The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Thinking about Gail Simone’s Batgirl

Adam Bateham wrote a response to Gail Simone’s dismissal from Batgirl and his feelings about the character: “[Simone] ‘got it.’ She didn’t use Batgirl’s inability to walk as a cheap plot point. Simone wrote a character that struggled to move forward because she was weighed down from years of hurt, unfairness, and frustration. A character determined […]

Good-bye, Oracle. Hello, Batgirl.

Comics Alliance says good-bye to Barbara Gordon as Oracle and hello her as Batgirl in the DC relaunch, with some nice art by Phil Noto.

“Batgirl! The Secret Origin”

In a guest post at DCWomenKickingAss, former DC Comics’ editor and writer Scott Peterson discusses the secret origin of Batgirl!

Good-Bye, Oracle–Hello, Batgirl

As part of its massive “reboot,” DC Comics will make Barbara Gordon Batgirl again. This means, though that her 20 year history as Oracle, peerless hacker and information broker with an eidetic memory, leader of The Birds of Prey and one of the few examples of a differently-abled hero in comics, is gone.  Some readers […]

Gail Simone Interviews John Ostrander

“When I first wrote Villains United, I was eager to have my chance to write one of the coolest characters in the DCU, Deadshot.   I knew full well, like a lot of writers before me, that John [Ostrander] was THE Deadshot writer, and I knew if I had the chance, I would do whatever I […]

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  • Of Note Elsewhere

    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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    Al-Jazeera America profiles John Pirozzi’s Don’t Think I’ve Forgotten, a documentary about Cambodian rock’n’roll and musicians who survived the Khmer Rouge. “Until 1975, music thrived in Phnom Penh, with clubs full night after night, crowds gathering in the streets around transistor radios to hear the latest releases, and the biggest stars being feted by the king. Enter the Khmer Rouge, communism and the war on intellectuals. Between 1975 and 1979, about 2 million Cambodians, roughly a third of the population, were rounded up and either were killed or died of starvation. Artists were particularly disliked by the Khmer Rouge, which saw creativity as decadence: Almost all of the biggest names perished during that era.”

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