The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Efrem Zimbalist, Jr.

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Actor, producer and musician Efrem Zimbalist, Jr. has died. Zimbalist starred in the tv series FBI and 77 Sunset Strip. He had roles in Airport 1975 (1974) and Wait Until Dark  (1967). He had recurring roles in Remington Steele and Babylyon 5.  Zimbalist was the voice of Alfred in the Batman, Static Shock,  Justice League […]

RIP, Sid Caesar

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Comedian, actor and writer Sid Caesar has died. The New York Times and Variety have obituaries. Time has gathered clips of his work. The Archive of American Television has an interview with Caesar here.

RIP, Deanna Durbin

Actress and singer Deanna Durbin has died. The Los Angeles Times and The Guardian have obituaries. Audie Cornish and Melissa Block remember Durbin on NPR.  Here Deanna Durbin sings, “Good-Bye” in Because Of  Him (1946)

The Glorious Struggle!

North Korean haircuts acceptable to the Communist party, photographs of Madame Mao’s Cultural Revolution operas and ballet and songs dispelling Fascist threats and Communist lies. (via @WFMU and @HollyHunt913)

Weird R. Kelly Tales

Tales from R. Kelly’s Trapped in the Closet told by actor Michael K. Williams and drawn by Kagan McLeod.

Computer & Spaceman: A True Space Opera

Computer & Spaceman is a French space opera performed in English about an astronaut who is really focused on cooking up aliens as hamburgers and yearns for space friends.  

Maurice Sendak and the Strange Wild Things of My Childhood

“The magic of childhood is the strangeness of childhood, the uniqueness that makes us see things that other people don’t see.” “I’m just clearing the decks for a simple death. You’re done with your work. You’re done with your life. And your life was your work.” –Maurice Sendak, TateShots: Maurice Sendak and Tell Them Anything […]

When to start laughing: Homicidal hillbillies and absurd horror-comedies

Sometimes life is uncooperative. The consequences extend from our highest functions to the lowest corners of the cultural gutter. Here, friends, is the result of my non-compliant life situation: a list of things that make me think of other things, loosely organized around the theme of absurd horror-comedies! I’ll start with Tucker and Dale vs. […]

“Why Do People Hate Rap and Opera?”

At NPR’s classical music blog, Deceptive Cadence, Tom Huizenga discusses the results of a poll asking readers to “name their musical blind spot.” Over and over, people disliked rap and opera  and Huizenga ponders why that might be and what rap and opera might have in common: “Opera and rap take work to appreciate — […]

Ennio Morricone Conducts

Ennio Morricone conducts and soprano Susanna Rigacci solos on themes from three Sergio Leone Westerns:  Once Upon A Time In The West, A Fistful of Dynamite and The Good, The Bad, The Ugly–including, “The Ecstasy of Gold.”

Robot Opera!

Robots are replacing human tenors and divas.  It is Robot Opera and the robot apocalypse is nigh!

Big Damn Heroes

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For all his various meanings, attributes and forms, the hero of a Romance novel is really just the male protagonist.  He can be heroic in nature, of course, and he often is, but it isn’t required.  Sometimes the actual heroism, should there be any, falls to the heroine.  And sometimes it falls to the writer.

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Klingon opera has finally happened. Get an earful at Cinematical. (The musical part begins at about 2:15).

Les Aventures de Madame Merveille

Cecil Castellucci, Minx comic artist and Canadian nerdcore icon, has cut the middle brow out with her fusion of low and high art, the comics opera,  Les Aventures de Madame Merveille.  See it in Montreal with art from Pascal Girard, Michael Cho, Scott Hepburn and Cameron Stewart.

A Century of Cinematic Horror

Decade by decade, the Movie Morlocks look at 100 years of cinematic horror, starting with the 1910 silent, Frankenstein.

Alan Moore Knows The Score

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“It’s nice to hear all the old songs, isn’t it?”–the Devil, The Black Rider I was surprised to hear the old songs in Alan Moore and Kevin O’Neill’s The League of Extraordinary Gentlemen Century: 1910 (Top Shelf, 2009). I probably shouldn’t have been. The chapter title, “What Keeps Mankind Alive” distracted me, but I kept […]

Romance Done Right

Battered and beloved.

This week’s piece on a maligned artform is by Chris Szego. I read, on average, ten books a week. Seriously. In fact, I consider reading a physiological necessity like sleep, or chocolate: you can skimp on the proper amount for a while, but sooner or later, you have to get enough, and in the meantime, […]

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  • Of Note Elsewhere

    At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”

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    Jenn Frank writes about horror, games, “Tropes vs Women In Video Games” and “consuming media responsibly”: “I think what I’m getting at is, especially with the horror genre, it’s less important what a movie says and more important that you, the viewer, understand why you’re enjoying it. I believe in judicious self-awareness; a director like Nicolas Winding Refn knows exactly why he makes the directorial choices he makes, and he works those kinks right out onscreen.

    Or, if you aren’t enjoying a piece of work—if ultraviolence isn’t your thing, or if you’re suffering a visceral reaction—it’s every bit as important that you identify what about the piece is making you uncomfortable.”

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    In  Tropes vs. Women in Video Games, “Women As Background Decoration: Part 2,” Anita Sarkeesian discusses “how sexualized female bodies often occupy a dual role as both sexual playthings and the perpetual victims of male violence.” It is quite graphic in terms of violence and sexual violence.

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    Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).

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    Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they become available).

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    The Guardian has collected some responses Haruki Murakami gave to reader questions at the Edinburgh International Book Festival. “I don’t have any idea at all, when I start writing, of what is to come. For instance, for The Wind-Up Bird Chronicle, the first thing I had was the call of the bird, because I heard a bird in my back yard (it was the first time I heard that kind of sound and I never have since then. I felt like it was predicting something. So I wanted to write about it). The next thing was cooking spaghetti – these are things that happen to me! I was cooking spaghetti, and somebody call. So I had just these two things at the start. Two years I kept on writing. It’s fun! I don’t know what’s going to happen next, every day. I get up, go to the desk, switch on the computer, etc. and say to myself: ‘so what’s going to happen today?’ It’s fun!”

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