman. “It isn’t only that Wonder Woman’s backstory is taken from feminist utopian fiction. It’s that, in creating Wonder Woman, William Moulton Marston was profoundly influenced by early-twentieth-century suffragists, feminists, and birth-control advocates and that, shockingly, Wonder Woman was inspired by Margaret Sanger, who, hidden from the world, was a member of Marston’s family.”

     

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    Tim Reis shares ten things he learned from producing his first independent feature The Demon’s Rook. “Making an independent feature film is hard. Making an independent feature film with no money is especially hard. Making an independent feature film with no money, no actors, and a first-time director and crew is almost impossible. It is also the greatest, most liberating thing and you can and should totally do it.” (Thanks, Colin!)

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