The Cultural Gutter

the cult in your pop culture

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Remembering Koh Masaki”

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The Awl’s Rich Bellis writes about Koh Masaki and the importance of Masaki’s visibility as an out gay man working in the Japanese porn industry. “By the time he died from peritonitis after an appendix operation, at just 29, Masaki had established a celebrity persona in a business where such a thing hadn’t existed before. […]

“The Happy Hunks of Tom of Finland”

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Andy Khouri celebrates “the Happy Hunks of Tom of Finland” at Comics Alliance. “Tom of Finland was the Jack Kirby of gay porn. Working in a section of the comics industry that most fans perhaps spend little time exploring, Tom was a masterful artist, a pioneer, and an inspiration. His work helped establish a gay […]

Retrospective: Vive Le Gutter!

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The Cultural Gutter turned ten in May, 2013 and we didn’t make much of a fuss about it. But ten years ago this week, Jim Munroe posted the manifesto that’s guided The Cultural Gutter, even as each subsequent editor has joined the Gutter and added their take on our mission. We thought this would be […]

“Smut, refreshed for a new generation”

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The New York Times profiles The Vinegar Syndrome, a company dedicated to preserving and introducing “a new generation to lost and forgotten films from what’s considered the golden age of American hard-core filmmaking, roughly 1969 to 1986.” (via @willmckinley) Like this:Like Loading…

RIP, Al Goldstein

Publisher of Screw magazine and pornography and free speech advocate Al Goldstein has died. The Guardian, The Village Voice, The New York Times and The Miami Herald have obituaries. And here’s a blog dedicated to the appreciation of Screw magazine’s cover art (NSFW & warning: possible triggers). Like this:Like Loading…

Naked Woman (Steep Hill)

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One night, when I was poking around on the internet for something mindless to play, I stumbled across a game called Naked Woman (Steep Hill). The description: “Control the fate of a naked woman riding down a steep hill. 20 options decide her doom. Feel free to suggest any other fates she can face!” My […]

Kirk and Spock, Tristan and Iseult

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At Teach Me Tonight, Kate Laity writes about Joanna Russ’ 1985 essay, “Pornography by Women for Women With Love”:  “While the entire collection makes fascinating reading, I want to focus on the chapter “Pornography By Women For Women, With Love” as it provides some interesting roots for the ongoing academic dissections of romance writing today […]

How Not To Write Smut

“I’d originally started writing a list of the mistakes made by poor smut writers, but I’ve decided that it would be more fun to write an absolute shit piece of erotica that illustrated, to an admittedly ridiculous degree, most of these errors.” Get your bad smut on here. Like this:Like Loading…

“Porn Fans Aren’t What They Used To Be”

“In an age when every conceivable permutation of pornography is immediately accessible for free online, the power dynamic between viewer and star has shifted. Most porn viewers are still quietly accessing the material from the privacy of their own homes, but because it’s so easy to get, the reverence has faded.” At the Adult Entertainment […]

Genesis of the Cultural Gutter

Way back in 2003, Jim Munroe conceived of a SXSW panel, “Why I Dig Working In The Cultural Gutter” and the Cultural Gutter is one of the results of that discussion. Heath Row’s Media Diet has a transcript of that panel.   Like this:Like Loading…

RIP, Sylvia Kristel

Actress Sylvia Kristel has died.  While she worked with many directors on many films, Kristel is best known for the 1974 film, Emmanuelle, and its many sequels. The Guardian and  The New York Times have obituaries. The Guardian also has a review of her memoir, Undressing Emmanuelle: “I was dressed, but people preferred me naked. […]

FantAsia Film Festival 2012

The FantAsia site is up and running with many, many trailers to get you ready for the festival. (Or at least, what films to keep an eye out for). Like this:Like Loading…

Remembering the Origin of Fifty Shades of Grey

Galleycat documents 50 Shades of Grey‘s history as the Twilight fanfiction story, “Masters of the Universe,” and its from The Internet Archive’s search (aka, The Wayback Machine) as it transforms from fanfiction to a published sensation. (via The Measure) Like this:Like Loading…

James Deen, A Star in Straight Porn That Women Like

Slate ponders a Good Living interview with James Deen, porn star, and “porn that women like–why does it make men so uncomfortable.” Like this:Like Loading…

Sexcula!

“Shot in Vancouver by one-time producer Clarence Neufeld and a cast of unknown exhibitionists, the adult monster spoof Sexcula is not only an almost lost piece of undeniably sleazy Canadiana, it’s also one of earliest monster movies made north of the border, a spoofy take-off on the Universal classic horror films.”  More at Canuxploitation! Like […]

Interview with Joe Gage/Tim Kincaid

At Fangoria, Sean Abley interviews Joe Gage, director of the Gay porn “Working Man Trilogy” (L.A. Tool and Die; Kansas City Trucking Co.; and El Paso Wrecking Co.) as well as a bunch of low-budget horror movies under the name, “Tim Kincaid.” (Thanks, Matt!) Like this:Like Loading…

Full and Uncut Interview with Alan Moore

comicbookGRRRL‘s Laura Sneddon has posted her full and uncut interview with Alan Moore.  An abridged version, “Superheroes are our visions of ourselves,” originally appeared in The Independent. Moore talks superheroes, The League of Extraordinary Gentlemen, Lost Girls and attracting a female readership. Like this:Like Loading…

Jia Zhangke Speaks Out Against Cenorship in China

“The only reason that we cannot make genre movies is the barrier that censorship sets.” Jia Zhangke says more here.  Meanwhile a leaked diplomatic document gives  some insight as to whose taste is being served in recent Chinese historical epics.  Xi Jinping admires American World War II dramas:  “Some Chinese moviemakers neglect values they should promote…America […]

RIP, Yvette Vickers

Actress and Playboy Playmate Yvette Vickers has died. She was discovered by director Billy Wilder and acted in Sunset Boulevard and such atomic era classics such as Attack of the 50-Foot Woman and Attack of the Giant Leeches.  Sadly, her body was discovered after a curious neighbor noticed her mail untouched. Like this:Like Loading…

Cthulhurotica

Share your most tentacular and… tentual?… erotica with Cthulhurotica. I bet they’d even take your H.P. Lovecraft/August Derleth slash fiction… Like this:Like Loading…

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  • Of Note Elsewhere

    Comics Alliance suggests seven Star Wars comics to read before Disney makes them disappear. (Including a comic by one of Comics Editor Carol’s favorite creative teams–Corinna Bechko and Gabriel Hardman). “Starting in 2015, Disney’s handing the publishing of any and all new Star Wars comics over to Marvel Comics, with an all new, optimized-for-corporate-synergy canon that will spread across all their media platforms. Anything that’s not a movie (especially one of the Original Trilogy movies), or a Clone Wars cartoon, will be unceremoniously Order 66-ed out of existence, giving future filmmakers a clean-ish slate to make movies (and money) on. But what about all those Dark Horse comics? That’s where we come in with 7 Dark Horse Star Wars comics you should track down before they disappear.”

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    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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    At The Guardian, Keith Stuart and Steve Boxer look at the history of PlayStation.“Having been part of the late 80s rave and underground-clubbing scene, I recognised how it was influencing the youth market. In the early 90s, club culture started to become more mass market, but the impetus was still coming from the underground, from key individuals and tribes. What it showed me was that you had to identify and build relationships with those opinion-formers – the DJs, the music industry, the fashion industry, the underground media.” (via @timmaughan)

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