The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

PKD and PW

Peter Watts writes up a few thoughts on the new Philip K. Dick collection, Exegesis: “Exegesis is a little like a year’s supply of pub dates with some crazy dude in Klingon getup whose rants verge just a bit too close to brilliance to let you write him off completely.”

Curious about The Thing remake?

Peter Watts has an interest in the remake of The Thing (see here for why), and he has some entertaining things to say: “For one thing, there are just too many similarities between the two films for me to accept that this is truly a prequel and not just a remake. This goes beyond the […]

Writerly Wedding Vows

Writers Peter Watts and Caitlin Sweet got hitched and provide a copy of their unconventional yet strangely moving wedding vows. Hers: “They’re the very things that I fell for, even before you made an x-rated cephalopod reference on a rooftop patio.” His: “And you and I are going to kick biological determinism in the balls.” Worth reading […]

The Hierarchy of Contempt, Reality TV Edition

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Since April is our wacky month, I decided to venture far afield, basically into the scariest minefield of cultural contempt that I can think of: reality TV.

Peter Watts’ The Thing

Peter Watts retells The Thing from the Thing’s point of view. Read it yourself or listen to an audio version of his version.

Thing One and Thing Two

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The Thing is coming for you! But you don’t know which one of your friends is The Thing! Paranoia… gore… body horror… and all of the above recently retold from The Thing’s point of view.

That’s a Wrap

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I enjoy this time of year. Partly because I work in retail, and the week between Christmas and New Year’s Eve is a kind of gift: festive and fun, and landing somewhere between the insanity of December and the dead quiet of January. But also because I get a kick out of all the lists […]

The New Frankenstein

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Frankenstein was probably scary at one point, but the whole story has been worn down by repetition, robbed of its power and relegated to status as not much more than a pop culture gag. What would it take to resuscitate the cautionary note in the tale of a scientist? After looking at Scott Bakker’s terrifying […]

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  • Of Note Elsewhere

    Three articles on the end of “gamer” as an identity, on the end of gatekeeping and the end of gaming culture: Leigh Alexander at Gamasutra; Dr. Nerdlove; and Dan Golding. “And the sad thing is: nobody’s trying to destroy games.

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    The Gutter’s own Keith writes about The Gangs of Wasseypur for Teleport City. “But more than that, Gangs of Wasseypur isn’t a potential Bollywood cross-over hit because it isn’t a Bollywood film. If anything, it is the antithesis of a Bollywood movie….Gangs of Wasseypur dwells in the spaces Bollywood does not want to show. The mines, the scrap yards, the slums, perhaps most fittingly an abattoir streaked with grime and blood and offal (not all of it from slaughtered animals). Rather than being a slick fantasy world, Wasseypur takes place in a world that screams, ‘No one gets out of here alive.’”

    And The Times of India writes about the real life gangs of Wasseypur here.

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    A gallery of Fan Ho’s photos of Hong Kong from the book, Fan Ho: A Hong Kong Memoir. (Thanks, Clarice!)

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    A gallery of Medieval European beasts and creatures who can’t even.

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    At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”

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    Jenn Frank writes about horror, games, “Tropes vs Women In Video Games” and “consuming media responsibly”: “I think what I’m getting at is, especially with the horror genre, it’s less important what a movie says and more important that you, the viewer, understand why you’re enjoying it. I believe in judicious self-awareness; a director like Nicolas Winding Refn knows exactly why he makes the directorial choices he makes, and he works those kinks right out onscreen.

    Or, if you aren’t enjoying a piece of work—if ultraviolence isn’t your thing, or if you’re suffering a visceral reaction—it’s every bit as important that you identify what about the piece is making you uncomfortable.”

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