The Cultural Gutter

dangerous because it has a philosophy

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Lexi Alexander on The Movie Crypt

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Director Lexi Alexander joins Adam Green and Joe Lynch on Geek Nation’s The Movie Crypt. “From Lexi’s early days as a martial arts world champion living in Germany, to a comprehensive look into how her short film (Johnny Flynton) secured an Oscar nomination and how the Academy’s nomination process really works, to Lexi’s opinions on […]

Stories Are Important

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This week SF/F Editor Emeritus James Schellenberg returns as a Guest Star! Stories are important, we all know this. I hasten to add: and they should be fun too, otherwise why bother reading them? Every once in a while, I run across a new author that balances “something to say” and “have fun saying it” […]

Pirates On One Hand, Privateers On The Other

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Director Lexi Alexander writes about movies and piracy and wonders if studios are more damaging. “I would argue that releasing crappy movies has a far greater effect on the film industry bottom line than piracy ever could. Similar things happen when a hyped TV show bombs or an anticipated game is a letdown. Companies don’t […]

10 Comics I Liked In 2012

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Tales of derring-do! Girl adventurers! Occult mystery! Infernal foes! Secrets revealed! Pirates! Love, loss & betrayal! Intricate art bound in lovely hardcovers! Indie going mainstream! Original creations! It’s been an incredible year for comics. So many good ones that I can’t even begin to claim to know what would be the best comics of 2012. […]

DC’s Big Bang Theory

Everything’s going all kablooey at DC as they reboot their entire line and move everything toward simultaneous release. Comics Alliance analyzes the situation and brings up concerns with piracy and Apple’s hardcore content restrictions. Like this:Like Loading…

Piracy’s Double-Edged Cutlass

The power of piracy and viral success of Go The Fuck To Sleep (a children’s book for adults): “Piracy, it seems, is what has driven the book’s real-world, money-making, flying-off-the-shelves success. The bootleg copy hasn’t replaced the actual artifact. It has only served as a sort of free advertising. Piracy can hurt publishers, but it […]

Arrgh, Comic Piracy!

Turns out that piracy might help out comics in the same way that it can help out musicians. Indie creator Steve Lieber’s sales were boosted after a 4chan user uploaded scans of his book, Underground. Comics Alliance has some thoughts. Like this:Like Loading…

Tentacles! Jane Austen!

Jane Austen, co-author of the popular, Pride and Prejudice and Zombies, has a new novel that details more than love or manners in the Regency Era. Sense and Sensibility and Sea Monsters reveals shocking and tentacled attacks on respectable society. Click through to the book trailer. Like this:Like Loading…

Incredible Combinations

A wrestler-fairy? A nerd-werewolf? A caveman-pirate? All these and more in Creebobby’s second Archetype Times Table. Like this:Like Loading…

It Takes Two

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If I had a dime for every time I’ve heard that writing is a lonely profession I would (to misquote  Stephen Colbert) have a hell of a lot of hypothetical money.  But phrases don’t become cliches without reason, and the truth is that many writers spend a great deal of their time inside their own […]

Yellow Peril

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I’ve learned something reading Terry and the Pirates:  There’s no way around the yellow peril in the Golden Age. Good comics sometimes have racist renderings in them. Like this:Like Loading…

Ninjas vs. Pirates

It’s an idea whose time has come: Ninjas vs. Pirates! Sounds homebrew too: “Almost all scenes in NVP were shot in front of 9 sheets of 30-cent green posterboard in a 12’x13′ apartment living room, lit with $12 Wal-Mart halogen work lights.” Like this:Like Loading…

Cracking a Moral Code

Flatscreen monitor on a castle wall--does it get any cooler?

For those of you who paid for your copy of Tony Hawk 4 (Aspyr, 2003) on the PC, here’s what you missed. Running INSTALLER.EXE in the pirated version brings up a window that shows a flat-monitor screen hanging painting-style on what looks to be a castle wall. A bouncy-yet-mournful synth tune plays in the background. […]

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  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

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