The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Louis Jourdan

Actor Louis Jourdan has died. Jourdan starred in both films and television including, Gigi (1958), Letter From An Unknown Woman (1948), Swamp Thing (1982), Octopussy (1983), Madame Bovary (1949), Julie (1956), Columbo (1978), Paris Precinct (1955) and Dracula (1977). The BBC, The Guardian and The New York Times have obituaries. Here’s a brief interview with […]

RIP, James Rebhorn

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Actor James Rebhorn has died. The Los Angeles Times, The New York Times, and The Hollywood Reporter have obituaries. Rebhorn had roles in films including Independence Day, Basic Instinct, The Talented Mr. Ripley and He Knows You’re Alone. And he had roles in television shows including, Search for Tomorrow, Guiding Light, As The World Turns, […]

Cruising at the Projection Booth

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This week The Projection Booth looks at William Friedkin’s Cruising (1979), with discussion of the controversy surrounding the film and interviews Don Scardino, Randy Jurgensen, & Travis Mathews about the Sixties and Seventies New York, making the film and making Interior. Leather. Bar.

The Fatal Flaw of Dexter

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And Todd Van Der Werff has some thoughts on the series finale of Dexter at The AV Club: “The fatal flaw of Dexter has always been that its writers have rarely, if ever, treated the central character with anything like a clear vision of who he’s meant to be.”

“The Heist Always Goes Wrong”

“In a good heist film, the heist always goes wrong.” Andrew Nette shares his favorites.

Most Enjoyable Asian Films of 2012

At Wildgrounds, Kevin Ma shares his most enjoyable “bad” film and most enjoyable “good” film of 2012.

Serpico Now

The New York Times profiles Frank Serpico: “Pacino played Serpico better than I did.” (via Andrew Nette)

Chester Himes on the BBC

Listen to BBC Radio 4’s production of Chester Himes’ crime classic, Cotton Comes to Harlem. Only available for a short time. (Thanks, Andrew Nette)

RIP, Frank Pierson

Screenwriter and director Frank Pierson has died. Pierson wrote such films as Dog Day Afternoon, Cat Ballou, The Anderson Tapes and Cool Hand Luke. Pierson also wrote teleplays for Have Gun Will Travel, The Naked City, Lakota Woman: The Siege at Wounded Knee, Mad Men and The Good Wife. The Hollywood Reporter has more on […]

NYAFF 2012!

Who will dare face the New York Asian Film Festival?! Who will dare not to after seeing the festival trailer and reading, “Grady’s Guide to NYAFF 2012?!”  The full festival schedule and ticket information are here.

Squad 7: Impressions of Murder

In 1978, Elmore Leonard followed Detroit Homicide’s murder felony unit, Squad 7 and wrote a story about it for The Detroit News Sunday Magazine.  (Thanks, @booksadventures)

The Raid in Claymation

Enjoy full-on awesomeness as The Raid is recreated in stop-motion animation. (Thanks, Colin!)

The Raid Trailer

Here’s an Indonesian trailer for The Raid, not that it matters because the titles are in English and asskickery is an universal language.  (The Raid played at–and won the People’s Choice Award–at TIFF’s 2011 Midnight Madness Programme, see more trailers from that programme here and here).  

Interview with Ryoo Seung-Wan

Hangul Cellulloid interviews director, writer and actor, Ryoo Seung-Wan about his earlier films, including Die Bad; his current film, The Unjust; his upcoming, The Berlin File; and whether Korean films are inherently violent.

Interview with Cartoonist Susie Cagle

Comics Alliance interviews Susie Cagle, who was teargassed and arrested while reporting on Occupy Oakland for Good magazine. The article has a couple of her sketches and some distressing video.

One Podcast. Two Men. Ten Thousand Bullets.

The Projection Booth targets John Woo’s The Killer and its legacy, including an interview with Kenneth Hall, writer of John Woo: The Films.

Midnight Madness 2011, Updated

Here are two more trailers for films screening at this year’s Midnight Madness Program at the Toronto International Film Festival. First up, a teaser and clip from Eduardo Sánchez’ Lovely Molly. There’s also a trailer for Frederic Jardin’s thriller, Sleepless Night / Nuit Blanche. (Updated: The Incident trailer was incorrect).

Trailer for The Raid

Joe Taslim and Iko Uwais go through 15 floors of bad guys in Gareth Evans follow-up to Merantau. We didn’t have the trailer for The Raid in time for the Midnight Madness trailer post. But it’s worth the wait.

Singham Trailer

“Don’t fuck with Bajirao Singham.” Cars roll, guns are drawn and Bajirao Singham tears a lamp post up and hits a guy with it in this trailer for Singham, a remake of the Tamil action film, Singam, directed by Hari and starring Surya Sivakumar.

Podcasts! Podcasts! Podcasts!

Here at the Gutter we like our podcasts. We especially like Infernal Brains and The Projection Booth. At Infernal Brains, Todd and Tars discuss Thai pulp hero, Insee Daeng and Wisit Sasanatieng’s recent screen adaptation, Red Eagle.  Meanwhile, at The Projection Booth, Mike and Mondo Justin report on Robocop (including news on Detroit’s statue) and […]

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  • Of Note Elsewhere

    Rob and Mike watch Edgar Ulmer’s The Black Cat (1934) at The Projection Booth. “The first big American studio film — and last big American studio film – directed by Edgar G. Ulmer, The Black Cat is, uh, ‘inspired’ by Edgar Allan Poe’s short story and stars Bela Lugosi and Boris Karloff in a taut game of life and death.”

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    Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.

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    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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    The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it has been part of us since ages long past.”

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