The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, James Rebhorn

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Actor James Rebhorn has died. The Los Angeles Times, The New York Times, and The Hollywood Reporter have obituaries. Rebhorn had roles in films including Independence Day, Basic Instinct, The Talented Mr. Ripley and He Knows You’re Alone. And he had roles in television shows including, Search for Tomorrow, Guiding Light, As The World Turns, […]

Cruising at the Projection Booth

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This week The Projection Booth looks at William Friedkin’s Cruising (1979), with discussion of the controversy surrounding the film and interviews Don Scardino, Randy Jurgensen, & Travis Mathews about the Sixties and Seventies New York, making the film and making Interior. Leather. Bar.

The Fatal Flaw of Dexter

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And Todd Van Der Werff has some thoughts on the series finale of Dexter at The AV Club: “The fatal flaw of Dexter has always been that its writers have rarely, if ever, treated the central character with anything like a clear vision of who he’s meant to be.”

“The Heist Always Goes Wrong”

“In a good heist film, the heist always goes wrong.” Andrew Nette shares his favorites.

Most Enjoyable Asian Films of 2012

At Wildgrounds, Kevin Ma shares his most enjoyable “bad” film and most enjoyable “good” film of 2012.

Serpico Now

The New York Times profiles Frank Serpico: “Pacino played Serpico better than I did.” (via Andrew Nette)

Chester Himes on the BBC

Listen to BBC Radio 4′s production of Chester Himes’ crime classic, Cotton Comes to Harlem. Only available for a short time. (Thanks, Andrew Nette)

RIP, Frank Pierson

Screenwriter and director Frank Pierson has died. Pierson wrote such films as Dog Day Afternoon, Cat Ballou, The Anderson Tapes and Cool Hand Luke. Pierson also wrote teleplays for Have Gun Will Travel, The Naked City, Lakota Woman: The Siege at Wounded Knee, Mad Men and The Good Wife. The Hollywood Reporter has more on […]

NYAFF 2012!

Who will dare face the New York Asian Film Festival?! Who will dare not to after seeing the festival trailer and reading, “Grady’s Guide to NYAFF 2012?!”  The full festival schedule and ticket information are here.

Squad 7: Impressions of Murder

In 1978, Elmore Leonard followed Detroit Homicide’s murder felony unit, Squad 7 and wrote a story about it for The Detroit News Sunday Magazine.  (Thanks, @booksadventures)

The Raid in Claymation

Enjoy full-on awesomeness as The Raid is recreated in stop-motion animation. (Thanks, Colin!)

The Raid Trailer

Here’s an Indonesian trailer for The Raid, not that it matters because the titles are in English and asskickery is an universal language.  (The Raid played at–and won the People’s Choice Award–at TIFF’s 2011 Midnight Madness Programme, see more trailers from that programme here and here).  

Interview with Ryoo Seung-Wan

Hangul Cellulloid interviews director, writer and actor, Ryoo Seung-Wan about his earlier films, including Die Bad; his current film, The Unjust; his upcoming, The Berlin File; and whether Korean films are inherently violent.

Interview with Cartoonist Susie Cagle

Comics Alliance interviews Susie Cagle, who was teargassed and arrested while reporting on Occupy Oakland for Good magazine. The article has a couple of her sketches and some distressing video.

One Podcast. Two Men. Ten Thousand Bullets.

The Projection Booth targets John Woo’s The Killer and its legacy, including an interview with Kenneth Hall, writer of John Woo: The Films.

Midnight Madness 2011, Updated

Here are two more trailers for films screening at this year’s Midnight Madness Program at the Toronto International Film Festival. First up, a teaser and clip from Eduardo Sánchez’ Lovely Molly. There’s also a trailer for Frederic Jardin’s thriller, Sleepless Night / Nuit Blanche. (Updated: The Incident trailer was incorrect).

Trailer for The Raid

Joe Taslim and Iko Uwais go through 15 floors of bad guys in Gareth Evans follow-up to Merantau. We didn’t have the trailer for The Raid in time for the Midnight Madness trailer post. But it’s worth the wait.

Singham Trailer

“Don’t fuck with Bajirao Singham.” Cars roll, guns are drawn and Bajirao Singham tears a lamp post up and hits a guy with it in this trailer for Singham, a remake of the Tamil action film, Singam, directed by Hari and starring Surya Sivakumar.

Podcasts! Podcasts! Podcasts!

Here at the Gutter we like our podcasts. We especially like Infernal Brains and The Projection Booth. At Infernal Brains, Todd and Tars discuss Thai pulp hero, Insee Daeng and Wisit Sasanatieng’s recent screen adaptation, Red Eagle.  Meanwhile, at The Projection Booth, Mike and Mondo Justin report on Robocop (including news on Detroit’s statue) and […]

RIP, Peter Falk

Actor Peter Falk has died.  He was probably best known as Grandpa in The Princess Bride and Lt. Columbo in Columbo, but he worked for Frank Capra, Nicholas Ray, John Cassavetes, Wim Wenders, Robert Altman and Robert Wise.  And gave probably the finest performance ever at The Dean Martin Roast.  The Guardian, The Telegraph and […]

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  • Of Note Elsewhere

    Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.

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    At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and destruction, fearing strong conviction is a mark of simplicity and delusion.

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    Eastern Kicks has an interview–and a gallery of photos of–director Park Joon-hung.

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    Get ready for a new season of Mad Men with this collection of Absurdist Mad Men promotions, which the Cultural Gutter participates in and even encourages. Duck Phillips rules an undersea advertizing empire and “Pete feels slighted.”

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    Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.

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    Al-Jazeera America profiles John Pirozzi’s Don’t Think I’ve Forgotten, a documentary about Cambodian rock’n’roll and musicians who survived the Khmer Rouge. “Until 1975, music thrived in Phnom Penh, with clubs full night after night, crowds gathering in the streets around transistor radios to hear the latest releases, and the biggest stars being feted by the king. Enter the Khmer Rouge, communism and the war on intellectuals. Between 1975 and 1979, about 2 million Cambodians, roughly a third of the population, were rounded up and either were killed or died of starvation. Artists were particularly disliked by the Khmer Rouge, which saw creativity as decadence: Almost all of the biggest names perished during that era.”

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