I’m still thinking about willpower from my last article, and while it’s true that ‘stick-to-it-iveness’ (as my Grandma used to call it) is an important skill, it also really helps to know when to bail. Oddly, even though the desire to give up comes pretty naturally, deciding when you should actually do it doesn’t seem to. Watching the things that have made me and the people I care about unhappy in our lives over the years, I feel like learning how and when to walk away can’t be overrated. Continue reading…
Actor, producer and musician Efrem Zimbalist, Jr. has died. Zimbalist starred in the tv series FBI and 77 Sunset Strip. He had roles in Airport 1975 (1974) and Wait Until Dark (1967). He had recurring roles in Remington Steele and Babylyon 5. Zimbalist was the voice of Alfred in the Batman, Static Shock, Justice League […]
Comedian, actor and writer Sid Caesar has died. The New York Times and Variety have obituaries. Time has gathered clips of his work. The Archive of American Television has an interview with Caesar here.
Actress and singer Deanna Durbin has died. The Los Angeles Times and The Guardian have obituaries. Audie Cornish and Melissa Block remember Durbin on NPR. Here Deanna Durbin sings, “Good-Bye” in Because Of Him (1946)
North Korean haircuts acceptable to the Communist party, photographs of Madame Mao’s Cultural Revolution operas and ballet and songs dispelling Fascist threats and Communist lies. (via @WFMU and @HollyHunt913)
Tales from R. Kelly’s Trapped in the Closet told by actor Michael K. Williams and drawn by Kagan McLeod.
Computer & Spaceman is a French space opera performed in English about an astronaut who is really focused on cooking up aliens as hamburgers and yearns for space friends.
“The magic of childhood is the strangeness of childhood, the uniqueness that makes us see things that other people don’t see.” “I’m just clearing the decks for a simple death. You’re done with your work. You’re done with your life. And your life was your work.” –Maurice Sendak, TateShots: Maurice Sendak and Tell Them Anything […]
Sometimes life is uncooperative. The consequences extend from our highest functions to the lowest corners of the cultural gutter. Here, friends, is the result of my non-compliant life situation: a list of things that make me think of other things, loosely organized around the theme of absurd horror-comedies! I’ll start with Tucker and Dale vs. […]
At NPR’s classical music blog, Deceptive Cadence, Tom Huizenga discusses the results of a poll asking readers to “name their musical blind spot.” Over and over, people disliked rap and opera and Huizenga ponders why that might be and what rap and opera might have in common: “Opera and rap take work to appreciate — […]
Ennio Morricone conducts and soprano Susanna Rigacci solos on themes from three Sergio Leone Westerns: Once Upon A Time In The West, A Fistful of Dynamite and The Good, The Bad, The Ugly–including, “The Ecstasy of Gold.”
Robots are replacing human tenors and divas. It is Robot Opera and the robot apocalypse is nigh!
For all his various meanings, attributes and forms, the hero of a Romance novel is really just the male protagonist. He can be heroic in nature, of course, and he often is, but it isn’t required. Sometimes the actual heroism, should there be any, falls to the heroine. And sometimes it falls to the writer.
Klingon opera has finally happened. Get an earful at Cinematical. (The musical part begins at about 2:15).
Cecil Castellucci, Minx comic artist and Canadian nerdcore icon, has cut the middle brow out with her fusion of low and high art, the comics opera, Les Aventures de Madame Merveille. See it in Montreal with art from Pascal Girard, Michael Cho, Scott Hepburn and Cameron Stewart.
Decade by decade, the Movie Morlocks look at 100 years of cinematic horror, starting with the 1910 silent, Frankenstein.
“It’s nice to hear all the old songs, isn’t it?”–the Devil, The Black Rider I was surprised to hear the old songs in Alan Moore and Kevin O’Neill’s The League of Extraordinary Gentlemen Century: 1910 (Top Shelf, 2009). I probably shouldn’t have been. The chapter title, “What Keeps Mankind Alive” distracted me, but I kept […]
This week’s piece on a maligned artform is by Chris Szego. I read, on average, ten books a week. Seriously. In fact, I consider reading a physiological necessity like sleep, or chocolate: you can skimp on the proper amount for a while, but sooner or later, you have to get enough, and in the meantime, […]