The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Interview with Jim Jarmusch

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At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer […]

RIP, Efrem Zimbalist, Jr.

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Actor, producer and musician Efrem Zimbalist, Jr. has died. Zimbalist starred in the tv series FBI and 77 Sunset Strip. He had roles in Airport 1975 (1974) and Wait Until Dark  (1967). He had recurring roles in Remington Steele and Babylyon 5.  Zimbalist was the voice of Alfred in the Batman, Static Shock,  Justice League […]

RIP, Sid Caesar

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Comedian, actor and writer Sid Caesar has died. The New York Times and Variety have obituaries. Time has gathered clips of his work. The Archive of American Television has an interview with Caesar here. Like this:Like Loading…

RIP, Deanna Durbin

Actress and singer Deanna Durbin has died. The Los Angeles Times and The Guardian have obituaries. Audie Cornish and Melissa Block remember Durbin on NPR.  Here Deanna Durbin sings, “Good-Bye” in Because Of  Him (1946) Like this:Like Loading…

The Glorious Struggle!

North Korean haircuts acceptable to the Communist party, photographs of Madame Mao’s Cultural Revolution operas and ballet and songs dispelling Fascist threats and Communist lies. (via @WFMU and @HollyHunt913) Like this:Like Loading…

Weird R. Kelly Tales

Tales from R. Kelly’s Trapped in the Closet told by actor Michael K. Williams and drawn by Kagan McLeod. Like this:Like Loading…

Computer & Spaceman: A True Space Opera

Computer & Spaceman is a French space opera performed in English about an astronaut who is really focused on cooking up aliens as hamburgers and yearns for space friends.   Like this:Like Loading…

Maurice Sendak and the Strange Wild Things of My Childhood

“The magic of childhood is the strangeness of childhood, the uniqueness that makes us see things that other people don’t see.” “I’m just clearing the decks for a simple death. You’re done with your work. You’re done with your life. And your life was your work.” –Maurice Sendak, TateShots: Maurice Sendak and Tell Them Anything […]

When to start laughing: Homicidal hillbillies and absurd horror-comedies

Sometimes life is uncooperative. The consequences extend from our highest functions to the lowest corners of the cultural gutter. Here, friends, is the result of my non-compliant life situation: a list of things that make me think of other things, loosely organized around the theme of absurd horror-comedies! I’ll start with Tucker and Dale vs. […]

“Why Do People Hate Rap and Opera?”

At NPR’s classical music blog, Deceptive Cadence, Tom Huizenga discusses the results of a poll asking readers to “name their musical blind spot.” Over and over, people disliked rap and opera  and Huizenga ponders why that might be and what rap and opera might have in common: “Opera and rap take work to appreciate — […]

Ennio Morricone Conducts

Ennio Morricone conducts and soprano Susanna Rigacci solos on themes from three Sergio Leone Westerns:  Once Upon A Time In The West, A Fistful of Dynamite and The Good, The Bad, The Ugly–including, “The Ecstasy of Gold.” Like this:Like Loading…

Robot Opera!

Robots are replacing human tenors and divas.  It is Robot Opera and the robot apocalypse is nigh! Like this:Like Loading…

Big Damn Heroes

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For all his various meanings, attributes and forms, the hero of a Romance novel is really just the male protagonist.  He can be heroic in nature, of course, and he often is, but it isn’t required. Sometimes the actual heroism, should there be any, falls to the heroine.  And sometimes it falls to the writer. […]

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Klingon opera has finally happened. Get an earful at Cinematical. (The musical part begins at about 2:15). Like this:Like Loading…

Les Aventures de Madame Merveille

Cecil Castellucci, Minx comic artist and Canadian nerdcore icon, has cut the middle brow out with her fusion of low and high art, the comics opera,  Les Aventures de Madame Merveille.  See it in Montreal with art from Pascal Girard, Michael Cho, Scott Hepburn and Cameron Stewart. Like this:Like Loading…

A Century of Cinematic Horror

Decade by decade, the Movie Morlocks look at 100 years of cinematic horror, starting with the 1910 silent, Frankenstein. Like this:Like Loading…

Alan Moore Knows The Score

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“It’s nice to hear all the old songs, isn’t it?”–the Devil, The Black Rider I was surprised to hear the old songs in Alan Moore and Kevin O’Neill’s The League of Extraordinary Gentlemen Century: 1910 (Top Shelf, 2009). I probably shouldn’t have been. The chapter title, “What Keeps Mankind Alive” distracted me, but I kept […]

Romance Done Right

Battered and beloved.

This week’s piece on a maligned artform is by Chris Szego. I read, on average, ten books a week. Seriously. In fact, I consider reading a physiological necessity like sleep, or chocolate: you can skimp on the proper amount for a while, but sooner or later, you have to get enough, and in the meantime, […]

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  • Of Note Elsewhere

    Actor, director, writer and artist Leonard Nimoy has died. Nimoy was most famous for playing Spock in Star Trek, but he also appeared in Invasion of the Body Snatchers (1978), In Search Of…, Ancient Mysteries, Columbo, Fringe, The Man from U.N.C.L.E., Faerie Tale Theatre, Mission: Impossible, Dragnet and Bonanza.  Nimoy directed Three Men And A Baby (1987), two Star Trek films and an episode of Night Gallery (“Death on a Barge”) among others. The New York Times and The Guardian have obituaries. Here are some tweets from William Shatner’s online memorial for Nimoy. George Takei remembers Nimoy. Zachary Quinto remembers Nimoy. EW also has other remembrances, including one from President Obama. Code Switch’s Steve Haruch discusses Spock’s importance as a biracial character. Nimoy talks about his work at the Archive of American Television. You can see some of Nimoy’s photography here. And a reminder that Nimoy had an Etsy shop.

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    At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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