The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

A Monster Saved From Monster’s Ways

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As Romance Editor Chris Szego has often noted here at The Gutter, the theme of modern romance is that the hero can change. But what about sea mutants—can they change? In Jonathan Cases’s Dear Creature (Tor, 2011) a sea mutant falls in love with a human woman. It’s a beautifully-drawn and beautifully-written Shakespearean comedy with […]

a little bit of evil keeps you alive

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It’s inside you. If you’re talking about blood or cookies, that’s a good thing. You definitely want those inside you. If you’re talking about aliens or zombie viruses, not so much, right? Well, 99% of the time the answer is probably ‘Hell, no!’ but the other 1% makes it a much more interesting question than […]

“Uncanny Avengers, X-Men, Rick Remender, and Oppression Comix”

“[T]he X-Men are a lot of things to a lot of people, but one of the most important things they are—I’m talking top two, right after “sexy people with cool powers”—is an oppression metaphor. You cannot escape this. It is built into the X-Men’s DNA….The oppression metaphor is a vital piece of the engine that […]

Idie’s New Hair Cut

At Digital Femme Online, Cheryl Lynn thinks about Idie Okonkwo’s change from an afro to a pixie cut in Wolverine and the X-Men, and is sad that ” no other character is willing to address what is a glaring problem with this child in regards to her mutancy and her appearance is difficult to accept. […]

“Remember, You are the Future that Nobody Wanted!”

Professor Xavier answers all your questions about your changing body in The “What’s Happening to My Body?” Book for Mutants. (via Comics Alliance) Like this:Like Loading…

The False Consciousness of the X-Men

Matthew Yglesias says “Magneto Was Right”:  “The mutant pride message is a radical one. It’s too radical for those whose WASP male privilege in their non-mutant lives makes them instinctively want to identify with existing power structures. But a mutant who’s also a Jew, or a woman, or a racial minority, or has had blue […]

Dr. Roger Corman, Ph.D. x 2

On the occasion of Dr. Roger Corman, Ph.D. receiving his second honorary doctorate, PopcornBiz interviews the good doctor and looks back over Corman’s career in B-film.  Like this:Like Loading…

Chris Claremont, In Summary

Jason Powell looked at every issue of Chris Claremont’s run on the X-men. Every issue. (Sorry about the previously missing link). Like this:Like Loading…

Unlimited Fear, Limited Controls

Michael Thomson talks about the traps and dangers of survival horror and gaming: “There’s no limit to fear of the unknown, but as soon as an enemy is quantifiable the boundaries are drawn. Fear will eventually become supplanted with frustration or, worse, tedium.” Like this:Like Loading…

Saturday Morning Happy Hour

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Racial epithets. Topless women. Speeches interrupted by blowjobs. Steve Guttenberg. Doesn’t seem like fodder for a Saturday morning cartoon show. But in the late 80s the film Police Academy, which subjected viewers to such adult situations, spawned an animated series of the same name. Running for two seasons, the series featured the original franchise’s characters–Mahoney, […]

Where X-Men Have Gone Before

Wolverine snikkts at Spock!  Gladiator punches the Enterprise!  Star Trek/X-men is crazy!  Like this:Like Loading…

X-Men: Occult Heroes

Bully for The League of Paranatural Persons, aka, “Old Timey X-Men!” Like this:Like Loading…

How to Spoil a Game

In Sanitarium, you have a godlike view of the nuthouse.

You wake up in a centuries-old asylum. Your face is in bandages and your memory is in tatters, only coming back to you in black and white cinematic flashes. As you walk around and talk to people, you solve puzzles and unearth the mystery of your identity, travelling to different places that may only exist […]

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  • Of Note Elsewhere

    The Paris Review shares some of cartoonist Roz Chast’s intriguingly painted Easter eggs. See more at her website.

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    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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