The Los Angeles Times has an interview with Margaret Sixel, editor of Mad Max: Fury Road. “I wanted every single shot to progress the story. I don’t like repetition. And I think we applied that rule religiously throughout the film….I watched a film last night and they kept cutting back again and again and the expression on the actor’s face was exactly the same. I felt like, ‘You’ve used the shot three times already!’ That’s what I don’t like. There’d better be some progress.”
The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated Thursday afternoon with a new article about an artistic pursuit generally considered to be beneath consideration. Carol Borden draws out the best in comics, alex MacFadyen and Beth Watkins stare deeply into the screen, Keith Allison probes science fiction and Angela Englert sinks her fangs into horror.
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By alex macfadyen on February 4, 2016
So Winston Churchill, Emma Goldman, and Alexander Graham Bell walk into a bar… Murdoch Mysteries isn’t quite as over the top as that, but it’s still basically what you get. Substitute Benjamin Franklin, Betsy Ross, and Pandora and you’d have Sleepy Hollow, which actually is that over the top. They’re examples of the nearly endless […]
By Carol Borden on January 28, 2016
There is another world, a hidden one, the world of secret masters who control everything from wars, globalization and finance to our mundane lives as deftly as a puppeteer controls the strings of a marionette. It is a world of powerful men who proclaim themselves godly while leading cults in foul rites in cellars, caverns […]
By Keith Allison on January 21, 2016
In a month during which the Oscars have been rightly lambasted for their frequent exclusion and diminishing of minorities and DC/Warner Brothers trumpeted their upcoming Wonder Woman movie’s feminism by showing off Gal Gadot’s ass and talking about how her true power is her loving, nurturing personality, it’s especially refreshing to retire from the eye-rolling […]
By Angela Englert on January 14, 2016
Bethesda Softworks’ Fallout 4, like its predecessors, surrounds the player with a retro-futurist, post-apocalyptic world abstracted from the good ol’, partially mythical USA of educational filmstrips, with sprinkles of that era’s sci-fi upping the ante. In due time, you’ll be battling through a harsh realm of mad science gone amok, repulsive and insane mutations, cruel […]
By Beth Watkins on January 7, 2016
Ajooba is one of those Bollywood movies that almost everybody dismisses—cheap costumes, awkward giant monsters, make-do special effects—until you get them to actually think about it. Released in 1991, this bank-breaking Indian and Soviet co-production features a plot that sounds more at home in the 1970s in the golden era of the type of film […]
Footage of Sammo Hung, Lau Ching-Wan Louis Koo, Yuan Quan, Jiang Shuying, Eddie Peng, Liu Kai-Chi and Wu Jing on the set of Benny Chan’s The Deadly Reclaim. (Thanks, Brian!)
New clip promoting Venture Bros. season 5.
Last year when I heard that Burger King was planning to release a series of video games for the Xbox 360, I thought the game industry was headed for a new low. To me, this went way beyond the shameless hordes of promotional tie-ins to popular movies and TV shows, and seemed more inappropriate than […]
In July 1996, Hulk Hogan shocked the world by becoming what oppressed him the most as a hero in the 1980s: he turned heel. As the garbage filled the ring, he told Mene Gene Okerland, “As far as I’m concerned, all this crap in the ring represents the fans out here. ” That year Pro […]
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“During the 1970’s Black filmmakers found their voices by making films that spoke to urban audiences in a way that had never been done before. Films like Sugar Hill, Abby, The Zebra Killers and so many more packed theaters with audiences hungry for Horror Movies where the Black Guy didn’t die first. 40 years later, Black horror films have made a lasting impact within the Black community. These films are national treasures and should be a part of any film collection. The Museum of UnCut Funk pays homage to the Blaxpolitation Horror films of 1974.” Click through for more. (via @GrveyardShiftSisters)
Mubi has a collection of film posters designed by Eva Švankmajerová, Surrealist painter, writer and filmmaker. Learn more about Eva Švankmajerová with an posthumous interview with Gwendolyn Albert, the translator of her novel, Baradla Cave.
At The Toast, Mo Moulton watches Downton Abbey and discusses its portrayal of Neville Chamberlain. “Here, then, is Neville Chamberlain in 1925. He is fulfilling the expectations set by an extraordinary political family. His father, Joseph Chamberlain, ran a screw factory in Birmingham, where he became passionate about urban improvement as a method for bettering the lives of his workers. As Liberal mayor of Birmingham, he was an early, passionate proponent of what became known as “gas and water socialism”: he wanted to put those services within reach of every resident by putting them under the management of local government. So far, it’s hard to imagine the Earl of Grantham having much in common with this energetic, egalitarian entrepreneur.”
In honor of Black History and Women In Horror Month, Graveyard Shift Sisters take a look at Audre’s Revenge Film collective, which was founded by Monika Estrella Negra: “Audre’s Revenge Film was created in order to promote visibility of womyn, queer, trans and intersex folks of color in the sci fi and horror universe.“