The Cultural Gutter

beyond good and bad, there is awesome

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Liz Holzman

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Animator, writer, director and producer Liz Holzman has died. Holzman worked on Animaniacs, Pinky & The Brain, DuckTales, Smurfs, Muppet Babies and Darkwing Duck among other television series and films. The Hollywood Reporter, Animation Magazine and The Los Angeles Times have obituaries. Animation Insider has an interview with Holzman. Here is a gallery of Holzman’s […]

Strong Female Character

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A little while ago, a friend told me that I was a “strong woman.” It was a compliment and I took it as one. Part of me knows what he means, that I keep trying, that I pick myself up as best I can after things go to hell, that I try to keep moving. […]

Crimewave!

It seems like when people think of comics, they think of superheroes, but there was a long time when crime and comics were synonymous. And now it seems like some of the best comics around are crime books. There’s a new golden age, a new crimewave in comics. I’ve been meaning to write about it, […]

Interview with Carrie Brownstein

Carrie Brownstein talks about Portlandia, Wild Flag, and nostalgia. “[A]s we went into the second season and now the third, the analogy we used was a record. Your first album can be a series of singles – like “here’s our opening thesis” – and you have a couple of hits. It might not be cohesive […]

10 Comics I Liked in 2011

It’s the beginning of January, cold and dark where I am. The critics are all putting out their best of year lists, and maybe you’re looking for something to read. So here’s my entry into annual lists: 10 comics I liked in 2011 that I haven’t written about. Well 9 comics I haven’t written about […]

10 Comics I Liked in 2010

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Sometimes it’s easy to forget why I like comics and 2010 was a particularly tough year, in comics and otherwise. But here are 10 that reminded me why I do like them. There’s a lot of crime, anthropomorphic animals, gorgeous art, silly fun, people dealing with things the best they can, and plenty of Greg […]

Gojira To Kitty Cats

20 years ago, his job was demolition. Now Godzilla’s a web designer in Portland. This is his story. Or at least the first episode. (Thanks, Flusty!) Like this:Like Loading…

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  • Of Note Elsewhere

    At New York Magazine, David Wallace-Wells writes about bees, colony collapse disorder and beekeeper Dave Hackenberg. “It’s been a long decade for bees. We’ve been panicking about them nonstop since 2006, when beekeeper Dave Hackenberg inspected 2,400 hives wintering in Florida and found 400 of them abandoned — totally empty. American beekeepers had experienced dramatic die-offs before, as recently as the previous winter in California and in regular bouts with a deadly bug called the varroa mite since the 1980s. But those die-offs would at least produce bodies pathologists could study. Here, the bees had just disappeared. In the U.K., they called it Mary Celeste syndrome, after the merchant ship discovered off the Azores in 1872 with not a single passenger aboard. The bees hadn’t even scrawled CROATOAN in honey on the door on their way out of the hive.”

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    Andrew Nette has a pair of interesting pieces on pulp you might be interested in. First, he writes about “the New Pulp” and a bit about Fifty Shades of Gray in “Fifty Shades of Pulp.” Then he writes about pulp and literacy and furthering social advancement in “Pulp and Circumstance.”  “Most people view pulp as either exploitative lowbrow culture or highly collectable retro artefact. Yet pulp has a secret history which Rabinowitz’s book uncovers. Her central thesis is that cheap, mass-produced pulp novels not only provided entertainment and cheap titillating thrills, but also brought modernism to the American people, democratising reading and, in the process, furthering culture and social enlightenment.”

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    The Projection Booth interviews actor Ed Asner.

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    Transcript from BAFTA’s tribute to director Johnnie To, “Johnnie To: A Life In Pictures.” It’s a great interview with To about his films and process. “Like when I made The Mission I didn’t have a script. It was 1999 and I didn’t have any money so we went to Taiwan and they gave us very little money to hurry up and make a film, so without any script we just started making it. And after 19 days we made the film.” (Thanks to the Heroic Sisterhood!)

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    A gallery of sweet geeky art from Native American artist, Jeffrey Veregge. “My origins are not supernatural, nor have they been enhanced by radioactive spiders. I am simply a Native American artist and writer whose creative mantra in best summed up with a word from my tribe’s own language as: ‘taʔčaʔx̣ʷéʔtəŋ,’ which means ‘get into trouble.'”

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    John Reppion continues his series on English magic and Jonathan Strange And Mr. Norrell. Next up, “Away With The Fairies.”

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