The Cultural Gutter

unashamed geekery

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Forget the consequences, just get me
a sandwich

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Over the past several months I’ve been working my way through all of Pendleton Ward‘s Adventure Time, in part because it comes in 11 minute segments that are easy to squeeze into tiny cracks of spare time, but mostly because it’s awesome. There are lots of things to love about it – the humor, the weirdness, the […]

The Philosophy of Hayao Miyazaki

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A five page comic illustrating Hayao Miyazaki’s thoughts on good, evil and heroism. (Thanks, Paul!)

RIP, Iain Banks

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Writer Iain Banks has died. The Guardian has an obituary.  Neil Gaiman remembers Banks and the BBC gathers remembrances. Here, Banks talks with University Lecturer in Creative Writing Derek Neale.

Why Does Mars Need Women?

Diane Dooley writes about Mars’ need for women and ways to subvert it.

The Good Outnumber You: A Look at Heroism in Storytelling

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When I was a mere lad, I picked up a battered newsstand copy of Power Man and Iron Fist. I had grown up with superheroes in Spider-Man and His Amazing Friends, The Incredible Hulk, and The Herculoids on the television, but my comics reading prior to that issue of Power Man and Iron Fist was […]

Kurosawa Week At Trailers From Hell

This week Trailers from Hell celebrates the films of Akira Kurosawa. First up, director Brian Trenchard-Smith discusses Rashomon (1950) in just over the time it takes to play the trailer.

“Uncanny Avengers, X-Men, Rick Remender, and Oppression Comix”

“[T]he X-Men are a lot of things to a lot of people, but one of the most important things they are—I’m talking top two, right after “sexy people with cool powers”—is an oppression metaphor. You cannot escape this. It is built into the X-Men’s DNA….The oppression metaphor is a vital piece of the engine that […]

Catharsis denied: when fiery doom
is an anti-climax

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When I was about 12, my parents took me to see a stage version of Tolkien’s The Lord of the Rings performed with life-sized puppets. As Frodo was agonizing over pitching his precious ring into the fiery pit of Mount Doom, Sam, exhausted from the epic journey but determined to help his beloved friend, inched […]

Some superpowers are just useless enough to be real

astral projection

My best friend growing up had a theory about people claiming to have special abilities like ESP, levitation, or astral projection. She had a babysitter who claimed she could levitate, but only when she was alone. My friend’s theory wasn’t that these things were impossible, but that realistically they wouldn’t be very cool. She figured […]

Cinematic Narrative and the Ethics of Slaying Monsters

In 1988, I spent more hours of my life than I care to recall playing Zelda II: The Adventure of Link on my original 8-bit Nintendo. Combined with Ridley Scott’s Legend, Jim Henson’s The Dark Crystal, and Rob Reiner’s The Princess Bride, it gave me a soft spot for sword and sorcery. Playing Shadow of the […]

A History of Cinderella

Terry Windling recounts the history of the Ash Girl or Cinderella story from the 9th Century Yeh–hsien to the Disney film, Cinderella, based on Charles Perrault’s 1697 version.

LEGO: Battle of Maldon

LEGO Vikings attack in the animated “Battle of Maldon”, and with Old English subtitles. (Thanks, Kate Laity!)

Nothing Ape Is Strange To Me

I am Ape. Nothing Ape is strange to me.–Publius Terentius Afer (sort of) For what is there beautiful in man,-what, I pray you, worthy of admiration, or comely–unless that which, some poet has maintained, he possesses in common with the ape? –Arnobius I’m surrounded by a stack of comics and one illustrated novel all set […]

Get Lamp

A trailer for the documentary on text adventure games and their designers, Get Lamp.

“In Offence Re: Rape”

Mighty God King responds to game designer James Desborough’s essay, “In Defence of Rape.”

Jack Kirby’s Collage

Imprint Magazine puts Jack Kirby’s collage in an art history context.

“I said I liked it; I didn’t say I wanted to kiss it.”

At MovieMorlocks.com, Susan Doll shares her thoughts on film noir dialogue: “The volley of barbed wisecracks is not only an indicator of sexual attraction but also a substitute for sex in the era when the Production Code did not allow direct depictions or expressions of lust and desire.”

Master of Infinite Kung Fu

I always have trouble writing about comics that I think are good, just excellent and existing in their own seamless perfection, which means that here at the Gutter I don’t always write about the comics that I love most. I want to do credit to them and save them till I have more time. Sometimes, […]

What Changing An Ending Means

Becky Chambers breaks down the controversy around the ending of Mass Effect 3 in a spoiler-free, accessible and interesting article at The Mary-Sue.

10 Comics I Liked in 2011

It’s the beginning of January, cold and dark where I am. The critics are all putting out their best of year lists, and maybe you’re looking for something to read. So here’s my entry into annual lists: 10 comics I liked in 2011 that I haven’t written about. Well 9 comics I haven’t written about […]

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    “To celebrate the 25th anniversary of [Mystery Science Theater 3000]’s national debut, Wired presents an oral history of the greatest talk-back show ever made. It all begins in the late ’60s in rural Wisconsin, where there was this guy named Joel, not too different from you or me…” Read it here. (Thanks, Less Lee!)

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    The fashions of The Cosby Show are reviewed at Huxtable Hotness.

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    Over at Teleport City, Keith takes a look at live-action and animated adaptations of Takao Saito’s manga, Golgo 13.

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    Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here.

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    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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