The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Nancy A. Collins’ Swamp Thing

Author Nancy A. Collins talks about writing Swamp Thing at Hasslein Blog.  The Den of Geek writes a paean to Nancy Collins’ al-too-brief run. “As the run progressed, it became evermore enchanting, tense, witty and imaginative (not to mention the fact that it produced the first ever comic to be released under DC’s mature Vertigo [...]

5 Questions for Nancy A. Collins

Women Writing the Weird editor Deb Hoag interviews writer Nancy A. Collins on Suvudu. “How could a young girl with a strong imagination stuck in a small rural town not end up fascinated with fantastic literature?”

Saga of the Swamp Things

man-thing 80.jpg

Alan Moore’s Saga of the Swamp Thing was my favorite comic in my younger, more gloomsome days. I probably liked it more than my other favorite comics at the time, Grant Morrison’s Doom Patrol and Neil Gaiman’s Sandman. But Swamp Thing wasn’t the only swamp monster in comics.

  • Of Note Elsewhere

    A video interview with the Batman of Brampton, Ontario, Canada.

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    “[O]n Saturday night, when you were probably enjoying the discothèque with the other sophisticates, it was finally on: Deadly Spa.” More Deadly Spa here. (via @bethlovesbolly)

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    Kate Elliott asks, “How much sex is too much sex in your science fiction and fantasy?” (Thanks, James!)

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    NPR’s Monkey See blog shares a look at Adventure Time. “Adventure Time insists on emotional honesty.” (via @profmdwhite)

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    Recent shenanigans The Cultural Gutter has been involved in: The lost Drive-In Mob Movie S.P.E.C.T.R.E. on Monster Island; a transcript of the Shaitani Dracula tweetalong organized by The Mysterious Order of the Skeleton Suit; and the ongoing Twitter game/story, “Tonight On Mad Men.”

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    At Vern Reviews The Films Of Cinema, Outlaw Vern offers “one Seagalologist’s perspective on the ‘vulgar auteurism’ debate”: “The practitioners are trying to bring recognition to artists who they think are marginalized, but they’re accidentally creating a ranking of ‘vulgar auteur’ beneath ‘actual auteur.’ And that also shines a spotlight on the idea’s most glaring weakness: even the most establishment of the critical establishment have always worshipped directors who were at some point considered lowbrow–Hitchcock, Fuller, Peckinpah, DePalma.”

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  • Spilling into Twitter

  • The Book!

    From ETC Press

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