The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Sid Caesar

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Comedian, actor and writer Sid Caesar has died. The New York Times and Variety have obituaries. Time has gathered clips of his work. The Archive of American Television has an interview with Caesar here.

RIP, Deanna Durbin

Actress and singer Deanna Durbin has died. The Los Angeles Times and The Guardian have obituaries. Audie Cornish and Melissa Block remember Durbin on NPR.  Here Deanna Durbin sings, “Good-Bye” in Because Of  Him (1946)

The Glorious Struggle!

North Korean haircuts acceptable to the Communist party, photographs of Madame Mao’s Cultural Revolution operas and ballet and songs dispelling Fascist threats and Communist lies. (via @WFMU and @HollyHunt913)

Weird R. Kelly Tales

Tales from R. Kelly’s Trapped in the Closet told by actor Michael K. Williams and drawn by Kagan McLeod.

Computer & Spaceman: A True Space Opera

Computer & Spaceman is a French space opera performed in English about an astronaut who is really focused on cooking up aliens as hamburgers and yearns for space friends.  

Maurice Sendak and the Strange Wild Things of My Childhood

“The magic of childhood is the strangeness of childhood, the uniqueness that makes us see things that other people don’t see.” “I’m just clearing the decks for a simple death. You’re done with your work. You’re done with your life. And your life was your work.” –Maurice Sendak, TateShots: Maurice Sendak and Tell Them Anything […]

When to start laughing: Homicidal hillbillies and absurd horror-comedies

Sometimes life is uncooperative. The consequences extend from our highest functions to the lowest corners of the cultural gutter. Here, friends, is the result of my non-compliant life situation: a list of things that make me think of other things, loosely organized around the theme of absurd horror-comedies! I’ll start with Tucker and Dale vs. […]

“Why Do People Hate Rap and Opera?”

At NPR’s classical music blog, Deceptive Cadence, Tom Huizenga discusses the results of a poll asking readers to “name their musical blind spot.” Over and over, people disliked rap and opera  and Huizenga ponders why that might be and what rap and opera might have in common: “Opera and rap take work to appreciate — […]

Ennio Morricone Conducts

Ennio Morricone conducts and soprano Susanna Rigacci solos on themes from three Sergio Leone Westerns:  Once Upon A Time In The West, A Fistful of Dynamite and The Good, The Bad, The Ugly–including, “The Ecstasy of Gold.”

Robot Opera!

Robots are replacing human tenors and divas.  It is Robot Opera and the robot apocalypse is nigh!

Big Damn Heroes

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For all his various meanings, attributes and forms, the hero of a Romance novel is really just the male protagonist.  He can be heroic in nature, of course, and he often is, but it isn’t required.  Sometimes the actual heroism, should there be any, falls to the heroine.  And sometimes it falls to the writer.

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Klingon opera has finally happened. Get an earful at Cinematical. (The musical part begins at about 2:15).

Les Aventures de Madame Merveille

Cecil Castellucci, Minx comic artist and Canadian nerdcore icon, has cut the middle brow out with her fusion of low and high art, the comics opera,  Les Aventures de Madame Merveille.  See it in Montreal with art from Pascal Girard, Michael Cho, Scott Hepburn and Cameron Stewart.

A Century of Cinematic Horror

Decade by decade, the Movie Morlocks look at 100 years of cinematic horror, starting with the 1910 silent, Frankenstein.

Alan Moore Knows The Score

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“It’s nice to hear all the old songs, isn’t it?”–the Devil, The Black Rider I was surprised to hear the old songs in Alan Moore and Kevin O’Neill’s The League of Extraordinary Gentlemen Century: 1910 (Top Shelf, 2009). I probably shouldn’t have been. The chapter title, “What Keeps Mankind Alive” distracted me, but I kept […]

Romance Done Right

Battered and beloved.

This week’s piece on a maligned artform is by Chris Szego. I read, on average, ten books a week. Seriously. In fact, I consider reading a physiological necessity like sleep, or chocolate: you can skimp on the proper amount for a while, but sooner or later, you have to get enough, and in the meantime, […]

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  • Of Note Elsewhere

    Friend of the Gutter, Todd from Die, Danger, Die, Die, Kill! joins the Pop Offensive to share two hours of fine global pop. Listen here.

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    At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a very small sliver of that particular Venn diagram) know better than to reject the notion out of hand.” (via @kalaity)

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    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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