At The Brattle Film Notes, Kerry Fristoe writes about The Road Warrior and Lord Byron’s poem, “Darkness,” in “The Road Warrior or Mad Max and Lord Byron Walk into a Bar…”
You can read every issue of No Magazine. “Be warned before you download and open these issues—they aren’t exactly safe for workplace viewing. If Larry Flynt and the Vienna Aktionists got together and published a punk zine in the late ‘70s, it would have looked a lot like NO MAG. NO MAG‘s publisher Bruce Kalberg, […]
At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist […]
At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”
At Autostraddle, Heather Hogan has “a Recap of Jem and the Holograms’ Truly Outrageous Lesbianism.” (Thanks, Sara Century!) “If you are a woman over the age of 30, I have some information that is going to send you cartwheeling back to 1987 to high five your young self and shout “We knew it! We knew it!” right in your […]
Here’s the first Gutterthon 2015 Geektastic Song–“Fortune Cookie” by Chica Non Grata. Chica Non Grata kindly offered to write 3 songs based on topics offered by 3 lucky backers. So listen up and get down. “A song about pop-up ads and how creepy they are and how they seem to be reading your mind and […]
At Movie Morlocks, Kimberly Lindbergs writes about composer Elisabeth Luytens on the 106th anniversary of Luytens’ birth. “Much of Lutyens music, particularly later in life, is rather dark, jarring and cinematic. Her background in Theosophy and Eastern mysticism is apparent in the otherworldly atmosphere conjured up by her film scores and is also evident in […]
Comics Alliance has a gallery of supervillains in the style of Eighties album art by Rocky Davies.
Drive-In Mob has a variety of tremendous ringtones from In Like Flint‘s Derek Flint speaking porpoise to the Wilhelm Scream as well as other shenanigans like a club mix and “Sissy Goforth and The Seven Dwarf’s Yodel Song” created from Boom (1968). Drive-In Mob, it’s the shock of being alive. (The Cultural Gutter is a […]
Dangerous Minds has a brief overview of Nudie Cohn’s life and work–including a gallery of some of his amazing designs for Hank Williams, Gram Parsons, Elvis and Keith Richards. “Nudie Cohn’s influence went way beyond country though. As he adapted with the 1960s counterculture, his work became even more subversive—the ‘pot, pills and poppies suit’ […]
Swell songs on disreputable topics: “Gom Jabbar “ by Chica Non Grata and “Bad Clone” by Victoria Squid.
All Things Considered reports on Make It Pop and South Korean government’s nurturing of Korean pop music, including a special department dedicated to K-Pop at the Ministry of Culture. “This included doing things like building massive, multi-million dollar concert auditoriums, refining hologram technology, and even helping regulate noeraebangs — karaoke bars — to protect the […]
Shotgun Seamstress shares a list of Black punk bands that they are enjoying. “There is so much going on in the world of black punk rock these days! I wanted to share with you a handful of bands that I’ve felt compelled to listen to over and over again, that feature at least one black […]
At Hyperallergic, Jeremy Polacek writes about the history of Afrofuturism and the Brooklyn Academy of Music’s exhibit, “Space Is The Place: AfroFuturism On Film”: “Afrofuturism is an empowering rubric, an approach and aesthetic that clarifies and connects history and the hope, creativity, and pain there within. Afrofuturism is wry, wise, and leveling — it believes that a brighter, more […]
When Julien Temple’s Absolute Beginners was released in 1986 it was met with general indifference and some critical dismissals. While the film may have some problems, today its reputation seems to be clouded by the misconception that it single-handedly ruined the prestigious British film studio Goldcrest and was universally panned. Neither of these assumptions is […]
When Screen Editor alex was recovering from surgery last year, we watched a bunch of episodes of Adventure Time together. We skipped the episode “I Remember You” because I just couldn’t watch it again without crying. It is one of the best episodes of the show. It is also one of the best depictions of […]
Actor Lizabeth Scott has died. Scott appeared in film and film and television including, The Strange Loves of Martha Ivers (1946), Dead Reckoning (1947), I Walk Alone (1948), The Company She Keeps (1951), Loving You (1957) and The Third Man tv series. The Los Angeles Times, The New York Times and The Guardian have obituaries. […]
I never expected to be reading Archie comics. Archie Andrews’ irresistible appeal to ladies mystified me and I came late to an appreciation for soap operas and straight melodrama. Then there was residual stuff around romance, a punk rock hostility towards the wholesome squares, a dash of internalized sexism mixed with gender dysphoria and a […]
The Gutter’s own Carol was invited to join Less Lee Moore and J.G. Thirlwell and other swell folk in sharing “Best of 2014” lists at Popshifter!
Author, illustrator, writer and friend of the Gutter Evan Munday shares a variety things in “The Best of 2014”: “Though no one will care at all and my taste is, by most measures, truly heinous, here are lists of things – namely comic books, movies, songs, and (new!) unfulfilled projects–I greatly enjoyed in the year […]
The Dissolve shares some panels from the source material for Lukas Moodysson’s Swedish punk rock coming of age story, We Are The Best—Coco Moodysson’s graphic novel, Never Goodnight, about her experience growing up punk in 1980s Stockholm. The Dissolve piece also links to an interview with Coco Moodysson at Female First and a New York Times […]keep looking »