The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Philippe Druillet’s Necronomicon

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A gallery of pages from Philippe Druillet’s Nccronomicon. (Via elmatpe and thanks, Steven!)

RIP, Stan Goldberg

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Comic Artist Stan Goldberg has died. Best known for his work on Archie Comics, Goldberg also worked for Marvel and DC. He drew romance comics including Patsy Walker and Millie the Model. He worked on Archie Meets The Punisher. And recently he drew Nancy Drew and the Clue Drew.  Comic Book Resources, The Comics Beat […]

“Steve Ditko Out Of This World Megapost”

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Celebrate comics artist and creator Steve Ditko’s birthday with this gallery of his work for <i>Out Of This World</i>.

A History of Codex Seraphinianus

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Abe Books has a look inside Codex Seraphinianus, as well as some of its publication history. Dangerous Minds interviews publisher, Charles Miers.

Metropolis Magazine

Program pages for Fritz Lang’s Metropolis depicting “Scenes, Story and Incidents in the Making of the World’s Greatest Modern Spectacular Film Masterpiece[.]”

Simple J. Malarkey by Walt Kelly

A complete 1953 Pogo storyline featuring, “Simple J. Malarkey,” Walt Kelly’s stand-in for Sen. Joseph R. McCarthy. (via MightyGodKing–click through for more about Pogo and the Red Scare).

Muckey Spleen’s The Bloody Drip

Walt Kelly presents Pogo‘s Albert Alligator in Muckey Spleen’s The Bloody Drip,  “a Publication of the New National Treasury of World Culture.”

NIRO

Cameron Stewart has posted a preview of his upcoming, self-published comic, NIRO. See the pretty here.

Framing Stan Lee

Some pretty sweet portraiture by Joel Kimmel for “The Inquisition of Ms. Marvel.”

Scans of Man Gataro’s Art

Pages from comic artist/mangaka Man Gataro’s Jigoku Koshien / Battlefield Baseball, vol. 2 at The Joseph Luster Report.

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  • Of Note Elsewhere

    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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    The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it has been part of us since ages long past.”

    ~

    Remezcla has a gallery of Lourdes Grobet’s portraits of luchadores with their families and a bit of an interview with her. (Yes, the luchadores are in their masks and often wearing suits or casual wear, which is the best thing). (Thanks, Matt!) “Father and warrior, the masked wrestler is the perfect metaphor for the duality that Grobet’s photography wants to depict. Her work is resonant because she doesn’t try to demolish the myths that envelop lucha libre – she simply nurtures and expands them in an offbeat way.”

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    At Autostraddle, Heather Hogan has “a Recap of Jem and the Holograms’ Truly Outrageous Lesbianism.” (Thanks, Sara Century!) “If you are a woman over the age of 30, I have some information that is going to send you cartwheeling back to 1987 to high five your young self and shout “We knew it! We knew it!” right in your own tiny gay face: Stormer and Kimber from Jem are truly, outrageously, canonically queer….This is good news. Great news. But it’s not really news news. Of course Stormer and Kimber are gay. They’ve been in love since 1987!”

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