The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“I Love Superheroes But They Don’t Love Me”

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At Feminist Sonar, Elsa writes about the representation of disability and superhero comics and movies. “Some days I wonder if I take things like this too personally, but honestly, in a world where Hawkeye was once Deaf but is now hearing, in a culture where Oracle has been returned to her walking self and is […]

Thinking about Gail Simone’s Batgirl

Adam Bateham wrote a response to Gail Simone’s dismissal from Batgirl and his feelings about the character: “[Simone] ‘got it.’ She didn’t use Batgirl’s inability to walk as a cheap plot point. Simone wrote a character that struggled to move forward because she was weighed down from years of hurt, unfairness, and frustration. A character determined […]

Good-bye, Oracle. Hello, Batgirl.

Comics Alliance says good-bye to Barbara Gordon as Oracle and hello her as Batgirl in the DC relaunch, with some nice art by Phil Noto. Like this:Like Loading…

“Batgirl! The Secret Origin”

In a guest post at DCWomenKickingAss, former DC Comics’ editor and writer Scott Peterson discusses the secret origin of Batgirl! Like this:Like Loading…

Good-Bye, Oracle–Hello, Batgirl

As part of its massive “reboot,” DC Comics will make Barbara Gordon Batgirl again. This means, though that her 20 year history as Oracle, peerless hacker and information broker with an eidetic memory, leader of The Birds of Prey and one of the few examples of a differently-abled hero in comics, is gone.  Some readers […]

Gail Simone Interviews John Ostrander

“When I first wrote Villains United, I was eager to have my chance to write one of the coolest characters in the DCU, Deadshot.   I knew full well, like a lot of writers before me, that John [Ostrander] was THE Deadshot writer, and I knew if I had the chance, I would do whatever I […]

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  • Of Note Elsewhere

    In “The Marvel-Industrial Complex” James Rocchi has some thoughts about Disney’s Marvel movies–and some things to say in response to the responses to his essay. “In the ’80s, Spiderman told me that with great power comes great responsibility; Marvel Studios, via Disney, has money and power both, and we’ve given it to them; as consumers and critics, longtime fans and new arrivals, it’s now our responsibility to look at what that truly means and says about the Marvel movies, and why we watch them.”  (Thanks, Less Lee!)

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    “sometimes, we all get down

    sometimes, we all need to do something nice for ourselves

    sometimes, we all need to play dungeons and dragons with action star vin diesel.”

    Click here for the download. (via @popshifter)

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    Make-up artist Lucia Pittalis transforms herself into Rambo, Walter White, Bette Davis, Iggy Pop and many more.

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    There is a gallery of Patrick Dougherty’s woven “Stickwork” installations in Salem, MA at Odd Things I’ve Seen. In a similar vein, you can see some of Joshua Walsh’s art and design for True Detective season 1.

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    This week, our friends at The Projection Booth discuss “George Lucas’s Star Wars (AKA Star Wars Episode IV: A New Hope), the sci-fi film from 1977 that has been rendered unavailable in its original form due to its creator’s tampering.”

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    Speakeasy Radio hosted an tweetalong of The Company Of Wolves followed by a short podcast where Prof. Kate Laity, Ms. Angela Englert and the Gutter’s own Carol discuss the film, author Angela Carter and werewolves. Listen to the episode of Speakeasy Radio here and see all the tweets here.

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