At Graveyard Shift Sisters, Ashlee Blackwell considers love in Ganja & Hess. ” It is up to the viewer to map a path that suits their understanding. What writer/director Bill Gunn (who plays Dr. Hess’ assistant) wanted was a disruption of mainstream fare. Gunn didn’t seem too interested in what Hollywood desired, and like many writers, wrote a screenplay that felt personal and needed to be written. It tackles so many themes, it’s almost difficult to begin. While most rely on it being vampiric and about addiction, it’s important to note the journey that Hess and Ganja embark on together. Their romantic entanglement may by one of the most fascinating aspects of the film that is commonly overlooked because it is challenging to simplify.”
Actor Louis Jourdan has died. Jourdan starred in both films and television including, Gigi (1958), Letter From An Unknown Woman (1948), Swamp Thing (1982), Octopussy (1983), Madame Bovary (1949), Julie (1956), Columbo (1978), Paris Precinct (1955) and Dracula (1977). The BBC, The Guardian and The New York Times have obituaries. Here’s a brief interview with […]
Actor James Rebhorn has died. The Los Angeles Times, The New York Times, and The Hollywood Reporter have obituaries. Rebhorn had roles in films including Independence Day, Basic Instinct, The Talented Mr. Ripley and He Knows You’re Alone. And he had roles in television shows including, Search for Tomorrow, Guiding Light, As The World Turns, […]
This week The Projection Booth looks at William Friedkin’s Cruising (1979), with discussion of the controversy surrounding the film and interviews Don Scardino, Randy Jurgensen, & Travis Mathews about the Sixties and Seventies New York, making the film and making Interior. Leather. Bar.
And Todd Van Der Werff has some thoughts on the series finale of Dexter at The AV Club: “The fatal flaw of Dexter has always been that its writers have rarely, if ever, treated the central character with anything like a clear vision of who he’s meant to be.”
“In a good heist film, the heist always goes wrong.” Andrew Nette shares his favorites.
At Wildgrounds, Kevin Ma shares his most enjoyable “bad” film and most enjoyable “good” film of 2012.
The New York Times profiles Frank Serpico: “Pacino played Serpico better than I did.” (via Andrew Nette)
Listen to BBC Radio 4’s production of Chester Himes’ crime classic, Cotton Comes to Harlem. Only available for a short time. (Thanks, Andrew Nette)
Screenwriter and director Frank Pierson has died. Pierson wrote such films as Dog Day Afternoon, Cat Ballou, The Anderson Tapes and Cool Hand Luke. Pierson also wrote teleplays for Have Gun Will Travel, The Naked City, Lakota Woman: The Siege at Wounded Knee, Mad Men and The Good Wife. The Hollywood Reporter has more on […]
Who will dare face the New York Asian Film Festival?! Who will dare not to after seeing the festival trailer and reading, “Grady’s Guide to NYAFF 2012?!” The full festival schedule and ticket information are here.
In 1978, Elmore Leonard followed Detroit Homicide’s murder felony unit, Squad 7 and wrote a story about it for The Detroit News Sunday Magazine. (Thanks, @booksadventures)
Enjoy full-on awesomeness as The Raid is recreated in stop-motion animation. (Thanks, Colin!)
Here’s an Indonesian trailer for The Raid, not that it matters because the titles are in English and asskickery is an universal language. (The Raid played at–and won the People’s Choice Award–at TIFF’s 2011 Midnight Madness Programme, see more trailers from that programme here and here).
Hangul Cellulloid interviews director, writer and actor, Ryoo Seung-Wan about his earlier films, including Die Bad; his current film, The Unjust; his upcoming, The Berlin File; and whether Korean films are inherently violent.
Comics Alliance interviews Susie Cagle, who was teargassed and arrested while reporting on Occupy Oakland for Good magazine. The article has a couple of her sketches and some distressing video.
The Projection Booth targets John Woo’s The Killer and its legacy, including an interview with Kenneth Hall, writer of John Woo: The Films.
Here are two more trailers for films screening at this year’s Midnight Madness Program at the Toronto International Film Festival. First up, a teaser and clip from Eduardo Sánchez’ Lovely Molly. There’s also a trailer for Frederic Jardin’s thriller, Sleepless Night / Nuit Blanche. (Updated: The Incident trailer was incorrect).
Joe Taslim and Iko Uwais go through 15 floors of bad guys in Gareth Evans follow-up to Merantau. We didn’t have the trailer for The Raid in time for the Midnight Madness trailer post. But it’s worth the wait.
“Don’t fuck with Bajirao Singham.” Cars roll, guns are drawn and Bajirao Singham tears a lamp post up and hits a guy with it in this trailer for Singham, a remake of the Tamil action film, Singam, directed by Hari and starring Surya Sivakumar.
Here at the Gutter we like our podcasts. We especially like Infernal Brains and The Projection Booth. At Infernal Brains, Todd and Tars discuss Thai pulp hero, Insee Daeng and Wisit Sasanatieng’s recent screen adaptation, Red Eagle. Meanwhile, at The Projection Booth, Mike and Mondo Justin report on Robocop (including news on Detroit’s statue) and […]keep looking »