As soon as the old detective starts talking about buying a boat and all the fish he’s going to catch, or what the view will be like from his back window when he retires, you pretty much know he’s not gonna make it. Or maybe he will, but not without taking a bullet in the gut first just to psych you out. It’s not because he’s not a good guy – in fact he’s often the most genuinely decent, likeable character. It’s because life isn’t fair, and bad guys are only clearly bad if they hurt good people. And, like a bad boyfriend/girlfriend, the movie wants to hurt you so it can be the one to make you feel better. Continue reading…
Jean-Michel Van Schouwburg (“The Goblin”) and Katalin Ladik (“The Resurrected Witch”) from the intensely sonic, Berberian Sound Studio, offer a performance of their vocal talent with sound designer Pál Tóth (aka, én) in Budapest.
Who said it, James Joyce or Kool Keith?
On Pop Culture Happy Hour, Linda, Stephen and Chris share what pop culture makes them cry and why.
The Daily Dot interviews Cecil Baldwin, the voice of the eerie podcast, Welcome To Night Vale.
At Popshifter, Paul Casey looks at Blade Runner, Philip K. Dick’s Do Androids Dream of Electric Sheep, Janelle Monáe’s The Electric Lady and The Weeknd’s Kiss Land. “Where The Electric Lady is uplifting and empowering, the story of a righteous dissident fighting for every wronged being in existence, Kiss Land is from the other side. […]
Franz Liszt’s “Hungarian Rhapsody no. 2 in C Sharp Minor” in cartoons from black and white Mickey Mouse cartoons to Animaniacs. (Thanks, Mike!)
Actress Julie Harris has died. The Los Angeles Times remembers her. The Hollywood Reporter has an obituary. She appeared in countless film, television and stage roles. Here she is as Eleanor in The Haunting (1963) and as Betty in Harper (1966).
Dancers create music with prosthetic instruments.
Stephen Colbert talks about Daft Punk, among other things, on the Paul Mercurio Show: “Well, I’m beginning to see why they don’t do TV.”
Actress Karen Black has died. She’s best known to genre fans for her work in Trilogy Of Terror, but she also starred in Burnt Offerings, Airport 1975, Nashville, and Five Easy Pieces. The Vault of Horror remembers Black. The LA Times and New York Times have obituaries. And here is an interview with Black, conducted by […]
The Projection Booth has been busy, with a bunch of new podcasts up, including episodes dedicated to a documentary on Divine and “There She is,” a documentary about plus-sized beauty queens. Listen to them!
Kenneth Anger talks about making Lucifer Rising (1966): “I used a bit of deception to film it in Egypt. I said I was doing a documentary on ancient Egyptian beliefs and needed to film in the actual settings: in front of the Sphinx, at Karnak, along the Nile where you see beautiful ruined temples. The […]
Please view these pictures of Giant Mr. Darcy from Jane Austen’s Pride & Prejudice rising out of the Serpentine in Hyde Park while listening to this orchestral medley from the Godzilla soundtrack.
Actress, singer and swimming champion, Esther Williams has died. Williams starred in elaborate mid-Twentieth Century MGM musicals with water set-pieces. The New York Times and The Hollywood Reporter have obituaries. Here’s Williams’ segment in That’s Entertainment! (1974).
A gallery and some information about the British Teddy Girls of the 1950s. (Thanks, Keith!)
Less Lee Moore interviews Doc Hammer and Jackson Publick about The Venture Bros. “We started discussing how they work and what drives them and eventually got into the important stuff: Kajagoogoo concerts, whether or not Trent Reznor is a poseur, and Gary Numan.”
The Black Girl Nerds Podcast discusses Black girls and women in the Heavy Metal industry with author and journalist Laina Dawes and Ursula “She-Wolf” Parson from Hear Evil News.
Commander Chris Hadfield performs David Bowie’s “Space Oddity” in space.
Paul Williams, Nile Rodgers and Giorgio Moroder talk about their careers, music and working with Daft Punk. (via Daily Grindhouse)
At the School of Visual Art, Greil Marcus delivers a commencement speech discussing “high art” vs. “low art,” art, and influence. (Thanks, Andrew!)« go back — keep looking »