The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

A Monster Saved From Monster’s Ways

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As Romance Editor Chris Szego has often noted here at The Gutter, the theme of modern romance is that the hero can change. But what about sea mutants—can they change? In Jonathan Cases’s Dear Creature (Tor, 2011) a sea mutant falls in love with a human woman. It’s a beautifully-drawn and beautifully-written Shakespearean comedy with […]

a little bit of evil keeps you alive

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It’s inside you. If you’re talking about blood or cookies, that’s a good thing. You definitely want those inside you. If you’re talking about aliens or zombie viruses, not so much, right? Well, 99% of the time the answer is probably ‘Hell, no!’ but the other 1% makes it a much more interesting question than […]

“Uncanny Avengers, X-Men, Rick Remender, and Oppression Comix”

“[T]he X-Men are a lot of things to a lot of people, but one of the most important things they are—I’m talking top two, right after “sexy people with cool powers”—is an oppression metaphor. You cannot escape this. It is built into the X-Men’s DNA….The oppression metaphor is a vital piece of the engine that […]

Idie’s New Hair Cut

At Digital Femme Online, Cheryl Lynn thinks about Idie Okonkwo’s change from an afro to a pixie cut in Wolverine and the X-Men, and is sad that ” no other character is willing to address what is a glaring problem with this child in regards to her mutancy and her appearance is difficult to accept. […]

“Remember, You are the Future that Nobody Wanted!”

Professor Xavier answers all your questions about your changing body in The “What’s Happening to My Body?” Book for Mutants. (via Comics Alliance) Like this:Like Loading…

The False Consciousness of the X-Men

Matthew Yglesias says “Magneto Was Right”:  “The mutant pride message is a radical one. It’s too radical for those whose WASP male privilege in their non-mutant lives makes them instinctively want to identify with existing power structures. But a mutant who’s also a Jew, or a woman, or a racial minority, or has had blue […]

Dr. Roger Corman, Ph.D. x 2

On the occasion of Dr. Roger Corman, Ph.D. receiving his second honorary doctorate, PopcornBiz interviews the good doctor and looks back over Corman’s career in B-film.  Like this:Like Loading…

Chris Claremont, In Summary

Jason Powell looked at every issue of Chris Claremont’s run on the X-men. Every issue. (Sorry about the previously missing link). Like this:Like Loading…

Unlimited Fear, Limited Controls

Michael Thomson talks about the traps and dangers of survival horror and gaming: “There’s no limit to fear of the unknown, but as soon as an enemy is quantifiable the boundaries are drawn. Fear will eventually become supplanted with frustration or, worse, tedium.” Like this:Like Loading…

Saturday Morning Happy Hour

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Racial epithets. Topless women. Speeches interrupted by blowjobs. Steve Guttenberg. Doesn’t seem like fodder for a Saturday morning cartoon show. But in the late 80s the film Police Academy, which subjected viewers to such adult situations, spawned an animated series of the same name. Running for two seasons, the series featured the original franchise’s characters–Mahoney, […]

Where X-Men Have Gone Before

Wolverine snikkts at Spock!  Gladiator punches the Enterprise!  Star Trek/X-men is crazy!  Like this:Like Loading…

X-Men: Occult Heroes

Bully for The League of Paranatural Persons, aka, “Old Timey X-Men!” Like this:Like Loading…

How to Spoil a Game

In Sanitarium, you have a godlike view of the nuthouse.

You wake up in a centuries-old asylum. Your face is in bandages and your memory is in tatters, only coming back to you in black and white cinematic flashes. As you walk around and talk to people, you solve puzzles and unearth the mystery of your identity, travelling to different places that may only exist […]

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  • Of Note Elsewhere

    Actor, director, writer and artist Leonard Nimoy has died. Nimoy was most famous for playing Spock in Star Trek, but he also appeared in Invasion of the Body Snatchers (1978), In Search Of…, Ancient Mysteries, Columbo, Fringe, The Man from U.N.C.L.E., Faerie Tale Theatre, Mission: Impossible, Dragnet and Bonanza.  Nimoy directed Three Men And A Baby (1987), two Star Trek films and an episode of Night Gallery (“Death on a Barge”) among others. The New York Times and The Guardian have obituaries. Here are some tweets from William Shatner’s online memorial for Nimoy. George Takei remembers Nimoy. Zachary Quinto remembers Nimoy. EW also has other remembrances, including one from President Obama. Code Switch’s Steve Haruch discusses Spock’s importance as a biracial character. Nimoy talks about his work at the Archive of American Television. You can see some of Nimoy’s photography here. And a reminder that Nimoy had an Etsy shop.

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    At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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