The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

PKD and PW

Peter Watts writes up a few thoughts on the new Philip K. Dick collection, Exegesis: “Exegesis is a little like a year’s supply of pub dates with some crazy dude in Klingon getup whose rants verge just a bit too close to brilliance to let you write him off completely.” Like this:Like Loading…

Curious about The Thing remake?

Peter Watts has an interest in the remake of The Thing (see here for why), and he has some entertaining things to say: “For one thing, there are just too many similarities between the two films for me to accept that this is truly a prequel and not just a remake. This goes beyond the […]

Writerly Wedding Vows

Writers Peter Watts and Caitlin Sweet got hitched and provide a copy of their unconventional yet strangely moving wedding vows. Hers: “They’re the very things that I fell for, even before you made an x-rated cephalopod reference on a rooftop patio.” His: “And you and I are going to kick biological determinism in the balls.” Worth reading […]

The Hierarchy of Contempt, Reality TV Edition

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Since April is our wacky month, I decided to venture far afield, basically into the scariest minefield of cultural contempt that I can think of: reality TV. Like this:Like Loading…

Peter Watts’ The Thing

Peter Watts retells The Thing from the Thing’s point of view. Read it yourself or listen to an audio version of his version. Like this:Like Loading…

Thing One and Thing Two

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The Thing is coming for you! But you don’t know which one of your friends is The Thing! Paranoia… gore… body horror… and all of the above recently retold from The Thing’s point of view. Like this:Like Loading…

That’s a Wrap

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I enjoy this time of year. Partly because I work in retail, and the week between Christmas and New Year’s Eve is a kind of gift: festive and fun, and landing somewhere between the insanity of December and the dead quiet of January. But also because I get a kick out of all the lists […]

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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