The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Prithviraj Kapoor Is Alexander The Great

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At Beth Loves Bollywood, Beth watches Sikandar, a 1941 Hindi-language, sword and sandals movie in which Alexander the Great’s army sings these words as they march on Hindustan: “Life exists because of love, so let it be spent in love.” Like this:Like Loading…

“This Land Is Mine”

Animator of Sita Sings The Blues, Nina Paley, has a new short, “This Land Is Mine,” concerning, “a brief history of the land called Israel/Palestine/Canaan/the Levant” set to, “This Land Is Mine” sung by Andy Williams. (Via Cartoon Brew) Like this:Like Loading…

Jack Kirby’s Collage

Imprint Magazine puts Jack Kirby’s collage in an art history context. Like this:Like Loading…

Timely Post: Frank Miller’s Hot Gates

In 2007, Comics Editor Carol wrote a piece about Frank Miller’s 300. As part of experimenting with ways to make timely content from our archives more available, we’re linking to “Frank Miller’s Hot Gates” here in the Notes. Like this:Like Loading…

Disney Princesses in Period Dress

Illustrator Claire Hummel reinterprets Disney princess costumes to make them more historically accurate. (via The Bookshelves of Lesser Doom) Like this:Like Loading…

The Cat and the Coup

In The Cat and the Coup you are a cat, specifically Mohammed Mossadegh’s cat.  Who was he?  The first democratically elected Prime Minister of Iran who was overthrown in a CIA-funded coup .  The game looks like Persian miniatures. It has music by Nine Inch Nails.  And it’s free.  See the trailer here.  (Via PC […]

Another Interview with Ray Harryhausen

The BBC has a nice interview with Ray Harryhausen, Stop-Motion and SFX Overlord! Like this:Like Loading…

First Second’s Prince of Persia

Jog writes a meditation about time, movement and water in Prince of Persia, the game and graphic novel. It’s nice. You might like it. Like this:Like Loading…

Space To Move

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The same week that I walked over to the rep theater to see Persepolis. I watched the straight-to-DVD Justice League: The New Frontier. And, yes, it’s probably wrong to write about The New Frontier within pixels of Persepolis, even if they’re both comics that became animated movies with very different results. Like this:Like Loading…

Harryhausen Creatures

Do you miss the days of dynamation? Stopmotion skeletons and Selenites? Mighty Joe Young and the Minoton? Chinese Jet Pilots has a Ray Harryhausen Creature List with clips of nearly every creature Harryhausen made. There’s also a link to some nice stopmotion footage. Check out the beetlemen by the lesser known but still swell, Pete […]

Frank Miller’s Hot Gates

Only the hard. Only the strong.

A feeling’s been gnawing deep inside me for a while. A feeling that maybe Frank Miller’s hypermasculine antiheros and faceless, breast-thrusting women are exactly what they seem, not just sketchy parody. After reading 300, Miller’s 1998 account of the Spartans at Thermopylae, I don’t have any doubt: Miller means it. His aesthetic is fascist. Like […]

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  • Of Note Elsewhere

    At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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    Alex Deuben interviews artist Nate Powell about the second volume of The March and working with Rep. John Lewis and Andrew Aydin. “We are taught — and we tend to perpetuate this myth — that the Civil Rights Movement was nine words long: ‘Rosa Parks, Martin Luther King, I Have a Dream.’ I think what you’re saying really backs up that notion. In terms of John Lewis’ personal journey, ‘Book Two’ is certainly a deepening of discovery and involvement. Not just a worldview broadening, but becoming much more personally aware of the counter-escalation to any progress that the Movement made.”

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